This book brings together eighteen English language essays on the fringes, overlap, and tensions of memory and history that the author has published over the last three decades. It is characteristic that the two longest essays in this volume, and the most recent one, are reflections on the author's ambiguity vis-a-vis autobiographical Ego-histoire, on his role and experiences as a government advisor during the international negotiations on compensation for Nazi forced labor, and on the contexts of the essays of this book. The author was also instrumental in bringing Oral History to Germany and
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Time's Monster demonstrates the dramatic consequences of writing history today as much as in the past. Against the backdrop of enduring global inequalities, debates about reparations, and the crisis in the humanities, Satia's is an urgent moral voice"--
One of the possible ways of approaching audience history is by focusing on the history of ideas about audiences. This article examines the benefits and shortcomings of such an approach and develops a set of methodological propositions, drawing on the principles and methods of the German tradition of Begriffsgeschichte (history of concepts). To demonstrate the usefulness of these propositions, the article briefly examines the ideas about audiences in socialist Yugoslavia, focusing on the surge of ideas about politically engaged audiences in the late 1960s. The concluding part of the article situates this historical episode in the wider geographical context and outlines possible avenues for a broader, transnational investigation of the history of ideas about audiences.
Women's History has achieved visible presence in the academy and an influence to European Women's Studies. Early feminist scholarship was directly connected with politics. Thirty years later we have to recognize an unbridged gap between social movements and sophisticated scholarship. The article deals with questions resulting from the distance between a master (academy) and a mistress (women's movement). Women's History as a field of historical analysis is more than Contribution History. lt stresses the discussion of methodological and analytical tools. The main points have been gender as a useful category to study the system of gender relations (Joan W. Scott) and a conceptual framework for dealing with differences among women (Gerda Lerner). ; Women's History has achieved visible presence in the academy and an influence to European Women's Studies. Early feminist scholarship was directly connected with politics. Thirty years later we have to recognize an unbridged gap between social movements and sophisticated scholarship. The article deals with questions resulting from the distance between a master (academy) and a mistress (women's movement). Women's History as a field of historical analysis is more than Contribution History. lt stresses the discussion of methodological and analytical tools. The main points have been gender as a useful category to study the system of gender relations (Joan W. Scott) and a conceptual framework for dealing with differences among women (Gerda Lerner).
'Dieser Artikel beschreibt den Gebrauch (archivierter) Oral Histories als prozess-generierte Daten. Er erklärt, wie SozialwissenschafterInnen solchen Daten sachkundig lokalisieren und benutzen, und wie sie die Eigenschaften solcher Daten systematisch und effektiv beurteilen können. Der Artikel beschreibt Oral History als eine Methode und als eine Quellen- bzw. Datenform; er beschreibt Gesichtspunkte der Oral History, die die Datenanalyse und -interpretation beeinflussen, einschließlich Projektdesign, Aufnahmetechnologie, Interviewstrategien, Interviewerfähigkeiten und -training, die Beziehung zwischen Interviewer und Interviewpartner und die dialogische Konstruktion der Quellen, rechtliche und ethische Aspekte, Zusammenfassungen und Transkripte sowie die Oralität der Quellen und die Bedeutung, sich die Quellen anzuhören. Der Artikel problematisiert dann den Gebrauch von Oral History als Quellen, indem Subjektivität, Erinnerung, Retrospektivität und Narrativität erörtert und die Bedeutungen, Werte und Gültigkeit solcher Daten untersucht werden.' (Autorenreferat)
Starting with the late 1980ʹs and early 1990ʹs, the field of Western historiography was pervaded by studies on the history of memory against the background of mentalities, the birth of the history of present time and the struggle of oral history to promote itself (time of roots, genealogies, commemorations); it was also the time for a growing interest in an alternative history of Africa built upon memories. Museums felt empowered to interrogate current histories, while the older ones revisited the very concepts upon which they had been previously built. Memories felt compelled to question history – and to rectify it. Certain researchers felt obliged to bring forth the memorial constructions. While in Europe memories were invited to permanently defy history, in Africa their task was, from the beginning, that of investing history with truth. Very scarce were here the invitations to relativism. Memories in Africa brought with them a familiar past that was allegedly colonized and suppressed Furthermore, waking up dormant memories from before the recent, Western colonial past was part of the identity building process in Africa: such narratives justified the individual via his/her ancestors, ethnic group peers and generations. On top of that, local intellectuals built on the national and continental identity. Based on the common roots, the emerging African discourse blamed recent history for the rupture with the long durée. Celebration and commemoration are still the barometers of existing, different types of memories (individual, communities, official). The controversial heritage of juxtaposed memories requires a separate interpretation. The Kermel Square in downtown Dakar, Senegal, is such an example. The walls of the main building and the surrounding building of colonial French architecture are overlapped with imprints of the more recent national memory, and the latter is the sworn enemy of the former. Each nation-state has its own heroes and places of memory, while few remember when the stories associated with them were born. We are now left with just their compulsory, ceremonial re-visitations.