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In Engendering the Republic of Letters Susan Dalton analyses the lives of four of the most famous salon women in France and the Venetian republic in the late eighteenth-century - Julie de Lespinasse, Marie-Jeanne Roland, Giustina Renier Michiel, and Elisabetta Mosconi Contarini all lived through the events that transformed Western culture, including the Enlightenment, the French Revolution, and the Napoleonic Wars.

How did Anglo-Saxons reflect on the experience of growing old? Was it really a golden age for the elderly, as has been suggested? This first full survey of the Anglo-Saxon cultural conceptualisation of old age, as manifested and reflected in the texts and artwork of the inhabitants of early medieval England, presents a more nuanced and complicated picture. The author argues that although senescence was associated with the potential for wisdom and pious living, the Anglo-Saxons also anticipated various social, psychological and physical repercussions of growing old. Their attitude towards elderly men and women - whether they were saints, warriors or kings - was equally ambivalent. Multidisciplinary in approach, this book makes use of a wide variety of sources, ranging from the visual arts to hagiography, homiletic literature and heroic poetry. Individual chapters deal with early medieval definitions of the life cycle; the merits and downsides of old age as represented in Anglo-Saxon homilies and wisdom poetry; the hagiographic topos of elderly saints; the portrayal of grey-haired warriors in heroic literature; Beowulf as a mirror for elderly kings; and the cultural roles attributed to old women.

A collection of satires on Pitt and his followers by French Laurence, Joseph Richardson, Richard Tickell and others. ; Mode of access: Internet. ; With this are bound: Criticisms on the Rolliad. Part the second. 1790; Probationary odes for the laureatship. 1791; Political miscellanies. 1790.

A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.

"During the 1970s, Le Guin experienced a paradigm shift to feminism, a change which had profound effects on her work. This examination explores the masculinist nature of her early writing and how her work changed both thematically and aesthetically as a result of her newfound feminism. A vital addition to Le Guin criticism"--Provided by publisher

The conjunction of print and political revolutions between 1770 and 1820 generated a body of literary history writing whose competing narratives serve functions distinct from the consolidating and regulatory ones implicit in the genre's modern identification with canonicity. This first full-length investigation of period literary history argues that it accommodated adversarial positions as well as consensus, spoke to multiple readerships, fostered provisionality along with the search for certainty, and advanced a sense of historical locatedness. After 1820, however, its mediatory powers withered in response to the ascendancy of literary criticism, unease about the numbers and diversity of readers, and the perception of a national crisis post-Peterloo. Drawing on collective biography, memoir, antiquarianism, the novel, secret history, specimens, reviews and Institutional lectures, the study invites a fundamental rethinking of the place of literary history in late eighteenth and early nineteenth-century print culture, and hence in the wider social and political movements it was both shaped by and itself helped shape.