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Social exclusion now threatens millions of young people in the form of multi-dimensional existence due to the exponential development of technologies, industrialization, and informatization. Furthermore, in today's society, socially excluded young people are more likely to encounter further social and emotional marginalization, material deprivation, and health problems, all of which increase their risk of exclusion. Social work profession through practice defending human rights, enhances human well-being and social justice to promote social change. These factors are aligned to the inclusiveness of the social fabric. How social workers operate on multiple societal levels, from working with individuals to improve the well-being of excluded young people, to focusing on integration efforts that support entire communities, has long been a hot topic in social work. Therefore, this paper focuses on the issue of social exclusion in current time and young people aged 18 to 29. It explores with statistics and charts to demonstrate that relativeness between excluded young people with levels of education, why modern individualism established a new form of social relations that became central to modern social exclusion, the perspective of the social work profession, why the development of modernization has led to some young people are excluded; what are the most evident and hidden risks, and how these risks are distributed among excluded groups.

"This book focuses on photography within the social research field, building a solid foundation for photography as a social research method and describing different techniques and applications of photo research. It provides a comprehensive approach to research photography, from preparation and the ethical considerations that need to be understood prior to going into the field, to collecting data, analysis and preparing research for publication. It also introduces artistic genres of photography to help readers with the choices they make when pursuing photographic research and as a reminder that when collecting photographs that they are in fact producing art. The ethical issues examined place a new focus on dignity and considerations of participant anonymity and recognition, informed consent, working with vulnerable groups, unequal power relationships and possible intervention. Combining preparation and ethics, it examines how best to collect and take good photographs, and explores the practical issues of stigma and introduces Verstaendnis (german: understanding) to aid researchers in the field. Subsequently, the book discusses the different photo-analytical approaches for researchers and provides examples of how to analyse photographs using the different techniques. Lastly, it offers guidelines, with examples, for researchers wanting to publish their work." -- Back cover

This book focuses on photography within the social research field, building a solid foundation for photography as a social research method and describing different techniques and applications of photo research. It provides a comprehensive approach to research photography, from preparation and the ethical considerations that need to be understood prior to going into the field, to collecting data, analysis and preparing research for publication. It also introduces artistic genres of photography to help readers with the choices they make when pursuing photographic research and as a reminder that when collecting photographs that they are in fact producing art. The ethical issues examined place a new focus on dignity and considerations of participant anonymity and recognition, informed consent, working with vulnerable groups, unequal power relationships and possible intervention. Combining preparation and ethics, it examines how best to collect and take good photographs, and explores the practical issues of stigma and introduces Verstaendnis (german: understanding) to aid researchers in the field. Subsequently, the book discusses the different photo-analytical approaches for researchers and provides examples of how to analyse photographs using the different techniques. Lastly, it offers guidelines, with examples, for researchers wanting to publish their work.

The paper aims at considering characteristics from one field of contemporary visual studies that has for a long time been neglected in academic research: Pictorial signs on Social Network Sites (SNS) are an outstanding class of semiotic resources that is greatly shaped by processes of technological and collective sign production and distribution. A brief examination of the scholarly research on the pragmatics and semiotics of pictorial signs on SNS shows that the heterogeneity of visual signs is often neglected and that it mostly concentrates on one aspect of these pictorial signs: their technological production or their purpose for individual self-disclosure. The paper therefore considers the semiosis of pictorial signs on SNS in a holistic perspective as one the one hand produced by individual and collective meaning making as well as on the other hand a product of technological framing. It therefore develops a techno-semiotic pragmatic account that takes into consideration both processes. Starting from a prominent class of pictorial signs on SNS during Tunisian Revolution, the Tunisian Flag graphics, the paper than shows that communicative and social interaction functions on the graphic interface of SNS ('like'-function, sharing and commenting option) are not only directly inscribed into the pictorial frame, but also greatly influence the reading of a pictorial sign. The location of images on the SNS' interface has an impact on its meaning and on the social functions of a pictorial sign, as profile pictures are directly linked to the online identity of the user. Through technological sign processing, the polysemy of the image is reduced. We therefore consider the images on the one hand as individual self-narratives and on the other as instances of SNS' visual culture that brings out dominant visual codes but also allows social and political movements to spread.

According to previous research, cigarette pictorial warnings are effective in not only preventing smoking but also in inducing smoking cessation. In Korea, however, the smoking rate has not changed much despite implementing pictorial warnings on cigarette packaging. Thus, in this study, I focused on how smokers perceive cigarette pictorial warnings. To do this, I conducted in‐depth interviews with cigarette buyers at a convenience store where real cigarettes were purchased, and I observed their behaviors at the same time. Thirty buyers responded to the interview. During the interviews, respondents said that when they first saw a tobacco warning picture, they were affected by it at the moment, but it did not help at all to quit smoking. Rather, they justified smoking by considering the warning picture as a picture or a cigarette company logo. They also had a positive illusion of, "It will never happen to me" about the smoking‐related illnesses presented in the warning pictures. Above all, cigarette warning pictures were not effective in reducing rates of smoking. This means that the tobacco warning picture policy did not properly influence smokers' perceptions. Further research on the usefulness of cigarette pictorial warning is needed.