Suchergebnisse

Arab culture and the religion of Islam permeated the traditions and customs of the African sub-Sahara for centuries. When the early colonizers from Europe arrived in Africa they encountered these influences and spontaneously perceived the African cultures to be ideologically hybridized and more compatible with Islam than with the ideologies of the west. This difference progressively endorsed a perception of Africa and the east being "exotic" and was as such depicted in early paintings and writings. This depiction contributed to a cultural misunderstanding of Africa and facilitated colonialism. This article briefly explores some of the facets of these early texts and paintings. In the first place the scripts by early Muslim scholars, who critically analyzed early western perceptions, were discussed against the textual interpretation of east-west perceptions such as the construction of "the other". Secondly, the travel writers and painters between 1860 and 1930, who created a visual embodiment of the exotic, were discussed against the politics behind the French Realist movement that developed in France during that same period. This included the construction of a perception of exoticness as represented by literature descriptions and visual art depictions of the women of the Orient. These perceptions rendered Africa as oriental with African subjects depicted as "exotic others".

The Africa Institute of South Africa was established in April 1960. It is an autonomous body, incorporated under the Companies Act as a non-profit association, and administered by a Council presided over by the Chancellor of the University of South Africa, Dr F. J. de Villiers. The Council is composed of representatives of the South African universities, the South African Academy of Science and Arts, and other interested bodies. The chief executive officer is the Director, Professor P. F. D. Weiss, who is also chairman of the Council of the University College at Fort Hare. Its headquarters are at the University of South Africa, in Pretoria.

Is globalization good for Africa? Pádraig Carmody explores the evolving nature and impact of globalization throughout the continent, as China, the US, and other economic powers exert their influence. Drawing especially on the cases of Chad, Sudan, and Zambia, Carmody considers whether the resource curse that has for so long plagued Africa can become a blessing. He also evaluates the impact of the information technology revolution and the recent global economic slowdown. In the context of carefully articulated historical dynamics, he provocatively assesses the new role of Africa in the global economy