Suchergebnisse

This book argues that the rising tide of anti-colonialism after the 1930s should be considered a turning point not just in harnessing a new mood or feeling of unity, but primarily as one that viewed empire, racism, and economic degradation as part of a system that fundamentally required the application of strategy to their destruction

Abstract
This article examines how the liberatory ideals of transnational projects could become codified in particular processes of thought, deed, and expression. During his term of service in Nigeria between 1960 and 1962 the Trinidadian union leader McDonald Moses mobilized a number of phenomena central to the transformative projects of the mid-twentieth century: the paramountcy of psychology to "true" transformation and change; the embrace of programmatic action; and the belief that both psychological transformation and programmatic action could be articulated through new and enlightened forms of expression. While histories that embrace a "cultural turn" tend to look for this expression in creative forms and artistic production, this article looks to daily administrivia as part of an explicitly political project that aimed to improve the lives of workers by changing their modes of organizing and, consequently, the culture of politics and labor.

AbstractRecent scholarship on Indian, African, and Caribbean political thinkers and leaders emphasizes the era leading up to and immediately after decolonization as one saturated with awareness of time and history. While much of this scholarship focuses on temporalities that open up the future, this article instead foregrounds imaginings of the present in the currency of news reports. By examining newspaper reports, we can attend in a different way to renderings of time and freedom. This article applies theoretical work on genre and addressivity to analyze how location, space, and time were simultaneously grounded and overcome by Nigerian newspaper columnists, and how this dynamic of bounded transcendence facilitated an array of social and political projects in the time-space of 1930s and 1940s colonial Nigeria. The pseudonymous writers examined in this article applied the trope of flying to exist in an alternate reality. Each "reporter" outstripped the normal logic of time and space through their ability to "jump" from place to place, and even to be in more than one place at once. By existing, as they claimed, "everywhere and nowhere" they literally and figuratively rose above the material reality of the everyday, thus ordaining an exclusive capacity for revelation.