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"An Introduction to Cyberpsychology provides a comprehensive introduction to this rapidly growing discipline. Fully updated in its second edition, the book encourages students to critically evaluate the psychology of online interactions, and to develop appropriate research methodologies to complete their own work in this field"--

From the Nobel Prize-winning economist and former chair of the U.S. Federal Reserve, a landmark book that provides vital lessons for understanding financial crises and their sometimes-catastrophic economic effectsAs chair of the U.S. Federal Reserve during the Global Financial Crisis, Ben Bernanke helped avert a greater financial disaster than the Great Depression. And he did so by drawing directly on what he had learned from years of studying the causes of the economic catastrophe of the 1930s-work for which he was later awarded the Nobel Prize. Essays on the Great Depression brings together Bernanke's influential work on the origins and economic lessons of the Depression, and this new edition also includes his Nobel Prize lecture

Materialising the Roman Empire defines an innovative research agenda for Roman archaeology, highlighting the diverse ways in which the Empire was made materially tangible in the lives of its inhabitants. The volume explores how material culture was integral to the processes of imperialism, both as the Empire grew, and as it fragmented, and in doing so provides up-to-date overviews of major topics in Roman archaeology.

Each chapter offers a critical overview of a major field within the archaeology of the Roman Empire. The book's authors explore the distinctive contribution that archaeology and the study of material culture can make to our understanding of the key institutions and fields of activity in the Roman Empire. The initial chapters address major technologies which, at first glance, appear to be mechanisms of integration across the Roman Empire: roads, writing and coinage. The focus then shifts to analysis of key social structures oriented around material forms and activities found all over the Roman world, such as trade, urbanism, slavery, craft production and frontiers. Finally, the book extends to more abstract dimensions of the Roman world: art, empire, religion and ideology, in which the significant themes remain the dynamics of power and influence. The whole builds towards a broad exploration of the nature of imperial power and the inter-connections that stimulated new community identities and created new social divisions.

Available Open Access digitally under CC-BY-NC-ND licence. This book draws on ethnographic research in two UK secondary schools, considering the shifting roles of migration status, language, ethnicity, religion and precarity in young people's peer relationships. The book challenges culturalist understandings of social cohesion, highlighting the divisive impacts of neoliberalism, from pervasive temporariness and domestic abuse to technologization and neighbourhood violence. Using Martin Buber's relational model, the book explores the interplay of 'I-It' boundary-making with reciprocal 'I-Thou' encounters, pointing to the creative power of these encounters to subvert, reimagine, and even transform social difference. The author provides a pragmatic and ultimately hopeful view of the dynamics of diversity in everyday life, offering valuable insights for social policy and practice.

This open access textbook introduces and defines digital humanism from a diverse range of disciplines. Following the 2019 Vienna Manifesto, the book calls for a digital humanism that describes, analyzes, and, most importantly, influences the complex interplay of technology and humankind, for a better society and life, fully respecting universal human rights. The book is organized in three parts: Part I "Background" provides the multidisciplinary background needed to understand digital humanism in its philosophical, cultural, technological, historical, social, and economic dimensions. The goal is to present the necessary knowledge upon which an effective interdisciplinary discourse on digital humanism can be founded. Part II "Digital Humanism – a System's View" focuses on an in-depth presentation and discussion of the main digital humanism concerns arising in current digital systems. The goal of this part is to make readers aware and sensitive to these issues, including e.g. the control and autonomy of AI systems, privacy and security, and the role of governance. Part III "Critical and Societal Issues of Digital Systems" delves into critical societal issues raised by advances of digital technologies. While the public debate in the past has often focused on them separately, especially when they became visible through sensational events the aim here is to shed light on the entire landscape and show their interconnected relationships. This includes issues such as AI and ethics, fairness and bias, privacy and surveillance, platform power and democracy. This textbook is intended for students, teachers, and policy makers interested in digital humanism. It is designed for stand-alone and for complementary courses in computer science, or curricula in science, engineering, humanities and social sciences. Each chapter includes questions for students and an annotated reading list to dive deeper into the associated chapter material. The book aims to provide readers with as wide an exposure as possible to digital advances and their consequences for humanity. It includes constructive ideas and approaches that seek to ensure that our collective digital future is determined through human agency.

Im bundesdeutschen Kontext hat sich parallel und in Verschränkung zur sozialstaatlichen Armutsbekämpfung in der jüngeren Vergangenheit ein spendenbasiertes System der Armenhilfe etabliert: In der »neuen Mitleidsökonomie« geben Tafeln oder Kleiderkammern überschüssige Waren an eine wachsende Zahl bedürftiger Personen weiter. Millionen nutzen diese Angebote, um über die Runden zu kommen. So ist ein Schatten des Wohlfahrtsstaats entstanden, in dem Menschen auf die Spenden und das Mitleid Anderer angewiesen sind – ohne ein Recht auf verlässliche Hilfe zu haben.

After a brief phase of playful experimentation, every advance, every major innovation in various media provokes renewed consolidation and aesthetic reflection: we have been familiar with this duality as a separation between mass communication and art since the days of industrial communication at the latest. This can also be observed in the development of the central perspective image, early photography and especially cinematography. After an initial phase of the cinema of attractions, a new and unique formal language of the Classical Style developed as a conventionalized design rule of film, which at the same time and sometimes in sharp opposition triggered various counter-movements or was reshaped as their explicit reflection by individual artistic formal languages. We are currently facing a similar situation, the invention and spread of three-dimensional dynamic techniques with data glasses and other technologies that enable new forms of virtual production and thus of storytelling - so-called 'spatial' or 'environmental storytelling'. This volume is dedicated to this new narrative on three levels: spatial image and sound (film), movement in space (computer games and VR) and space as context (AR). - Jeder Fortschritt, jede Neuerung größeren Ausmaßes in verschiedenen Medien provoziert nach einer kurzen Phase spielerischen Experiments eine erneute Konsolidierung wie deren ästhetische Reflexion: Diese Dualität kennen wir spätestens seit den Tagen industrieller Kommunikation als eine Trennung zwischen Massenkommunikation und Kunst. Dies lässt sich gleichermaßen bei der Entwicklung des zentralperspektivischen Bildes, der frühen Fotografie oder ganz besonders der Kinematografie beobachten. Nach einer ersten Phase des Kinos der Attraktionen entwickelte sich eine neue und einzigartige Formensprache des Classical Style als konventionalisierte Gestaltungsregel des Films, die zugleich und teilweise in scharfer Opposition verschiedene Gegenbewegungen auslöste oder als deren explizite Reflexion durch individuelle künstlerische Formensprachen überformt wurde. Aktuell stehen wir vor einer ähnlichen Situation, der Erfindung und Verbreitung dreidimensionaler dynamischer Techniken mit Datenbrille und anderen Technologien, die neue Formen der Virtual Production und damit des Erzählens ermöglichen – sogenanntes ›spatial‹ oder ›environmental storytelling‹. Der Band widmet sich diesem neuen Erzählen auf drei Ebenen: Raumbild und -ton (Film), Bewegung im Raum (Computerspiel und VR) und Raum als Kontext (AR).

The word 'crusade' covers today a wide variety of meanings in most European languages. The link between these uses and the historical phenomenon labelled as 'crusade' by historians is often very narrow and particularly changing. Understanding the real meaning of the word 'crusade', its connotations and implications, and thus the conscious or unconscious intentions of its uses requires a precise knowledge of the historical evolutions of the word, from its first appearance in the 13th century until nowadays. This book offers the first comprehensive view of the historical construction of the meaning of the word 'crusade' through comparative perspectives from the Middle Ages to the 21st century. Its 11 articles, introduction and conclusion examine different uses of the word, in a single language or within a specific context, and analyse each of them as a different conceptualisation of the crusading phenomenon. The book explains the progressive widening of the meaning of the term, from a military expedition to Jerusalem to the most metaphorical uses. It demonstrates the differences between the connotations of the word in various languages and cultures and, thus, the variety of its possible uses. It insists on the reluctance and reticence that 'crusade' has always provoked since the Middle Ages, precisely because the conceptualisation it implied was not shared by all. The book will be of interest not only for crusade scholars and for diachronic linguists but also for anyone interested in understanding better modern discourses and references to the 'crusade' by politicians, activists, and journalists, through a precise inquiry on the historical developments of the word and the variety of its meanings.

Religion plays a central role in nearly every aspect in people's life of most pre-modern cultures. Especially the interconnection between religion and politics is a common fact but the details of this relation and interacting processes behind this are not substantially studied. Therefore, this volume does not aim to confirm the linkage of religion and politics in general but to investigate its functionalities in political processes. A focus is placed on the political role of religious personnel beyond their religious and cultic tasks and their influence in pre-modern societies from a cross-cultural perspective. Specialists from various disciplines present their research based on case studies. Thereby this interdisciplinary volume covers a wide geographical and chronological range from ancient Egypt in the Bronze Age until medieval England. These papers are organised according to core functions questioning the instrumentalisation of religious personnel. ; Religion plays a central role in nearly every aspect in people's life of most pre-modern cultures. Especially the interconnection between religion and politics is a common fact but the details of this relation and interacting processes behind this are not substantially studied. Therefore, this volume does not aim to confirm the linkage of religion and politics in general but to investigate its functionalities in political processes. A focus is placed on the political role of religious personnel beyond their religious and cultic tasks and their influence in pre-modern societies from a cross-cultural perspective. Specialists from various disciplines present their research based on case studies. Thereby this interdisciplinary volume covers a wide geographical and chronological range from ancient Egypt in the Bronze Age until medieval England. These papers are organised according to core functions questioning the instrumentalisation of religious personnel.

In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly in societies under colonial rule, the question of whether and how museums should narrate the hidden past of enslavement and colonialism, including their own colonial origins with respect to narratives about presumed European supremacy, and the need to establish new monuments for the enslaved, their resistance, and abolitionists of African descent. In this volume, we address this dissonant cultural heritage in Europe, with a strong focus on the tangible remains of enslavement in the Atlantic space in the continent. This may concern, for instance, the residences of royal, noble, and bourgeois enslavers; charitable and cultural institutions, universities, banks, and insurance companies, financed by the traders and owners of enslaved Africans; merchants who dealt in sugar, coffee, and cotton; and the owners of factories who profited from exports to the African and Caribbean markets related to Atlantic slavery. ; In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly in societies under colonial rule, the question of whether and how museums should narrate the hidden past of enslavement and colonialism, including their own colonial origins with respect to narratives about presumed European supremacy, and the need to establish new monuments for the enslaved, their resistance, and abolitionists of African descent. In this volume, we address this dissonant cultural heritage in Europe, with a strong focus on the tangible remains of enslavement in the Atlantic space in the continent. This may concern, for instance, the residences of royal, noble, and bourgeois enslavers; charitable and cultural institutions, universities, banks, and insurance companies, financed by the traders and owners of enslaved Africans; merchants who dealt in sugar, coffee, and cotton; and the owners of factories who profited from exports to the African and Caribbean markets related to Atlantic slavery.

The notion of apocalypse is an age-old concept which has gained renewed interest in popular and scholarly discourse. The book highlights the versatile explications of apocalypse today, demonstrating that apocalyptic transformations – the various encounters with anthropogenic climate change, nuclear violence, polarized politics, colonial assault, and capitalist extractivism – navigate a range of interdisciplinary views on the present moment. Moving from old worlds to new worlds, from world-ending experiences to apocalyptic imaginaries and, finally, from authoritarianism to activism and advocacy, the contributions begin to map the emerging field of Apocalyptic and Post-Apocalyptic Studies. Foregrounding the myriad ways in which collective imaginations of apocalypse underpin ethical, political, and, sometimes, individual experience, the authors provide key points of reference for understanding old and new predicaments that are transforming our many worlds. ; The notion of apocalypse is an age-old concept which has gained renewed interest in popular and scholarly discourse. The book highlights the versatile explications of apocalypse today, demonstrating that apocalyptic transformations – the various encounters with anthropogenic climate change, nuclear violence, polarized politics, colonial assault, and capitalist extractivism – navigate a range of interdisciplinary views on the present moment. Moving from old worlds to new worlds, from world-ending experiences to apocalyptic imaginaries and, finally, from authoritarianism to activism and advocacy, the contributions begin to map the emerging field of Apocalyptic and Post-Apocalyptic Studies. Foregrounding the myriad ways in which collective imaginations of apocalypse underpin ethical, political, and, sometimes, individual experience, the authors provide key points of reference for understanding old and new predicaments that are transforming our many worlds.