Suchergebnisse

International audience ; Dans une atmosphère médiatique très passionnée, des concepts imprécis et des approches essentialisantes échouent souvent à rendre compte du rôle présent et à venir de ces composantes centrales de la scène politique méditerranéenne que sont les courants islamistes. Ce rôle ne peut être pleinement compris que si l'on considère aussi qu'il s'inscrit dans des situations diverses et changeantes, et surtout dans des rivalités bien plus profanes et politiques que théologiques ou existentielles. Il importe donc de lire l'action de ces formations non pas au regard d'un idéal-type, étranger au contexte régional concerné, mais bien à l'aune des antagonismes au sein desquels elle se déploie : les formations islamistes se sont construites face à des régimes autoritaires que souvent elles continuent à combattre, et sont, sur ce terrain, en concurrence avec d'autres.

International audience ; Dans une atmosphère médiatique très passionnée, des concepts imprécis et des approches essentialisantes échouent souvent à rendre compte du rôle présent et à venir de ces composantes centrales de la scène politique méditerranéenne que sont les courants islamistes. Ce rôle ne peut être pleinement compris que si l'on considère aussi qu'il s'inscrit dans des situations diverses et changeantes, et surtout dans des rivalités bien plus profanes et politiques que théologiques ou existentielles. Il importe donc de lire l'action de ces formations non pas au regard d'un idéal-type, étranger au contexte régional concerné, mais bien à l'aune des antagonismes au sein desquels elle se déploie : les formations islamistes se sont construites face à des régimes autoritaires que souvent elles continuent à combattre, et sont, sur ce terrain, en concurrence avec d'autres.

Examines Bergson's work from the perspectives of critical philosophy of race and decolonial theory, placing it in conversation with theorists from Africa, the African Diaspora, and Latin America.

ITALIANO: Attraverso il confronto con gli altri monasteri femminili e maschili esistenti in laguna negli stessi secoli, il presente intervento indaga il ruolo rivestito dal cenobio femminile di San Zaccaria all'interno delle vicende politiche, sociali e religiose del dogado veneziano nei secoli cruciali dell'alto medioevo. L'analisi evidenzia da un lato l'esistenza di una chiara scansione cronologica entro la quale la comunità monastica esplica in maniera più o meno incisiva una funzione di rappresentanza dapprima della famiglia dogale poi della città stessa, dall'altro in che misura tale funzione sia determinata da vicende esterne al dogado o da elementi interni al monastero stesso. / ENGLISH: This paper analyses the role played by the female religious community of San Zaccaria in the political, social and religious context of the Venetian Dogado during the Early Middle Ages. On the one hand, by comparing the convent with the other Venetian male and female monasteries, the study clarifies that the community exercised a more or less incisive role in representing first the doge's family, then the entire city, during a specific timeframe. On the other hand, the analysis reveals to what extent the functions the monastery exercised were influenced by events external to the Dogado or by developments within San Zaccaria itself.

Over the past fifteen years, the Nigerian government has stopped many young migrant women from trying to leave the country, identifying them as victims of human trafficking and referring them to a federal antitrafficking agency for protection and rehabilitation. Relatively few women accept these interventions outright, due in part to ingrained suspicion of state officials and institutions. This article uses ethnographic research from one state‐run shelter where these would‐be migrant women were detained to examine how state counselors there justified their actions and how migrant women interpreted them. Where the moral authority of the state has been depleted, it shows how shelter staff urged residents to find trust in government through trust in God, and how women in turn made claims on the state through religious idioms of conversion and salvation. Ultimately, it demonstrates how ad hoc relationships of governance are forged in one fervently contested encounter between citizens and the state in Nigeria.

The main focus of this article is the construction of the middle class Muslims through representation and images in the form of Islamic films. Representations and simulations are used to maintain and strengthen the position of the middle class in Muslim societies. In the era of liberal capitalism, spectacle media is the most popular medium of society. The image is the main value in the media, which disturbs the society of capitalism to smooth the agenda of capitalism and consumerism. The main question in this article is how the representation and simulation of Islam is from the middle class Muslims in Indonesian Islamic films in post-new Order era? This article reveals the position of Islamic films as a medium of preservation of the religious values of the middle class that are displayed through film framing such as economic ability, education qualifications and political choice. The identity of the middle class is a value that is not only illustrated without ideological battles and the struggle for space in films, but at the same time becomes a religious ideological medium, especially the closed middle class Muslims ideology.