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Over the last decade piracy has become a source of constant debate. While copyright organisations describe piracy as simple theft, others regard it as a legitimate form of cultural consumption in a digital environment. Piracy is, however, not a phenomenon unique to digital media of the 21st century. This article takes the history of copyright and piracy as a starting point for a discussion about piracy as a cultural and political phenomenon that goes beyond the contemporary preoccupation with particular piratical practices such as file sharing. It seeks to show how copyright and piracy are integrated aspects of modern society, equally situated in the urban, social space of the modern city and the global, geopolitical landscape of colonialism in the past and the present. One might call it a study of how piracy is constituted in space over time. The article sets out with a short overview of the colonial heritage of copyright, followed by a discussion of the re-contextualisation of copyright within the structures of international trade relations in the 1990s, moving on to discuss how this positioned piracy within a postcolonial order of power. It concludes with a brief discussion of how piracy has become an integrated part of everyday life in contemporary, postcolonial cities and how this development reflects piracy's role in the process of late capitalist globalisation.

As the goals and aspirations of protesters across the world are becoming more multifaceted and less programmatic it becomes increasingly hard to say what 'the protester' wants and where 'the revolution' will take us. This book makes no attempts to give a clear cut answer that question, but it sheds light on the different forms and shapes that revolts and revolutions may take in the 21st century.

Introduction : property, place, and piracy / Martin Fredriksson & James Arvanitakis -- On decolonising our thinking and cultural exchange / Ingrid Matthews -- Commons, piracy, and property : crisis, conflict and resistance / James Arvanitakis & Martin Fredriksson -- Property, sovereignty, piracy, and the commons : early modern enclosure and the foundation of the state / Sean Johnson Andrews -- Unreal property : anarchism, anthropology, and alchemy / Jonathan Paul Marshall & Francesca da Rimini -- Piratical constructions of humanity : innocence, property, and the human-nature divide / Sonja Schillings -- Mobility in early modern Anglo-American accounts of piracy / Alexandra Ganser -- Compensation in the absence of punishment : rethinking Somali piracy as a form of maritime xeer / Brittany Gilmer -- Commodification of country : an Australian case study in community resistance to mining / Ingrid Matthews -- Privateering on the cosmic frontier? mining celestial bodies and the "newspace" quest for private property in outer space / Matthew Johnson -- "The ancestry land": China's pursuit of dominance in the South China Sea / Jingdong Yuan -- Nuclear testing and the "Terra Nullius Doctrine": from life sciences to life writing / Mita Banerjee -- From biopiracy to bioprospecting : negotiating the limits of propertization / Martin Fredriksson -- Gated housing hierarchy / Franklin Obeng-Odoom -- Pirate places in Bangkok : IPRS, vendors, and urban order / Duncan McDuie-re & Daniel F. Robinson -- The real Gruen transfer : enclosing the right to the city / James Arvanitakis & Spike Boydell -- Epilogue / James Arvanitakis & Martin Fredriksson

Intro -- Table of Contents -- On Piracy -- List of Acronyms -- Part I - Ontology -- The Pirate Imaginary and the Potential of the Authorial Pirate -- To Name a Thief: Constructing the Deviant Pirate -- "You Can't Change our Ancestors Without our Permission": Cultural Perspectives on Biopiracy -- Piratical Community and the Digital Age: The Structural Racialization of Piracy in European Law and Culture1 -- Part II - Politics -- Modernity, Law and the Violence of Piracy, Property and the State -- 'Pirates' in EU's (Semi)Peripheries -- The IPR GPR: The Emergence of a Global Prohibition Regime to Regulate Intellectual Property Infringement -- BitTorrent: Stealing or Sharing Culture? A Discussion of the Pirate Bay Case and the Documentaries "Steal This Film I & II" -- The Internet Between Politics and the Political: -- Cultural Resistance or Corporate Assistance: -- Part III - Practice -- The Justifications of Piracy: -- Set the Fox to Watch the Geese: -- Pirate Economies and the Production of Smooth Spaces -- The Collaborative Production of Amateur Subtitles for Pirated TV Shows in Brazil -- After Piracy: Reflections of Industrial Designers in Taiwan on Sustainable Innovations -- Piracy is Normal, Piracy is Boring: -- An Epilogue Privacy is Theft: On Anonymous Experiences, Infrastructural Politics and Accidental Encounters -- Contributing Authors -- INDEX.

"A collection of texts that takes a broad perspective on digital piracy and attempts to capture the multidimensional impacts of digital piracy on capitalist society today"--

This article takes the politicisation of copyright and file sharing as a starting point to discuss the concept of the commons and the construction of property. Empirically, the article draws on a series of interviews with Pirate Party members in Sweden, Australia, Germany, the UK and USA; placed in the theoretical framework of the commons. We argue that piracy, as an act and an ideology, interrogates common understandings of property as something self-evident, natural and uncontestable. Such constructions found liberal market ideology. The article has two broad aims: to outline the different phases of enclosure, from the physical commons, to the institutional and finally the cultural commons; and to discuss the way that piracy highlights the emergent crisis in private property rights, brought to the fore by the global financial crisis and ongoing privatization of public resources. We conclude by questioning what new modes of enclosure are emerging in a digital economy driven by excessive data mining and centralized streaming services. ; The Ideology of Piracy

A political battle is being waged over the use and control of culture and information. While media companies and copyright organisations argue for stricter intellectual property laws, a growing body of citizens challenge the contemporary IP-regime. This has seen a political mobilisation of piracy. Pirate parties see themselves as a digital civil rights movement, defending the public domain and the citizen's right to privacy against copyright expansionism and increased surveillance. Since the first pirate party was formed in Sweden in 2006, similar parties have emerged across the world. This article draws on a study of the culture and ideology of copyright resistance, through interviews with pirate party representatives in Europe and North America. It focuses on challenges to democracy, and the distinction between public and private property and spaces, in the wake of the war on terror and the global financial crisis.

A political battle is being waged over the use and control of culture and information. While media companies and copyright organisations argue for stricter intellectual property laws, a growing body of citizens challenge the contemporary IP-regime. This has seen a political mobilisation of piracy. Pirate parties see themselves as a digital civil rights movement, defending the public domain and the citizen's right to privacy against copyright expansionism and increased surveillance. Since the first pirate party was formed in Sweden in 2006, similar parties have emerged across the world. This article draws on a study of the culture and ideology of copyright resistance, through interviews with pirate party representatives in Europe and North America. It focuses on challenges to democracy, and the distinction between public and private property and spaces, in the wake of the war on terror and the global financial crisis. ; Piratkopieringens ideologi: En studie av piratkopiering, upphovsrätt och modernitet i Sverige, USA och Australien

A political battle is being waged over the use and control of culture and information. While media companies and copyright organisations argue for stricter intellectual property laws, a growing body of citizens challenge the contemporary IP-regime. This has seen a political mobilisation of piracy. Pirate parties see themselves as a digital civil rights movement, defending the public domain and the citizen's right to privacy against copyright expansionism and increased surveillance. Since the first pirate party was formed in Sweden in 2006, similar parties have emerged across the world. This article draws on a study of the culture and ideology of copyright resistance, through interviews with pirate party representatives in Europe and North America. It focuses on challenges to democracy, and the distinction between public and private property and spaces, in the wake of the war on terror and the global financial crisis.

"Piracy" is a concept that seems everywhere in the contemporary world. From the big screen with the dashing Jack Sparrow, to the dangers off the coast of Somalia; from the claims by the Motion Picture Association of America that piracy funds terrorism, to the political impact of pirate parties in countries like Sweden and Germany. While the spread of piracy provokes responses from the shipping and copyright industries, the reverse is also true: for every new development in capitalist technologies, some sort of "piracy" moment emerges. This is maybe most obvious in the current ideologisation of Internet piracy where the rapid spread of so called Pirate Parties is developing into a kind of global political movement. While the pirates of Somalia seem a long way removed from Internet pirates illegally downloading the latest music hit or, it is the assertion of this book that such developments indicate a complex interplay between capital flows and relations, late modernity, property rights and spaces of contestation. That is, piracy seems to emerge at specific nodes in capitalist relations that create both blockages and leaks between different social actors. ; PiracyLab

Orthodox copyright scholarship frames piracy in 'developing' countries as a detrimental and illegal practice that results from these countries' lack of economic, social and cultural development. It argues that piracy needs to be discouraged, regulated, and finally overcome for legitimate business to flourish. In this article, the authors challenge this viewpoint and question whether the implementation of international copyright instruments in legislation across Africa really promotes those local economies or if it merely exposes them to neo-colonial exploitation. While the early international treaties on intellectual property rights (IPR) were formulated by European states and implemented in most parts of Africa through colonial laws, more recent legislation has been globally implemented through institutions such as the United Nations or the World Trade Organization, which remain dominated by Western interests. Through a structured overview of the adoption of IPR treaties in African countries, the authors advance a political economy perspective of intellectual property rights as a (neo-)colonial regime. ; Les membres de l'école traditionnelle sur les questions de droits d'auteurs mettent en avant le piratage dans les pays « en développement » comme une pratique préjudiciable et illégale qui résulte du manque de développement économique, social et culturel de ces pays. Ils soutiennent que le piratage doit être découragé, réglementé et finalement surmonté pour que le commerce légitime puisse prospérer. À travers cet article, nous remettons en question ce point de vue et nous nous demandons si la mise en place de mesures internationales relatives au droit d'auteur dans la législation à travers le continent africain, favorise réellement ces économies locales ou si elles ne font que les exposer à l'exploitation néo-coloniale. Alors que les premiers traités internationaux sur les droits de propriété intellectuelle étaient formulés par des États européens puis appliqués à travers la plupart des régions d'Afrique à travers les lois coloniales, plus récemment la législation a été globalement mise en oeuvre par des institutions telles que l'Organisation des Nations unies ou l'Organisation mondiale du commerce, qui restent dominées par les intérêts occidentaux. À travers une vue d'ensemble structurée de l'adoption des traités sur les droits de propriété intellectuelle dans les pays africains, nous mettons en avant une perspective d'économie politique des droits de propriété intellectuelle en tant que régime (néo-)colonial.

Organization scholars have extensively studied both the politics of organization and the organization of politics. Contributing to the latter, we argue for further and deeper consideration of political parties, since: (1) parties illuminate organizational dynamics of in- and exclusion; (2) internal struggles related to the constitution of identities, practices and procedures are accentuated in parties; (3) the study of parties allow for the isolation of processes of normative and affective commitment; (4) parties prioritize and intensify normative control mechanisms; (5) party organizing currently represents an example of profound institutional change, as new (digital) formations challenge old bureaucratic models. Consequently, we argue that political parties should be seen as 'critical cases' of organizing, meaning that otherwise commonplace phenomena are intensified and exposed in parties. This allows researchers to use parties as magnifying glasses for zooming-in on organizational dynamics that may be suppressed or concealed by the seemingly non-political façade of many contemporary organizations. In conclusion, we argue that organization scholars are in a privileged position to investigate how political parties function today and how their democratic potential can be improved in the future. To this end, we call on Organization and Management Studies to engage actively with alternative parties in an attempt to explore and promote progressive change within the formal political system.

Organization scholars have extensively studied both the politics of organization and the organization of politics. Contributing to the latter, we argue for further and deeper consideration of political parties, since: (1) parties illuminate organizational dynamics of in- and exclusion; (2) internal struggles related to the constitution of identities, practices, and procedures are accentuated in parties; (3) the study of parties allow for the isolation of processes of normative and affective commitment; (4) parties prioritize and intensify normative control mechanisms; (5) party organizing currently represents an example of profound institutional change, as new (digital) formations challenge old bureaucratic models. Consequently, we argue that political parties should be seen as 'critical cases' of organizing, meaning that otherwise commonplace phenomena are intensified and exposed in parties. This allows researchers to use parties as magnifying glasses for zooming-in on organizational dynamics that may be suppressed or concealed by the seemingly non-political façade of many contemporary organizations. In conclusion, we argue that organization scholars are in a privileged position to investigate how political parties function today and how their democratic potential can be improved in the future. To this end, we call on Organization and Management Studies to engage actively with alternative parties in an attempt to explore and promote progressive change within the formal political system. ; Funding: Velux Fonden [00013146]