Suchergebnisse

Intro -- Foreword -- Preface -- Contents -- About the Authors -- Methodological Fundamentals of Psychodrama -- 1 Introduction -- 1.1 What Is Psychodrama? -- 1.2 Psychodrama and Role Play -- 1.3 Definition and Classification of Psychodrama -- 1.4 Psychodrama as a System -- 2 An Overview of Psychodrama -- 2.1 Getting Started -- 2.2 Warm Up -- 2.3 The Protagonist Play -- 2.4 The Integration Phase -- 2.5 Working with the Group -- 2.6 Summary -- Reference -- 3 Basic Elements of Psychodrama -- 3.1 The Stage -- 3.2 The Protagonist -- 3.3 The Auxiliary Ego -- 3.4 The Group -- 3.5 The Director -- 3.6 Summary -- References -- Further Reading -- 4 Psychodramatic Arrangements -- 4.1 Scenic Play of Real or Fictional Events -- 4.2 The Vignette -- 4.3 The Role Play -- 4.4 Role Training -- 4.5 The Future Projection -- 4.6 The Empty Chair -- 4.7 Systemic Constellations and Sculptures -- 4.7.1 Psychodramatic Constellations -- 4.7.2 Sculpture Work -- 4.8 Scenic Exploration of Processes -- 4.9 Scenic Miniatures -- 4.10 Impromptu Play -- 4.11 Playback -- 4.12 The Action Sociometry -- 4.12.1 Unidimensional Presentation -- 4.12.2 Two-Dimensional Presentation -- 4.12.3 Polar Presentation -- 4.12.4 Applications of Action Sociometry -- 4.13 The Spontaneity Test -- 4.14 "Behind Your Back" -- 4.15 The Magic Shop -- 4.16 The Good Fairy -- 4.17 Psychodramatic Work with Fairy Tales, Fables or Mythological Stories -- 4.18 Psychodramatic Dream Analysis -- 4.19 Summary -- References -- 5 Action Techniques in Psychodrama -- 5.1 The Psychodramatic Interview -- 5.2 Verbalization Techniques -- 5.3 Role Reversal and Role Change -- 5.3.1 The "Simple Role Reversal" -- 5.3.2 Role Reversal from the Antagonist's Role with Another Auxiliary Ego -- 5.3.3 Indirect Role Reversal with a Stand-In -- 5.3.4 Role Change with Auxiliary Objects and Symbols -- 5.3.5 Collective Role Reversal.