Suchergebnisse

The history of cinema is one of those unique cultural phenomena, which constantly attracts the attention of researchers. This phenomenon, especially in the 20th century, determined not only the direction of aesthetic transformations of the cultural development but also had an impact on the formation of ideologies and the strengthening of political regimes. This topic is relevant because the methods of propaganda that were actively used by totalitarian regimes (including the Soviet totalitarian rule) are now actively used by the undemocratic Russian administration to achieve political goals. The construction of the "Ukrainian bourgeois nationalist" image in Soviet cinema is of special interest in the context of Russia's "hybrid warfare" against Ukraine, which continues today. The instrumental technologies of ideological manipulation used in the creation of films have shown their effectiveness in shaping the worldview of the "new Soviet man". Forms of this type of consciousness still continue to influence the political choices of many citizens of our state. The film "A Kyiv Citizen", studied in the article, was created in 1958 by the Ukrainian Soviet film director T. Levchuk at the Kyiv O. Dovzhenko Studio. The film is a classic example of the ideologically biased film production. On the example of this film, we can observe technological principles and constructive models used by the Soviet regime to falsify the history of Ukraine in the 20th century, in particular the events of the Ukrainian revolution of 1917–1921. In the film "A Kyiv Citizen", the events of the Ukrainian revolution of 1917–1921 were counterfeited in order to illustrate to the audience the Soviet version of the history of Ukraine and the events related to the seizure of power by the Bolsheviks. In such a way, the Soviet propaganda tried to form in the viewer a type of psychological perception of reality loyal to the "Soviet empire". In particular, the facts related to the Bolsheviks' attempt to seize power in Kyiv in October 1917, the battles for the Arsenal plant in January 1918, and the conclusion of a peace treaty between the Ukrainian People's Republic and Germany were falsified.

Cinematography is one of those unique cultural phenomena, whose history has always attracted historians' interest. In the 20th century, this phenomenon did not only determine the direction of cultural transformations development but also impacted the formation of ideologies and political regimes. Today this topic is especially relevant considering the fact that the propaganda methods, intrinsic of dictatorship systems, namely the Soviet totalitarian regime, are actively used by the antidemocratic Russian power for achieving its political goals. The special interest in the context of the "hybrid warfare" which is currently going on between Russia and Ukraine, causes the construction in the Soviet period cinematography of the image of a "Ukrainian bourgeois nationalist" as the instrumental technologies of ideological manipulations used in such movies proved their effectiveness for shaping the outlook of a "new Russian citizen". Such phenomenon, especially in the 20th century, determined not only the direction of aesthetic transformations of cultural development but also had an impact on the formation of ideologies and strengthening of political regimes. This topic is relevant because the methods of propaganda that were actively used by totalitarian regimes (including the Soviet totalitarian one) are now actively applied by the undemocratic Russian regime to achieve political goals. The construction of the image of the "Ukrainian bourgeois nationalist" in the Soviet cinema constitutes special interest in the context of today's Russia's "hybrid warfare" against Ukraine. The instrumental technologies of ideological manipulation used in the creation of films have shown their effectiveness in shaping the worldview of the "new Soviet man." Forms of this type of consciousness still continue to influence the political choices of many citizens of our state. The film "Kiev Citizen", studied in the article, was created in 1958 by Ukrainian Soviet film director T. Levchuk at Kyiv O. Dovzhenko Studio. This film is a classic example of ideologically biased film production. Using this movie, we can observe technological principles and constructive models of falsification of the 20th–century history of Ukraine by the Soviet regime, in particular the events of the Ukrainian revolution of 1917–1921. In the film "Kiev Citizen", the events of the Ukrainian revolution of 1917–1921 were falsified in order to illustrate the audience the Soviet version of the history of Ukraine and the events connected with the seizure of power by the Bolsheviks. Soviet propaganda tried to form in this way the audience loyal to the "Soviet empire" type of psychological perception of reality. In particular, the facts related to the Bolsheviks' attempt to seize power in Kyiv in October 1917, the battles for the Arsenal plant in January 1918, and the conclusion of a peace treaty between the Ukrainian People's Republic and Germany were falsified.

У статті визначено, що прикладні види спорту охоплюють пожежно-прикладні, військово-прикладні та службово-прикладні види. Схарактеризовано види військово-спортивного багатоборства та визначено їх особливості. На основі аналізу наукової літератури досліджено вплив цього виду спорту на розвиток особистості студента. Підкреслено, що заняття військово-спортивним багатоборством мають виховну та оздоровчу спрямованість, сприяють розвитку всесторьонньо розвиненої особистості, вихованню морально-психологічної стійкості, почуття патріотизму та колективізму, формують морально-вольові якості. Визначено безпосередній зв'язок військово-спортивного багатоборства із патріотичним вихованням особистості. ; The article defines what applied sports cover fire-fighting, military-applied and applied kinds. Defined the types of military-sports combined events and determined their characteristics. Based on the analysis of scientific literature defined the influence of the sport on the development of the individual student. It is emphasized that training of military-sports combined events have educational and health focus, contribute to the development of personality development, upbringing of moral and psychological stability, a sense of patriotism and collectivism, shape our character. Defined the relationship of the military-sports-round and patriotic education .

In modern science there is a permanent search for new effective forms of organization of the educational process in physical training at higher education institutions of different orientation. The article presents a solution of the actual scientific and practical task of improving the level of physical fitness of students and increasing the readiness of young people of military age to fulfill their national service obligation and advancement of the content of physical education in agrarian institutions of higher education by means of the program of sectional classes using the means of MMA. Due to the conducted research, for the first time, the structure and content of the program of sectional classes with the priority use of means of MMA all-around in physical education of students of institutions of higher education has been scientifically substantiated; the effectiveness of the use of means of military sports all-around for students of agricultural institutions of higher education was determined by indicators of their physical condition, physical development, functional and psychological state, physical fitness. The effectiveness of the author's program is confirmed by the improvement of functional capabilities, normalization of physical condition, enhancement of the level of physical fitness, increase of interest of young men to engage in physical education and importance of instrumental and terminal values.