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Traumatic events demand a response that recognizes their impact rather than one that moves rapidly to forgetting the trauma or incorporating it into existing narratives. This article explores four reactions to the events of September 11: securitization, criminalization, aestheticization and politicization. Securitization represents the rapid reinstatement of state power and sovereign control in the face of a traumatic challenge to the state's monopolization of the instrumentalization of human life. While criminalization is less dangerous, it nevertheless involves the depoliticization of opposition and risks outlawing citizen dissent. Aestheticization can be a party to the rebuilding of narratives of nation and heroism in support of state action, but it can also provide a site for critical engagement with the reality of trauma and an acknowledgement of the impossibility of its domestication. Politicization demands a refusal of the easy categories and accepted agendas of what we call `politics' and calls for an engagement with the complexity of the events themselves in all their specificity.

Traumatic events demand a response that recognizes their impact rather than one that moves rapidly to forgetting the trauma or incorporating it into existing narratives. This article explores four reactions to the events of September 11: securitization, criminalization, aestheticization & politicization. Securitization represents the rapid reinstatement of state power & sovereign control in the face of a traumatic challenge to the state's monopolization of the instrumentalization of human life. While criminalization is less dangerous, it nevertheless involves the depoliticization of opposition & risks outlawing citizen dissent. Aestheticization can be a party to the rebuilding of narratives of nation & heroism in support of state action, but it can also provide a site for critical engagement with the reality of trauma & an acknowledgement of the impossibility of its domestication. Politicization demands a refusal of the easy categories & accepted agendas of what we call 'politics' & calls for an engagement with the complexity of the events themselves in all their specificity. [Copyright 2002 Sage Publications Ltd.]

In recent years we have witnessed an increasing convergence of work in International Politics and Performance Studies around the troubled, and often troubling, relationship between politics and aesthetics. Whilst examination of political aesthetics, aesthetic politics, and politics of aesthetic practice has been central to research in both disciplines for some time, the emergence of a distinctive 'performative turn' in International Politics and a critical return to the centrality of politics and the concept of 'the political' in Performance Studies highlights the importance of investigating t

The 2nd edition of Global Politics: A New Introduction continues to provide a completely original way of teaching and learning about world politics. The book engages directly with the issues in global politics that students are most interested in, helping them to understand the key questions and theories and also to develop a critical and inquiring perspective.Completely revised and updated throughout, the 2nd edition also offers additional chapters on key issues such as environmental politics, nationalism, the internet, democratization, colonialism, the financial crisis, political violence an

"In recent years we have witnessed an increasing convergence of work in International Politics and Performance Studies around the troubled and often troubling, relationship between politics and aesthetics. Whilst examination of political aesthetics, aesthetic politics, and politics of aesthetic practice has been central to research in both disciplines for some time, the emergence of a distinctive performative turn in International Politics and a critical return to the centrality of politics and the concept of the political in Performance Studies highlights the importance of investigating the productivity of bringing the methods and approaches of the two fields of enquiry into dialogue and mutual relation. Exploring a wide range of issues including rioting, youth driven protests, border security practices and the significance of cultural awareness in war, this text provides an accessible and cutting edge survey of the intersection of international politics and performance examining issues surrounding the politics of appearance, image, event and place and discusses the development and deployment of innovative critical and creative research methods, from auto ethnography to site specific theatre making, from philosophical aesthetics to the aesthetic thought of new securities scenario planning The book's focus throughout is on the materiality of performance practices on the politics of making, spectating, and participating in a variety of modes as political actors and audiences whilst also seeking to explicate the performative dynamics of creative and critical thinking. Structured thematically and framed by a detailed introduction and conclusion, the focus is on producing a dialogue between contributors and providing an essential reference point in this developing field. This work is essential reading for students of politics and performance and will be of great interest to students and scholars of IR performance studies and cultural studies "--