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The Empire Strikes Back. Russian National Cinema After 2005The paper provides critical analysis of the latest wave of Russian national cinema (2005-2013), considered one of key instruments of Vladimir Putin's nation-building cultural policy. The analysis, focused mostly on historical film and war film, reveals the concept of an 'imperial nation' as the main concept underlying this policy. The new Russian nation-concept is calculated to binding elements from two former Russian imperial traditions: tradition of the Russian Empire and the Soviet tradition, thus trying to overcome the identity crisis in contemporary Russia. Imperium kontratakuje. Rosyjskie kino narodowe po 2005 rokuArtykuł zajmuje się krytyczną analizą filmów najnowszej fali rosyjskiego kina narodowego (2005-2013), uważanej tu za jedno z kluczowych narzędzi polityki kulturalnej Władimira Putina obliczonej na budowanie narodu. Autorzy artykułu skupiają się przede wszystkim na filmie historycznym i wojennym, odsłaniając pojęcie "imperialnego narodu" jako konceptu stojącego u podstaw oficjalnej polityki. Nowe rosyjskie pojęcie narodu łączy w sobie dwie tradycje rosyjskie: tradycję Imperium Rosyjskiego oraz tradycję Związku Radzieckiego, próbując w ten sposób przezwyciężyć kryzys tożsamościowy współczesnej Rosji.

The problem of interaction between Russian currency appreciation and positive dynamics of macroeconomic indicators is studied. Main economic factors of ruble appreciation are analyzed. Consequences of the Russian Central Bank's policy directed to oppose ruble appreciation and problems in financial area due to the increase of money supply through the exchange market are considered. Influence of exchange rate appreciation on economic growth, inflation, export, import, capital flows are discussed. It is concluded that Russian ruble appreciation stimulates an increase in efficiency of the Russian economy.

The article is focused on reviewing and analyzing the results of the All-Russian scientific and practical conference "Managing sustainable development of Russian regions in the new reality» held in Chelyabinsk on October 26, 2021, and it is a digest of the main conference events.

Vasily Vasilyevich Bessel (1843—1907) entered the history of Russian and world music culture as one of the largest music publishers. His company was occupying one of the leading positions in terms of production volume in the Russian music printing market in the late 19th — early 20th century. It was the company that first published many of works by Russian classical composers — A.G. Rubinstein, A.P. Borodin, P.I. Tchaikovsky, M.P. Mussorgsky, N.A. Rimsky-Korsakov, and A.K. Lyadov. V.V. Bessel's music publishing activities were connected with his works on the history of music printing in Russia and copyright. He left an extensive legacy in the form of numerous handwritten materials, now dispersed in various archives (mainly in Moscow and Saint Petersburg). The Russian National Museum of Music, Collection 42, holds one of the largest archives associated with V.V. Bessel. Major part of it makes up a separate collection called "V.V. Bessel", which includes unofficial documents, responding mail, as well as literary manuscripts and photographic materials. Due to lack of comprehensive research of that documentary collection, this article provides a brief overview of its content, and the history of formation of V.V. Bessel's collection. The main purpose of the research is to characterize both published and unknown sources. The article meets the relevant task of modern musicology: disclosure of Moscow and St. Petersburg archival collections. Many of the documents reviewed by the author are an important addition to the only monograph on V.V. Bessel, which belongs to the pen of N.F. Findzein. The article discusses, in more detail, the documents related to the literary weekly "Muzykal'nyi Listok [Musical Sheet]" (1872—1877), the first periodical published by "V. Bessel and Co.", as well as the correspondence of December 1886 between V.V. Bessel and P.I. Tchaikovsky, which, at the latter's initiative, ended all the composer's personal and business contacts with his Petersburg publisher. This study expands the researchers' understanding of the body of documents stored in the collection under consideration, the problems associated with them, and their prospects.

The "Russian Idea" in International Relations identifies different approaches within Russian Civilizational tradition - Russia's nationally distinctive way of thinking - by situating them within IR literature and connecting them to practices of the country's international relations. Civilizational ideas in IR theory express states' cultural identification and stress religious traditions, social customs, and economic and political values. This book defines Russian civilizational ideas by two criteria: the values they stress and their global ambitions. The author identifies leading voices among those positioning Russia as an exceptional and globally significant system of values and traces their arguments across several centuries of the country's development. In addition, the author explains how and why Russian civilizational ideas rise, fall, and are replaced by alternative ideas. The book identifies three schools of Russian civilizational thinking about international relations - Slavophiles, Communists, and Eurasianists. Each school focuses on Russia's distinctive spiritual, social, and geographic roots, respectively. Each one is internally divided between those claiming Russia's exceptionalism, potentially resulting in regional autarchy or imperial expansion, and those advocating the Russian Idea as global in its appeal. Those favoring the latter perspective have stressed Russia's unique capacity for understanding different cultures and guarding the world against extremes of nationalism and hegemony in international relations.

In the article characteristics of entrepreneurship in Russia and conditions for its developing were considered. Russian entrepreneurs personal characteristics, motives and aims were analyzed, based on social survey. Government support of entrepreneurship was reviewed.

The article is the first attempt to reveal the possible structure of national-cultural ideology. There is a need for national-cultural ideology as a response to the need of Russian society to establish a new state and social order. It is emphasized that in the conditions of liberal ideology of consumption it is impossible to create a new ideology that can explain the need to change the existing political and economic model. The article substantiates the position that the establishment of a new political model is possible only under a different ideology than the liberal one. It is emphasized that for Russia there is an opportunity to become a real world "center of power", for which it is necessary to have an ideological Imperial base. The author notes that in ideology there should be a core on which the idea of a strong state and a cohesive society rests. For Russia, as a sovereign civilization, the spiritual core was Orthodoxy, on its basis the Orthodox tradition was established, which forms the fundament dimension of the entire Russian culture. It is emphasized that for understanding the contemporary ideological theory based on her political practice, it is important to talk about the renewal of culture do hovey society, which is only possible within the Christian EN-tropologia contributing to the formation of human faith, conviction-STI in the sanctity of family, love of country, national pride. It is emphasized that national culture, which has national values directly woven into the material and spiritual relations of the people of one nation, expressing themselves in the way of people's national life, life and collectivity, is of decisive importance for the formation of national ideology. It is noted that the highest form of such relations is national consciousness and self-consciousness, an indispensable attribute of national ideology. It is argued that ideology and culture United by shared values of life, spirituality, catholicity, unity, that is, the set of strategies, values and goals of the historical development of society and the state, there is the opportunity through national culture, national ideology, in which the Russian idea of Conciliarity, national consciousness and the consciousness and Unity of national culture is able to define the theory and practice of socio-economic development of the Russian Federation and the development of higher community, representing Unity as the inner spiritual unity of the people. On the basis of national and cultural ideology, it is possible to develop a state program for the transformation of a liberal state into a national democratic one with the definition of the image of the democratic result of the transformations.