Suchergebnisse

1. Understanding men's friendships -- 2. Gay men and friendship -- 3. Gay men's friendships in the workplace -- 4. Constructing friendships in the workplace -- 5. Gay men's workplace friendships with men -- 6. Gay men's workplace friendships with women -- 7. Workplace friendships, normativity and identities -- 8. On the significance of gay men's workplace friendships.

Squirrel Haus chronicles the fall and the further fall of two friends living in the eponymous house in the Iowa Midwest.

COVER Front -- Copyright Page -- Table of Contents -- List of Figures -- Acknowledgments -- Introduction: Friendship in Post-Revolutionary France -- Notes to Introduction -- Chapter 1: The Sentimental Education of the Political -- Notes to Chapter 1 -- Chapter 2: The Politics of Anomie -- Notes to Chapter 2 -- Chapter 3: Friends with Benefits -- Notes to Chapter 3 -- Chapter 4: Post-Revolutionary Social Networks -- Notes to Chapter 4 -- Chapter 5: The Politics of Male Friendship -- Notes to Chapter 5 -- Chapter 6: The Bonds of Concord: Women and Politics -- Notes to Chapter 6 -- Epilogue -- Notes to Epilogue -- Appendix A: Béranger, Chateaubriand, Guizot, and Their Friends -- Appendix B: Detailed Social Networks in the 1820s and 1840s -- Notes -- Bibliography -- Index -- COVER Back.

Intro -- Contents -- Acknowledgments -- Introduction -- 1 "The Friend of My Bosom": A Philadelphian Love Story -- 2 "A Settled Portion of My Happiness": Friendship, Sentiment, and Eighteenth-Century Manhood -- 3 "The Best Blessing We Know": Male Love and Spiritual Communion in Early America -- 4 "A Band of Brothers": Fraternal Love in the Continental Army -- 5 "The Overflowing of Friendship": Friends, Brothers, and Citizens in a Republic of Sympathy -- Epilogue -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.

The developing European idea that homoerotic relationships occurred between men of similar ages found representation in Wolfgang Amadeus Mozart's Apollo et Hyacinthus, an early Classical opera, written for a graduation celebration hosted by the local Roman Catholic school, Salzburg University. From Greek antiquity until the early Renaissance, the myth of Hyacinth was often used synonymously with the myth of Ganymede to evoke homoeroticism. In the early Renaissance, the myth of Hyacinth (as well as Ganymede) took on more pederastic overtones, but gradually the myth of Hyacinth began to be differentiated from that of Ganymede: Hyacinth began to be used to evoke equitable male homoerotic relationships. The opera reflects this use and served to instruct students of Salzburg University on how to deal with homoerotic and sexual feelings.