Suchergebnisse

Globalization and the development of digital technologies have led to a fundamental change in the music industry in all countries of the world. The traditional closed model of music commerce, in which the record companies played the leading role, has changed to an open innovative form, where the music artist could directly interact with the listener and distribute the product of his work through appropriate Internet services and special platforms. This article aims to study the evolutionary path of development of the music industry from the point of view of the comprehensive introduction of open innovations, social and academic influence, and commercialization.

In this article, David C. Gillespie explores the deliberate foregrounding of music and song in Soviet film. He begins with a discussion of the structural and organizing roles of music and song in early Soviet sound films, including tiiose by Sergei Eizenshtein, Grigorii Aleksandrov, Ivan Pyr'ev, and Aleksandr Ivanovskii. Gillespie then focuses on the emphasis on urban song in some of the most popular films of the stagnation years, such asThe White Sun of the Desert (1969) and Moscow Does Not Believe in Tears(1979), adding considerably to the appreciation of these films. To conclude, he analyzes folk music in films about village life, especially those directed by Vasilii Shukshin, and explores the role of music in constructing a mythical and nationalistic discourse.

Chapter 1 Introduction To The Historical And Cultural Links Between The Spanish Speaking World And Japan -- Chapter 2 Intellectuals -- Chapter 3 Media -- Chapter 4 Music, Dance, Festivals & Associations -- Chapter 5 Literature And Libraries -- Chapter 6 Blogs And Other Emerging Digital And Physical Intersections Between The Spanish Speaking World And Japan.

This paper presents an analysis of the current level of sound and music valorisation in offerings in Croa-tian tourism and their promotion, and proposals for innovation, among which emphasis is placed on an audio management model based on the principles of acoustic ecology. Croatia is one of the more competitive Mediterranean destinations, focused on cultural tourism in which music offerings have a vital role. The first phase of research is based on in-depth interviews with and surveys of the representatives of tourist boards in Croatia, as a starting point for the situation analysis of music valorisation in Croatian tourism. The second phase is based on in-depth interviews with a target sample of tourist board repre-sentatives regarding music development as well as on the authors' views based on recent scientific literature sources. The results of the study can be considered on two levels: the theoretical level, at which a management model for music valorisation in tourism is defined, and the practical level, with situation and scenario analysis of music valorisation in Croatian tourism and the design of an audio management model based on synergistic networking at both the micro-destination level and at the stakeholder level in order to diversify the attractions of the musical offering and create an integrated tourism product. Research results confirm that music has an insufficient position in strategic thinking in developing Croatian tourism, despite awareness of the considerable impact of music on the tourist experience in Croatia.

Stage Performance and Music Inheritance of Taiwan's Indigenous People: A Case of Series Concerts "Sounds from Across Generations" -- "Imagined" Indigenous Music as Materials in Music Education in Taiwan (1950-2000) -- Musicking as a Way of Connecting with the Ancestral Home: Preserving and Inventing Traditions in Papulu, Taiwan -- Fate and Value of Musical Traditions in a Globalising World -- Re-sonating Voices, Sounds, and Memories: The Repatriation of 60-year-old Field Recordings from Sagada, Mountain Province in Northern Philippines -- Study of Polyphonic Music of National Minorities through the Historical Perspective -- The Indigenous Music of Sarawak and its transmission over the last 60 years with a special focus on the music of the Kenyah and the Lun Bawang -- Minority versus majority - phrase or reality? -- Indigenous People and Traditional Music in the Historical Context of the Czech Lands.

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.

This paper explores leadership as an emergent social process. We begin by discussing and contesting the tradition privileging linear management processes, and offer as a counterpoint accounts of distributed leadership out of which our focus on leadership as a plural process grows. Our concept of leadership as a plural process is enriched by an inquiry into musical ensembles with formal leaders as well as those which are leaderless that find ways of moving collectively towards shared goals. The specific issues that we explore are: personal preparation, expressing readiness to begin, establishing a way of operating, and dealing with unexpected problems as they arise. We conclude by speculating about how these elements could inform our understanding of how leadership arises from teams beyond the musical world.