Fantastiske kvinder: Surreelle verdener fra Meret Oppenheim til Frida Kahlo
In: Louisiana revy 61. årgang, nr. 1 (2020)
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In: Louisiana revy 61. årgang, nr. 1 (2020)
In: Primary documents series
"'Modern Art in the Arab World, Primary Documents' offers an unprecedented resource for the study of modernism: a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts--many of which appear for the first time in English--includes manifestos, essays, transcripts of roundtable discussions, diary entries, letters, and the guest-book comments including those featured here. Traversing empires and nation-states, diasporas and speculative cultural and political federations, the book's documents bring light to the formation of a global modernism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope. Interspersed throughout the volume are sixteen contemporary essays: writings by scholars on key terms and events as well as personal reflections by modern artists who were themselves active in the histories under consideration. A newly commissioned essay by historian and Arab-studies scholar Ussama Makdisi provides a historical overview of the region's intertwined political and cultural developments during the twentieth century
World Affairs Online
World Affairs Online
In: Louisiana Revy, 19.1989, 3(März)
Ausstellungskatalog des Louisiana Museums in Humlebaek (Dänemark) mit zahlreichen farbigen Abbildungen
World Affairs Online
"The six speculative proposals presented in this catalogue are the result of a productive and dynamic fourteen-month initiative spanning multiple continents and bringing together architects of local knowledge and international experience ... The MAK-Austrian Museum of Applied Arts/Contemporary Art and its Director, Christoph Thun-Hohenstein ... have been both generous hosts--organizing the project's final workshop and providing a second venue for the exhibition at its 2015 Vienna Biennale"--Page 7
In the fall of 2009, The Museum of Modern Art and MoMA PS1 selected five interdisciplinary teams of architects, engineers and landscape designers to propose solutions to the effects of climate change on New York's waterfront. The resulting proposals, exhibited at MoMA in 2010 in the exhibition Rising Currents: Projects for New York's Waterfront, emphasize "soft" infrastructure interventions that would make New York City and its surrounding areas more ecologically sound and more resilient in responding to rising sea levels and storm surges. These innovative projects include the creation of salt- and freshwater wetlands, a Venice-like aqueous landscape, habitable piers and man-made islands, and a protective reef of living oysters. Published to document the exhibition, Rising Currents: Projects for New York's Waterfront presents these five projects in detail through essays that summarize the innovative workshop and exhibition, the dialogues they engendered with outside experts and political figures involved in regional planning, and the climate change and urban planning implications of the proposed solutions
Frida Kahlo war nur eine von ihnen: Zwischen 1930 und den 1960er-Jahren trugen weit mehr Künstlerinnen als bisher angenommen zur surrealistischen Bewegung bei. Von den männlichen Surrealisten rund um André Breton meist nur als Partnerin oder Modell wahrgenommen, zeigt der Band, wie viel mehr die Künstlerinnen zu bieten hatten. Künstlerinnenliste: Eileen Agar, Lola Álvarez Bravo, Rachel Baes, Louise Bourgeois, Emmy Bridgwater, Claude Cahun, Leonora Carrington, Ithell Colquhoun, Maya Deren, Germaine Dulac, Nusch Éluard, Leonor Fini, Jane Graverol, Valentine Hugo, Frida Kahlo, Rita Kernn-Larsen, Greta Knutson, Jacqueline Lamba, Sheila Legge, Dora Maar, Emila Medková, Lee Miller, Suzanne Muzard, Meret Oppenheim, Valentine Penrose, Alice Rahon, Edith Rimmington. Kay Sage, Sophie Taeuber-Arp, Jeannette Tanguy, Dorothea Tanning, Elsa Thoresen, Bridget Tichenor, Toyen, Remedios Varo, Unica Zürn
"Whether openly and actively or in subtle , subliminal ways, things talk to us. As the purpose of design has, in past decades, shifted away from mere utility toward meaning, objects and systems that were once charged only with being elegant and functional now have personalities. And thanks to the digital revolution, they have become very communicative, making our world newly interactive: a wristebad notifies us when we're getting dehydrated, animated creatures hide in the shadows of the objects on our desks, a wheat field calls out a salutation. Contemporary designers, in addition to giving objects form, function and meaning, now write the initial scripts that are the foundations for these useful and satisfying conversations. With nearly two hundred projects ranging from the microscopic to the cosmic, "Talk to Me: Design and the Communication between People and Objects" explores design's new terrain:enhancing, communicative possibilities, embodying a new balance between technology and people, bringing technological break-throughs up or down to comfortable, understandable human scale. These projects include interfaces, websites, video games, devices, tools, charts, and information systems, on topics global and personal. Whether we are hanging out in a social network or listening to a radio sneeze, we are partaking of a newly metaphysical and expressive layer of interaction that is already enriching our future." -- p [4] of cover
In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key--and looking back through the twentieth century--this volume, published to accompany an exhibition at The Museum of Modern Art, examines individual and collective visions for the material world of children, from utopian dreams for the 'citizens of the future' to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this richly illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking--engendering, in the process, reappraisals of some of the iconic names in twentieth-century design and enriching the unfolding narrative of modern design with other, less familiar figures.--Publisher information