Fractal History, or Clio and the Chaotics
In: Diplomatic history, Band 16, Heft 4, S. 495-510
ISSN: 1467-7709
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In: Diplomatic history, Band 16, Heft 4, S. 495-510
ISSN: 1467-7709
In: Diplomatic history, Band 15, Heft 1, S. 1-11
ISSN: 1467-7709
In: Business history, Band 32, Heft 3, S. 162-167
ISSN: 1743-7938
In: Business history, Band 7, Heft 1, S. 57-58
ISSN: 1743-7938
In: Indiana series in Arab and Islamic studies
"Mark Tessler's highly praised, comprehensive, and balanced history of the Israeli-Palestinian conflict from the earliest times to the present - updated to the first decade of the twenty-first century - provides a constructive framework for understanding recent developments and assessing the prospects for future peace. New chapters elucidate the Oslo peace process, including the reasons for its failure, and the political dynamics in Israel, the West Bank, and Gaza at a critical time of transition."--Jacket.
In: Izvestija Ural'skogo federalʹnogo universiteta: Ural Federal University journal. Serija 2, Gumanitarnye nauki = *Series 2*Humanities and arts, Band 20, Heft 1 (172), S. 126-141
ISSN: 2587-6929
These tips will make you more familiar with rehabilitation terminology, necessary documentation, and accepted rehabilitation treatments for meeting the Secretary of the Interior's Standards for Rehabilitation, as required by the legislation enacting this state income tax credit program.
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In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 77, Heft 3, S. 815-816
ISSN: 2325-7784
Springsteen est en effet l'un de ces chanteurs folk-rock, au même titre que Dylan et bien d'autres, que l'on pourrait presque qualifier, en tout cas comme j'aime le faire, de « chanteurs géographes », ou de « paroliers géographes » tellement leurs oeuvres sont spatiales et spatialisées, sociales et socialisées, politiques et politisées, permettant ainsi une analyse géographique multidisciplinaire. Et c'est précisément ce rapport, ce lien qu'entretiennent la géographie et la musique, sur lequel se basera toute cette étude. Notre sujet, que nous venons d'exposer, s'inscrira pleinement dans cet objectif : questionner le rapport et les relations qu'entretiennent la musique et la géographie, et ce à travers un cas d'étude bien précis, celui de l'auteur-compositeur-interprète américain Bruce Springsteen qui, nous tenterons de le montrer, aborde, dans son oeuvre, la question des espaces urbains et des multiples enjeux socio-spatiaux qui en découlent.
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Springsteen est en effet l'un de ces chanteurs folk-rock, au même titre que Dylan et bien d'autres, que l'on pourrait presque qualifier, en tout cas comme j'aime le faire, de « chanteurs géographes », ou de « paroliers géographes » tellement leurs oeuvres sont spatiales et spatialisées, sociales et socialisées, politiques et politisées, permettant ainsi une analyse géographique multidisciplinaire. Et c'est précisément ce rapport, ce lien qu'entretiennent la géographie et la musique, sur lequel se basera toute cette étude. Notre sujet, que nous venons d'exposer, s'inscrira pleinement dans cet objectif : questionner le rapport et les relations qu'entretiennent la musique et la géographie, et ce à travers un cas d'étude bien précis, celui de l'auteur-compositeur-interprète américain Bruce Springsteen qui, nous tenterons de le montrer, aborde, dans son oeuvre, la question des espaces urbains et des multiples enjeux socio-spatiaux qui en découlent.
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In: Sociologie du travail, Band 49, Heft 2, S. 145-161
ISSN: 1777-5701
Background: The Federation of Musical Societies of the Valencian Community (FSMCV) is a democratic association created 50 years ago, which represents and supports the 550 associations that make it up, with the aim of promoting, disseminating and teaching music. It promotes associationism and provides society with a way of developing cultural articulation, mainly developing its activities within the Valencian Community, although its national and international activity is very remarkable. Methodology: This article based on a prospective study using a qualitative methodology analyzes one of the proposals made to commemorate the 50th anniversary of the FSMCV through the use and application of the collaborative creation system Soundcool where more than 100 students from music schools in the Valencian Community played with their own mobile devices. In order to obtain the results of this study: unstructured interviews; focus group; articipant observation and analysis of the audiovisual material collected through the different previous preparation meetings were taken into account, as well as the product of the final perforation collected by the researchers. Main Findings: The results obtained with the introduction of creative elements and strategies through new digital tools such as Soundcool, allow new spaces in the teaching of music students further integrating contemporary languages and creativity, as well as promoting their digital competence. Implications: Also with this type of proposals through the FSMCV, we reinforce the creative commitment through the production of sound by students of music schools. Keywords: Soundcool, FSMCV, music creation, sound design, collaborative pedagogy, contemporary music, landscapes fiction, mobile devices.
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In: Thesis eleven: critical theory and historical sociology, Band 8, S. 92-101
ISSN: 0725-5136
Discussed are two equally plausible interpretations of Karl Marx's philosophy of history that lend support to various tactical & policy imperatives: (1) Marx's challenge to liberal bourgeois anthropology based on a concept of universal human nature, Kantian categorical imperatives, & its preoccupation with the individual in search of liberty; & (2) Marx's apparent acceptance of universalism as part of his doctrine of an inevitable historical march toward progress, with its linear anthropology. The implications of both these positions are discussed in terms of the expected development of capitalism. S. Karganovic.
In: http://hdl.handle.net/11104/0257631
The Velvet Revolution in November 1989 brought about the collapse of the authoritarian communist regime in what was then Czechoslovakia. It also marks the beginning of the country's journey towards democracy. This book examines what the values in so-called real socialism were, as well as how citizens' values changed after the 1989 collapse. In Velvet Revolutions, Miroslav Vanek and Pavel Mücke analyze and interpret 300 interviews on citizens' experience of freedom and its absence, the value of work, family and friends, education, relations to public sphere and politics, the experience of free time, and perception of foreigners and foreign countries. The interviewees are drawn from a wide range of professions, including manual workers, service workers, farmers, members of the armed forces, managers, and marketing personnel. All of the interviewees were at working age during the last twenty years of the communist regime and during the post-revolutionary transformation. From this rich foundation, the book builds a multi-layered view of Czech history before 1989 and during the subsequent period of democratic transformation.
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