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Abstract
After months of grandstanding amidst an economic crisis that has seen prices of basic goods skyrocketed, growing unsustainable public debt levels and the value of the local currency plummeting, the Government of Ghana made a U-turn on its earlier decision of not seeking an IMF bailout and announced on 1st July 2022, the intention to seek an IMF bailout. This paper tries to understand the initial government resistance to an IMF bailout. Using the qualitative research approach and analyzing speeches of political actors, the study makes the case that domestic politics was the main reason for the governments initial resistance to engaging the IMF. An IMF programme would be politically self-defeating for the government and provide a political tool for the opposition in the 2024 election since a similar deal in 2015 was portrayed as evidence of government failure. On the evidence of the current IMF bailout decision, the paper concludes that governments have political interest in making foreign economic policy choices in Ghana. Choices that may not enhance electoral chances are likely to be avoided in favour of those that enhance it. To derive the best outcome from foreign economic policy choices requires building national consensus, which would help to avoid adverse outcomes that may be occasioned by policy choices that enhance a political actor's electoral chances at the expense of the long-term interest of the state.

New musical and theatrical genres that demonstrate post-non-classical musical thinking are considered. The most common are happening, performance and instrumental theater. Genres are considered differently by V. Petrov, M. Pereverzeva, Yu. Gnirenko and M. Katunyan, but, however, without disclosing their ontology and logical basis. The main distinguishing features of the new stage forms are the openness of the structure, the creative function of the performers and temporal unlimitedness, which indicates the rhizome and rhizome thinking of the composers. It is proposed to consider the new musical and theatrical realities as non-linear, in particular dissipative, based on a non-linear type of determinism – self-determinism. On its basis, a rational construct is established in the form of self-organization (performer), or performing will, which provide the musical material with the quality of integrity. Alternative musical theater is another form of new musical stage genres that have emerged in the post-non-classical era, or in the post-modern era. It is presented by alternative opera and alternative ballet, which establish the aesthetics of consonance, antimimesis and display (instead of experience), as well as the multivariant implementation of the musical and theatrical concept (concert, theater stage, etc.). The works of the American composer D. Cage, the Russian composer V. Martynov, the Belarusian composers V. Kuznetsov, L. Simakovich, A. Korotkina were selected as analytical material.