The Seismic Shift and the Decolonization of Knowledge
In: Race in Translation, S. 61-92
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In: Race in Translation, S. 61-92
In: Race in Translation, S. 175-208
In: Race in Translation, S. 209-243
In: Race in Translation, S. 93-131
In: Race in Translation, S. 270-300
In: Rethinking marxism: RM ; a journal of economics, culture, and society ; official journal of the Association for Economic and Social Analysis, Band 19, Heft 3, S. 298-305
ISSN: 1475-8059
In: Rethinking marxism: RM ; a journal of economics, culture, and society, Band 19, Heft 3, S. 298-305
ISSN: 0893-5696
In: Journal of Latin American studies, Band 30, Heft 2, S. 451-452
ISSN: 0022-216X
In: Social text, Heft 36, S. 1
ISSN: 1527-1951
In: Objects/Histories
Frontmatter -- Contents -- Illustrations -- Reprint Acknowledgments -- Acknowledgments -- Introduction: The Work of Vision in the Age of European Empires -- Section I: The Imperial Optic -- Introduction -- PART 1: EMPIRES OF THE PALETTE -- CHAPTER 1. The Walls of Images -- CHAPTER 2. Painting as Exploration: Visualizing Nature in Eighteenth-Century Colonial Science -- CHAPTER 3. Indian Yellow: Making and Breaking the Imperial Palette -- CHAPTER 4. Colonial Panaromania -- PART 2: THE MASS-PRINTED IMPERIUM -- CHAPTER 5. Objects of Knowledge: Oceanic Artifacts in European Engravings -- CHAPTER 6. Excess in the City? The Consumption of Imported Prints in Colonial Calcutta, c. 1780-c. 1795 -- CHAPTER 7. Advertising and the Optics of Colonial Power at the Fin de Siècle -- PART 3: MAPPING, CLAIMING, RECLAIMING -- CHAPTER 8. Mapping Plus Ultra: Cartography, Space, and Hispanic Modernity -- CHAPTER 9. Mapping an Exotic World: The Global Project of Dutch Cartography, circa 1700 -- CHAPTER 10. Visual Regimes of Colonization: European and Aboriginal Seeing in Australia -- PART 4: THE IMPERIAL LENS -- CHAPTER 11. The Photography Complex: Exposing Boxer-Era China (1900-1901), Making Civilization -- CHAPTER 12. Colonial Theaters of Proof: Representation and Laughter in 1930s Rockefeller Foundation Hygiene Cinema in Java -- CHAPTER 13. Colonialism and the Built Space of Cinema -- Section II: Postcolonial Looking -- Introduction -- PART 5: SUBALTERN SEEING: AN OVERLAP OF COMPLEXITIES -- CHAPTER 14. Speaking Back to Orientalist Discourse -- CHAPTER 15. Maps, Mother/Goddesses, and Martyrdom in Modern India -- CHAPTER 16. Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism -- CHAPTER 17. "I Am Rendered Speechless by Your Idea of Beauty": The Picturesque in History and Art in the Postcolony -- CHAPTER 18. Fanon, Algeria, and the Cinema: The Politics of Identification -- PART 6: REGARDING AND RECONSTITUTING EUROPE -- CHAPTER 19. Creole Europe: The Reflection of a Reflection -- CHAPTER 20. Picasso, Africa, and the Schemata of Difference -- CHAPTER 21. Double Dutch and the Culture Game -- Conclusion: A Parting Glance: Empire and Visuality -- Contributors -- Index
Frontmatter -- Contents -- Acknowledgments -- Beyond What? An Introduction -- Part 1 Globalization and the Postcolonial Eclipse -- Beyond the Straits: Postcolonial Allegories of the Globe -- On Globalization, Again! -- The Ruins of Empire: The National and Global Politics of America's Return to Rome -- The Economic Image-Function of the Periphery -- Part 2 Neoliberalism and the Postcolonial World -- The End of History, Again? Pursuing the Past in the Postcolony -- A Flight from Freedom -- Decomposing Modernity: History and Hierarchy after Development -- ''The Deep Thoughts the One in Need Falls Into'': Quotidian Experience and the Perspectives of Poetry in Postliberation South Africa -- Between the Burqa and the Beauty Parlor? Globalization, Cultural Nationalism, and Feminist Politics -- part 3 Beyond the Nation-State (and Back Again) -- Environmentalism and Postcolonialism -- Beyond Black Atlantic and Postcolonial Studies: The South African Differences of Sol Plaatje and Peter Abrahams -- Pathways to Postcolonial Nationhood: The Democratization of Difference in Contemporary Latin America -- Traveling Multiculturalism: A Trinational Debate in Translation -- The Ballad of the Sad Café: Israeli Leisure, Palestinian Terror, and the Post/colonial Question -- Part 4 Postcolonial Studies and the Disciplines in Transformation -- Hybridity and Heresy: Apartheid Comparative Religion in Late Antiquity -- EugenicWoman, Semicolonialism, and Colonial Modernity as Problems for Postcolonial Theory -- The Social Construction of Postcolonial Studies -- Postcolonial Studies and the Study of History -- The Politics of Postcolonial Modernism -- Bibliography -- Contributors -- Index
Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION: A SIGHT LINE -- I. The Multicultural Nation and the Violence of Liberal Rights -- ONE. "As Though It Were Our Own": Against a Politics of Identification -- TWO. Juan Crow: Progressive Mutations of the Black-White Binary -- THREE. Can the Line Move? Antiblackness and a Diasporic Logic of Forced Social Epidermalization -- FOUR. (Re)producing the Nation: Treaty Rights, Gay Marriage, and the Settler State -- FIVE. Hateful Travels: Queering Ethnic Studies in a Context of Criminalization, Pathologization, and Globalization -- SIX. Critical Contradictions: A Conversation among Glen Coulthard, Dylan Rodríguez, and Sarita Echavez See -- II. Critical Ethnic Studies Projects Meet the Neoliberal University -- SEVEN . A Better Life? Asian Americans and the Necropolitics of Higher Education -- EIGHT. Notes from a Member of the Demographic Threat: This Is What "We Are All Palestinians" Really Means -- NINE. Restructuring, Resistance, and Knowledge Production on Campus: The Story of the Department of Equity Studies at York University -- TEN. "The Goal of the Revolution Is the Elimination of Anxiety": On the Right to Abundance in a Time of Artificial Scarcity -- ELEVEN. Subjugated Knowledges: Activism, Scholarship, and Ethnic Studies Ways of Knowing -- III. The Body and the Dispensations of Racial Capital -- TWELVE. Becoming Disabled / Becoming Black: Crippin' Critical Ethnic Studies from the Periphery -- THIRTEEN. Arts and Crafts, Elsewhere and Home, Mama & Me: Defying Transnormativity through Bobby Cheung's Creative Modalities of Resignification -- FOURTEEN. Indra Sinha's Melancholic Citizenship: Marking the Violence of Uneven Development in Animal's People -- FIFTEEN. Cocoa Chandelier's Confessional: Kanaka Maoli Performance and Aloha in Drag -- IV. Militarism, Empire, and War: The Security State and States of Insecurity -- SIXTEEN. Surrogates and Subcontractors: Flexibility and Obscurity in U.S. Immigrant Detention -- SEVENTEEN. Of "Mates" and Men: The Comparative Racial Politics of Filipino Naval Enlistment, circa 1941-1943 -- EIGHTEEN. The Thickening Borderlands: Bastard Mestiz@s, "Illegal" Possibilities, and Globalizing Migrant Life -- NINETEEN. Up in the Air and on the Skin: Drone Warfare and the Queer Calculus of Pain -- TWENTY. Empire's Verticality: The Af-Pak Frontier, Visual Culture, and Racialization from Above -- V. Fugitive Socialities and Alternative Futures -- TWENTY-ONE. Decolonization, "Race," and Remaindered Life under Empire -- TWENTY-TWO. Critical Ethnic Studies, Identity Politics, and the Right-Left Convergence -- TWENTY-THREE. Césaire's Gift and the Decolonial Turn -- TWENTY-FOUR. Checkered Choices, Political Assertions: The Unarticulated Racial Identity of La Asociación Nacional México-Americana -- TWENTY-FIVE. Racializing Biopolitics and Bare Life -- Bibliography -- Contributors -- Index