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World Affairs Online
In: Pacific affairs, Band 73, Heft 4, S. 578-579
ISSN: 0030-851X
Pickowicz reviews the book 'Cinema and Urban Culture in Shanghai, 1922-1943' edited by Yingjin Zhang.
In: Film Culture in Transition
In: Film Culture in Transition Ser
This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance
In: Regards: les idées en mouvements ; mensuel communiste, Heft 29, S. 60-61
ISSN: 1262-0092
In: Regards: les idées en mouvements ; mensuel communiste, Heft 10, S. 64-65
ISSN: 1262-0092
World Affairs Online
In: Asian studies review, Band 38, Heft 3, S. 520-522
ISSN: 1467-8403
In: The journal of North African studies, Band 12, Heft 3, S. 277-286
ISSN: 1743-9345
In: The SUNY series, horizons of cinema
World Affairs Online
In: The International journal of humanities & social studies: IJHSS, Band 8, Heft 12
ISSN: 2321-9203
In: Pacific affairs: an international review of Asia and the Pacific, Band 73, Heft 4, S. 578
ISSN: 1715-3379
In: Vestnik Volgogradskogo Gosudarstvennogo Universiteta: naučno-teoretičeskij žurnal = Science journal of Volgograd State University. Serija 4, Istorija, regionovedenie, meždunarodnye otnošenija = History. Area studies. International relations, Heft 1, S. 44-54
ISSN: 2312-8704
Introduction. The article is devoted to the consideration of McCarthyism as one of the leading factors that influenced the cultural policy and politics of memory in the United States throughout the entire period of the Cold War. Methods and materials. The ways of representing the atmosphere of conservative ideological control in the United States in the films of the 1950's – 2010's are explored. Films are considered media texts, and the images contained in them are considered symbolic resources used to form and transform a collective identity, legitimize power, its control, and repressive technologies and practices – social mobilization, politicization of everyday life, censorship, and segregation into "their" and "strangers." Analysis. In the course of the historical and imagological analysis, a conditional typology of potential agents of McCarthyism is made. The following are distinguished: institutional conformist careerists, administrators; "soft" conformists – failed oppositionists to political pressure; indoctrinated representatives of mass culture, demonstrating the active complicity of the authorities in imposing ideological labels and encouraging spy mania and exposure. Results. Conclusions are drawn that McCarthyism has become a form of anti-Americanism, moral corrosion, and commemorative trauma in American society, the result of the escalation of the cultural, ideological, and mental "storm," producing a state of intolerance not only to the image of the enemy but also to the Other as a whole. This required more than half a century of overcoming and purifying in the media space.
In: Institute of Economic Affairs Monographs, Forthcoming
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