Suchergebnisse

The Tweed Family Papers consists primarily of correspondence between Mrs. Richard Tweed and her children, relatives, and friends. Diaries, essays and poetry written by family members, newspaper clippings (photocopies), and financial and legal material are also included, as are a handful of photographs. All related primarily to the life of Mrs. Richard Tweed and her descendants. ; Mrs. Richard Tweed, upon whom the majority of the materials focus, was the sister-in-law of William Marcy ("Boss") Tweed, who controlled the Democratic political machine at New York City's Tammany Hall during the mid-19th century. He and his associates misappropriated public funds on a large scale, leading to his arrest and imprisonment in 1871. ; The Tweed Family Papers are organized by the following categories: Correspondence, Newspapers, Literary Production, Photographs, Financial Material, Printed Material, Scrapbook Material, Legal Material, and Artifacts. ; Tweed Family Papers, 1836-1932 and undated, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas ; Box 1, File 14

Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- 1: Introduction: Electronic Music, Policies and Space in the Contemporary City -- Overarching Aim -- Defining Electronic Dance Music in the Urban Context -- Electronic Dance Music (EDM) and Electronic Dance Music Culture (EDMC) -- Intelligent Dance Music (IDM) -- Underground/Mainstream -- Subgenres, Production Technologies, Commodification, Public Policies -- Defining Policies and the Governance of Electronic Music Scenes -- Defining Spaces for Electronic Music -- Selection of City Case Studies -- Part I: Historical Electronic Music Scenes -- Part II: Established Electronic Music Scenes -- Part III: Emerging Electronic Music Scenes -- References -- Part I: Historical Electronic Music Scenes -- 2: Düsseldorf: On the Golden River Rhine -- Introduction -- The City -- The Bands -- The Clubs -- The Labels -- The Present -- Conclusion -- Reference -- 3: Resisting that Fascist Groove Thang: Sheffield as the Epicentre for Electronic Music (1973-2020) -- Introduction -- The City: Contribution to Electronic Music -- The Electronic Scene: Historical Perspective -- Governance and Spaces -- Conclusion -- References -- 4: Berlin and Manchester Compared: An Interview with Mark Reeder -- 5: London's Underground Acid Techno Scene: Resistance and Resilience in the Global City (1993-2020) -- Introduction -- The Electronic Dance Music Revolution in London -- The London Acid Techno Scene: The Sound of the Underground -- The Sound of a Community -- Defining Underground Culture and Music -- Governance and Spaces -- Public Policy and Nightlife: Recent Progress in London -- Conclusion -- References -- Part II: Established Electronic Music Scenes -- 6: Overlooking the Scene: Electronic Music and Toronto's Music City Project (1999-2019) -- Introduction -- The City.

Introduction : artistic citizenship in a global perspective / Maria Westvall & Emily Achieng' Akuno -- Art for all's sake : co-creation, "artizenship," and negotiated practices / Charles Carson and Maria Westvall -- Social engagement towards artistic citizenship in music teaching / Flávia Motoyama Narita -- Civic responsibility through artistic citizenship and empathy : 21st Century feminist aims for music education / Marissa Silverman -- Artistic citizenship and cosmopolitanism in musical-social work / Kim Boeskov and Kristine Ringsager -- Artistic citizenship as practices of everyday resistance / Oscar Pripp -- Practicing citizenship artistically : an autoethnographic account of a Chinese-Canadian-Brazilian music educator / Nan Qi -- Building citizenship in contexts of democratic recovery : a review of Chilean cultural policies on music education, 1990-2022 / Carlos Poblete Lagos -- Articulating sound citizenship in the general arts classroom towards sound awareness and sound living : a perspective from Singapore contemporary artists / Chee Hoo Lum -- Music making in the construction of culture : artizenship through emerging music styles in Kenya / Emily Achieng' Akuno -- Conclusion : artizenship, agency, actions.

This essay pays tribute to Hans Roosenschoon who celebrated his 60th birthday in December 2012. In contrast to conventional approaches that focus on local ideologies and local political issues, the essay explores the context of Roosenschoon's music from a global and a historical perspective. Taking as point of departure the pluralist nature of postmodernism, it investigates the interaction of cultural spaces, particularly those occupied by 'African' and 'Western' musics. The entanglement of time and space is shown to be manifest in complex, multifaceted contemporary musical worlds. In doing so, the essay interrogates the conventional absence of the 'voice' of music in contextdriven musicology. An approach that acknowledges music as an equal partner in the musicological enterprise shows an alignment of Hans Roosenschoon's music with global trends and issues of his time. ; https://doi.org/10.4102/td.v10i3.182