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In The Paradox of Progress, Nicholas Agar challenges the central claims of 'radical optimism': that technological progress will automatically make us happier and healthier. Using recent psychological studies about human well-being, he instead presents a more realistic approach to understand the positive and negative issues that progress brings.

The origin and nature of evironmental contamination -- The nature and assessment of the harm -- Economics and the environment -- Addressing pollution through the tort system -- Administrative law: the roles of congress, the president, the agencies, and the courts in shaping environmental policy -- Limiting exposure to outdoor air contaminants: the Clean Air Act: Part one: Stationary sources Part two: Mobile sources -- Protection of surface waters, wetlands, and drinking water: the Clean Water Act and Safe Drinking Water Act -- Regulation of hazardous wastes: RCRA, CERCLA, and hazardous waste facility siting -- The right to know: mandatory disclosure of information regarding chemical risks -- Enforcement: encouraging compliance with environmental laws -- Alternative forms of government intervention to promote pollution reduction -- The design and implementation of policies to promote pollution prevention and primary accident prevention -- Epilogue - beyond pollution control and prevention: sustainable development

Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.

As universities and governments seek to prepare the next generation of diplomats to manage international affairs, they finally have a teaching tool focusing on the practical knowledge and skills that in the past could be learned only on the job. Edited by Nicholas Kralev, founder of the Washington International Diplomatic Academy, Diplomatic Tradecraft brings together 18 career ambassadors with decades of experience to lift the curtain on a mysterious but vital profession, and to pass on the insights and abilities they gained to those who will succeed them. Beginning with an overview of diplomatic institutions and protocols, the text considers the key attributes of diplomatic communication and negotiation, as well as core specializations including economic, consular and public diplomacy. With compelling narratives, case studies and exercise scenarios, the chapters on various aspects of diplomatic practice form a cohesive and comprehensive volume, written in an accessible and engaging style.

"From the sixteenth century forward, the volume of paper in Britain grew enormously. Cheaper than parchment, it allowed statesmen of the time to record drafts, memoranda, and other ephemera that might have otherwise been lost to a wax tablet. And as the volume of original paperwork ballooned, the number of copies grew still further: secretaries took down version after version of letters, records, policy proposals, and more. There was no longer a singular source of records, but many archives-and the proliferation of paper transformed political dynamics. Access to particular written material became a means to establish authority and solidify networks of power. The broad availability and use of paper amounted to an early modern media revolution. Focusing on two of early modern England's primary political archives, the Tower of London Record Office and the State Paper Office, Nicholas Popper traces the circulation of their materials through government and the broader public sphere. In this early media-saturated society, many of the same issues that we face today arose: who shapes the archive? Can we trust the picture of the past and the present that it shows us? How do we decide what to preserve, what to copy and disseminate, and what to toss? And, in a more politically urgent vein: Does a huge volume of information promote political polarization and extremism?"--

"During the Second World War, hundreds of games were manufactured by the British, Germans and Americans aimed at children. Despite being cheaply made due to the wartime economy, the games were often fun to play and challenging to win. They also had considerable propaganda value helping to manipulate children into supporting the war. To get their attention, many of the games incorporated dramatic artwork and were based on real wartime events from the evacuation of children in 1939 to the dropping of the atomic bomb in 1945. This book features a large selection of different games produced by the British, Germans and Americans and tells the stories behind their wartime propaganda. The Nazis in particular prided themselves on producing games which promoted and glamourised war, exploiting children's patriotism and pride in German conquests. Some of their most insidious games included Juden Raus! (Jews Out!) and Bomber über England (Bomber over England). However, the British and Americans also produced unethical games like Target for Tonight which promoted the carpet bombing of Germany and Atomic Bomb, a dexterity puzzle about the nuclear bombing of Japan. The games featured in this book include roll and move games with a board and die, pinball and similar 'shooting' games, dexterity and other puzzles and card games. They were made out of paper, card, wood, rubber, bakelite plastic and initially metal. Remarkably despite wartime restrictions games were manufactured throughout the conflict to meet the demand from boys and girls as they closely followed the changing fortunes of the war. Today many of the games have become scarce so for collectors a guide to their value and rarity is included." --