Suchergebnisse

Issued also in microfilm form, with slight differences in text, as Research document no. 114, of the Mid-European Studies Center, under title: Social legislation. ; Mode of access: Internet.

The subject of this PhD dissertation is the historical reconstructions films produced in Romania under communist rule and more precisely between 1960 and 1989. It analyses the social and cultural significance of the representation of national past but also the social and political aspects involved in the production process. In order to understand these research objectives our approach we stress first various logics which chairing the state action towards the culture and in particular towards the cinematography. We intend to analyze the economic, political and ideological conditions of the film production, the directives concerning the general thematic and the orientation that the party tries to induce to the cinema. To complete the picture of social relationships, this study tries to emphasize the stand taken by the creators and the bureaucrats towards different policies, the resistances, the liking, the collaborations. Second, this study envisages the restoration of the sociocultural processes that gave birth to the historic movies. We try to understand the internal conception process of every work, the social dynamics, the ideological positions of the party, the artists, the bureaucrats or the historians and the decision-making mechanisms. We try to correlate the vision of the creators with the position of the historians and the party through a targeted focus at the various levels of film writing as well as at the operations of subterranean negotiations in order to defend a vision or another. Finally, the third level of analysis, is interested in the deciphering of the movie as a complex artistic product combining three forms of expression (image, language and sound) aiming at reveal the political and cultural meanings of past reconstruction. We study the film representations of the historic myths, their evolution from the 1960 to 1980s and the specific contribution of the cinema in their reproduction. ; Cette thèse porte sur le film de reconstitution historique réalisé en Roumanie pendant la période ...

The subject of this PhD dissertation is the historical reconstructions films produced in Romania under communist rule and more precisely between 1960 and 1989. It analyses the social and cultural significance of the representation of national past but also the social and political aspects involved in the production process. In order to understand these research objectives our approach we stress first various logics which chairing the state action towards the culture and in particular towards the cinematography. We intend to analyze the economic, political and ideological conditions of the film production, the directives concerning the general thematic and the orientation that the party tries to induce to the cinema. To complete the picture of social relationships, this study tries to emphasize the stand taken by the creators and the bureaucrats towards different policies, the resistances, the liking, the collaborations. Second, this study envisages the restoration of the sociocultural processes that gave birth to the historic movies. We try to understand the internal conception process of every work, the social dynamics, the ideological positions of the party, the artists, the bureaucrats or the historians and the decision-making mechanisms. We try to correlate the vision of the creators with the position of the historians and the party through a targeted focus at the various levels of film writing as well as at the operations of subterranean negotiations in order to defend a vision or another. Finally, the third level of analysis, is interested in the deciphering of the movie as a complex artistic product combining three forms of expression (image, language and sound) aiming at reveal the political and cultural meanings of past reconstruction. We study the film representations of the historic myths, their evolution from the 1960 to 1980s and the specific contribution of the cinema in their reproduction. ; Cette thèse porte sur le film de reconstitution historique réalisé en Roumanie pendant la période ...

The subject of this PhD dissertation is the historical reconstructions films produced in Romania under communist rule and more precisely between 1960 and 1989. It analyses the social and cultural significance of the representation of national past but also the social and political aspects involved in the production process. In order to understand these research objectives our approach we stress first various logics which chairing the state action towards the culture and in particular towards the cinematography. We intend to analyze the economic, political and ideological conditions of the film production, the directives concerning the general thematic and the orientation that the party tries to induce to the cinema. To complete the picture of social relationships, this study tries to emphasize the stand taken by the creators and the bureaucrats towards different policies, the resistances, the liking, the collaborations. Second, this study envisages the restoration of the sociocultural processes that gave birth to the historic movies. We try to understand the internal conception process of every work, the social dynamics, the ideological positions of the party, the artists, the bureaucrats or the historians and the decision-making mechanisms. We try to correlate the vision of the creators with the position of the historians and the party through a targeted focus at the various levels of film writing as well as at the operations of subterranean negotiations in order to defend a vision or another. Finally, the third level of analysis, is interested in the deciphering of the movie as a complex artistic product combining three forms of expression (image, language and sound) aiming at reveal the political and cultural meanings of past reconstruction. We study the film representations of the historic myths, their evolution from the 1960 to 1980s and the specific contribution of the cinema in their reproduction. ; Cette thèse porte sur le film de reconstitution historique réalisé en Roumanie pendant la période ...

"The self-help industry is largely growing worldwide, and the press is adapting to the topics covered by the industry. The present paper examines how local and national journalists cover self-help events on leadership topic in Romania. The study included an analysis on The Woman Leadership Conference local event from Romania and how journalists covered the topic in online newspapers. By analyzing 1139 articles from 30 media institutions, the paper shows that journalists from national media institutions are keener to include leadership topics into their agenda and to cover events on leadership, in comparison with local journalists. Keywords: self-help, leadership, community journalism, local journalism "

"Prepared for the use of U.S. Government officials." ; CR 85-10667 (Supersedes CR 82-13770). ; Mode of access: Internet.

The concept of sustainable development designates all the forms and methods of socio-economic development that focus primarily on ensuring a balance between social, economic and environmental aspects and elements of natural capital. The National Strategy for Sustainable Development of Romania-Horizon 2013-2020-2030 establishes concrete objectives for moving, within a reasonable and realistic timeframe, to the model of high value-added development, driven by the interest for knowledge and innovation. The continuous improvement of the quality of people's lives and of the relations between them in harmony with the natural environment. Short, medium and long term: Horizon 2013: Organic incorporation of sustainable development principles and practices into all of Romania's public programs and policies as an EU member state. Horizon 2020: Achieving the current EU average of the main indicators of sustainable development. Horizon 2030: Significant approximation of Romania to the average level of that year of the EU member countries in terms of sustainable development indicators. The achievement of these strategic objectives will ensure, in the medium and long term, a high economic growth and, consequently, a significant reduction of economic and social disparities between Romania and the other EU Member States. From the point of view of the synthetic indicator that measures the real convergence process, as Gross Domestic Product per Capita (GDP/place), at the Purchasing Power Standard (PCS), the Strategy implementation creates the conditions for the GDP/place expressed in the PCS to exceed, in the year 2013, half of the EU average at that time, should approach 80% of the EU average in 2020 and be slightly above the European average in 2030.

In the last century nationalism as a spiritual element – according to the 1919 statement of the historian, archaeologist and philosopher Vasile Pârvan – was a blessed plant grown on Romanian soil during the '48 revolution, the '59 union under Prince Cuza, the '77 war of independence and the preparation of such a national project as the Union with the Romanian Kingdom of several Romanian-speaking provinces dominated by two empires – the Austrian and the Russian – epitomized by Transylvania which came finally to the motherland on the 1st of December 1918, the same day when the Kingdom of Serbs, Croats and Slovenes was born. In the nationalism project, the Union Transylvania was a political priority. But we must add immediately that in the events of 1914–1916 in the neighbourhood of Romania a symbol of the national struggle became what Nicolae Iorga, in a famous lecture of 1915,called "the heroic and martyr Serbia".