Suchergebnisse

Aus iranischer Sicht

Abstract: In the study of art market of Indian tribal, creativeeconomy, cultural economy effect on consumer behavior, governmentprotection, changes of cultural believes and religion by tribal for increasing market, art economic etc. has been considered. In Indian tribal art economics, creative imagination coming from their culture, believes, religions etc. So it becomes more sensitive and restricted. The Field work was conducted in Bhopal (IGRMS), Madhya Pradesh, India. Data collection was performed by qualitative informal depth interview and quantitative data by questionnaire. Tools and technique were including photography, observation; case study (Bhil and Rathwa communities) Research duration was fromMay2015 to March 2016. Consumers of Indian tribal art divided to four categories: foreigners, NRI, artist and very rare common people. The government protection of Tribal art is based on Article 342. The protection is governed by the Ministry of Culture and Ministry of Tribal affairs, Government of India. And also by organizations like IGRMS, TRIFED, TRTI, Lalit Kala Academy etc. Protection of arts in India is performed under section 22 of the copy right Act 1957, intellectual property right and also scheme of "Market Development of Tribal Products/ Produce. In conclusion art marketing doesn't have a particular formula for all type of art because they have different target audience.Keywords: Art Market, Creative Economy, Cultural Economy, Indian Tribal Art, Indira Gandhi Rashtriya Manav Sangrahalaya (IGRMS)

"Cover " -- "Contents" -- "Acknowledgments" -- "Contributors" -- "1 U.S.-Iran Misperceptions: Introduction to a Dialogue" -- "2 The United States and Iran: Perceptions and Policy Traps" -- "3 Iranian Perceptions of U.S. Policy toward Iran: Ayatollah Khamenei's Mind-Set" -- "4 Interpreting the Implacable Foe: American Perceptions of Iran" -- "5 Iran's Perception of the U.S. Policy toward the Region" -- "6 America's Perceptions of Iran's Policy toward the Region" -- "7 The Future of U.S.-Iran Relations" -- "8 Improving U.S.-Iran Relations and Overcoming Perceptual Biases

Abstract
The present study intends to examine the link between clothes and cultural identities in Jhumpa Lahiri's "Hema and Kaushik" (2008). It will argue that Lahiri explores her protagonists' cultural displacement through their items of clothing. We want to suggest that the protagonists' clothes are employed in each narrative as signifiers for the characters' cultural identities. The study will further show that each item of clothing could be loaded with the ideological signification of two separate cultures. In other words, it aims to demonstrate how ideology imposes its values, beliefs, and consequently its dominance through the dress codes each defines for its subjects. Moreover, it intends to suggest that the link between clothing and identity is most visible and intense in the case of female immigrant characters rather than men. Drawing on Luptan's structure of the Cinderella line, we will explore Lahiri's protagonists' cultural transformation from simple ethnic girls to stylish American ladies through their items of clothing. The study will conclude that the "Cinderella line" does not work in Lahiri's realistic stories the way it does in fairy tales and romance fiction.