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This memoir recounts the struggle against segregation in St. Augustine, Florida, in the early and mid-1960s. In the summer of 1964 the nation's oldest city became the center of the civil rights movement as Martin Luther King Jr., encouraged by President Johnson, a southerner, who made the civil rights bill the center piece of his domestic policy, chose this tourism-driven community as an ideal location to demonstrate the injustice of discrimination and the complicity of southern leaders in its enforcement. St. Augustine was planning an elaborate celebration of its founding, and expected generous federal and state support. But when the kick-off dinner was announced only whites were invited, and local black leaders protested. The affair alerted the national civil rights leadership to the St. Augustine situation as well as fueling local black resentment. Ferment in the city grew, convincing King to bring his influence to the leadership of the local struggle. As King and his allies fought for the right to demonstrate, a locally powerful Ku Klux Klan counter-demonstrated. Conflict ensued between civil rights activists, local and from out-of-town, and segregationists, also home-grown and imported. The escalating violence of the Klan led Florida's Governor to appoint State Attorney Dan Warren as his personal representative in St. Augustine. Warren's crack down on the Klan and his innovative use of the Grand Jury to appoint a bi-racial committee against the intransigence of the Mayor and other officials, is a fascinating story of moral courage. This is an insider view of a sympathetic middleman in the difficult position of attempting to bring reason and dialog into a volatile situation.

Humanitarian intervention is a many layered and complex concept. This study analyzes the various ethical positions, particularly consequentialism, welfare-utilitarianism and just war theory to unravel this intricate topic and provides a rounded reflection on the lessons learned from the revival of humanitarian intervention as a tool of conflict resolution.

Profiling 24 of the adult children of the most recognisable figures in the civil rights movement, this title collects the intimate, moving stories of families who were pulled apart by the horrors of the struggle or brought together by their efforts to change America.

This eloquent, streetwise book is a paean to America's Rust Belt and a compelling exploration of four milieus caught up in a great transformation of city life. With loving attention to detail and a fine sense of historical context, Carlo Rotella explores women's boxing in Erie, Pennsylvania; Buddy Guy and the blues scene in Chicago; police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection; and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism.A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the city's soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be "good with their hands" to one that depends on the intellectual and social skills fostered by formal education and service work.Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotella's journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls "truth and beauty in the Rust Belt."

These essays analyze the medieval bestiary from both literary and art history perspectives, exploring issues including kinship, romance, sex, death, and the afterlife.

"This book examines the careers of the Ojibwa chief Shingwaukonse, also known as Little Pine, and of two of his sons, Ogista and Buhkwujjenene, at Garden River near Sault Ste Marie. Theirs was a period in which the Great Lakes Ojibwa faced formidable challenges from entrepreneurs, missionaries, and bureaucrats, as well as from new policies set by the Canadian state." "Using an impressive array of evidence from a huge range of government, church, manuscript, and oral sources, Chute reconstructs a period of energetic and sometimes effective Aboriginal resistance to pressures visited on the community. She demonstrates that Shingwaukonse and his sons were vigilant in their attempts to maximize the autonomy and security of the Garden River Ojibwa even while many other parties insisted on their assimilation."--Jacket

This article tackles a question long deemed impossible and unthinkable: how can sociology come to grips with the colonial past and present, situating the uprooting and re-composition of families and biographies in the longue durée of enslavement and its aftermaths? As centuries-long and continent-spanning processes of violence, subjugation, exploitation, extermination, and alienation, enslavement and the trade in enslaved people have dramatically transformed social structures, including kinship ties, across the Atlantic and beyond. Seeking to reconcile sociology and slavery studies, I retrieve forgotten pieces of the sociological and abolitionist archive to engage with historical and artistic counter-narratives challenging not only white-washed European self-understandings, but also the standard methodologies and epistemologies upholding them. Unapologetically undisciplined, this article hence follows two interrelated decolonial strategies: besides conceiving of uncovering and closely reading long-forgotten foundational sociological works as a decolonial device challenging knowledge canonized by hegemonic positions in the North, I also introduce Saidiya Hartman's literary-historical method of critical fabulation as a decolonial method. I do so via a sociological reading of La Vaughn Belle's contemporary audiovisual artwork In the Place of Shadows. Mobilizing her childhood memories of racism and objectification on the US mainland, the Crucian artist traces and imagines the forced displacement of Victor and Alberta, two half-siblings from the Caribbean island of Saint Croix who were caged and exhibited as part of the 1905 colonial exhibition in Copenhagen.