International audience ; En 1984 paraissait dans la collection PUF–CURAPP Enjeux municipaux, un ouvrage devenu incontournable pour qui s'intéresse à la démocratie locale et, plus largement, à l'histoire de la représentation politique. Trente ans après la parution de ce modèle d'enquête empirique, et quelques jours après les élections municipales de mars 2014, nous avons souhaité revenir, avec l'un de ses auteurs, sur la genèse de ce livre atypique, sa réception et son influence sur la science politique française.
International audience ; En 1984 paraissait dans la collection PUF–CURAPP Enjeux municipaux, un ouvrage devenu incontournable pour qui s'intéresse à la démocratie locale et, plus largement, à l'histoire de la représentation politique. Trente ans après la parution de ce modèle d'enquête empirique, et quelques jours après les élections municipales de mars 2014, nous avons souhaité revenir, avec l'un de ses auteurs, sur la genèse de ce livre atypique, sa réception et son influence sur la science politique française.
Co-direction du projet : Isabelle Charpentier ; Patrick Lehingue ; avec Eric Darras et E. Pierru ; Democratisation, the stated objective of French cultural policies since the end of the Second World War, is the recurrent subject of many passionate debates. The observation of cultural practices, which have been the subject of regular statistical measurements in France since 1973, thanks to the surveys on the cultural practices of the French under the aegis of the Department of Studies and Forecasting of the French Ministry of Culture, attests to a continuous increase in consumption of an intellectual and artistic nature. However, these figures should not mask the persistence of major social divisions and, consequently, the very relative nature of the democratisation that has taken place, in particular for the most distinctive regular cultural practices.Beyond simply relating the different cultural practices measured, their intensity and frequency, to the social properties of the practitioners, this work questions the meaning of these links, thus combining an approach in terms of the sociology of cultural consumption and socio-cultural inequalities in access to practices and products, with the concerns and hypotheses of reception studies. Indeed, in the wake of Anglo-Saxon Cultural Studies, but also of the 'intuitions' of the French sociologists Claude Grignon and Jean-Claude Passeron, the hypothesis was formulated that the relationship between the supply of cultural products (especially those with a strong cultivated symbolism) and the structuring of the tastes, expectations and practices of the public is neither uniform, nor mechanical, nor exclusive. The social effects linked to the cultural offer - in its multiple forms - are a function of the levels of exposure of the different audiences. However, these audiences appear to be very diversely and selectively exposed to this offer, and very unequally interested in it, particularly in working-class areas and, more generally, among those most deprived of cultural ...
Co-direction du projet : Isabelle Charpentier ; Patrick Lehingue ; avec Eric Darras et E. Pierru ; Democratisation, the stated objective of French cultural policies since the end of the Second World War, is the recurrent subject of many passionate debates. The observation of cultural practices, which have been the subject of regular statistical measurements in France since 1973, thanks to the surveys on the cultural practices of the French under the aegis of the Department of Studies and Forecasting of the French Ministry of Culture, attests to a continuous increase in consumption of an intellectual and artistic nature. However, these figures should not mask the persistence of major social divisions and, consequently, the very relative nature of the democratisation that has taken place, in particular for the most distinctive regular cultural practices.Beyond simply relating the different cultural practices measured, their intensity and frequency, to the social properties of the practitioners, this work questions the meaning of these links, thus combining an approach in terms of the sociology of cultural consumption and socio-cultural inequalities in access to practices and products, with the concerns and hypotheses of reception studies. Indeed, in the wake of Anglo-Saxon Cultural Studies, but also of the 'intuitions' of the French sociologists Claude Grignon and Jean-Claude Passeron, the hypothesis was formulated that the relationship between the supply of cultural products (especially those with a strong cultivated symbolism) and the structuring of the tastes, expectations and practices of the public is neither uniform, nor mechanical, nor exclusive. The social effects linked to the cultural offer - in its multiple forms - are a function of the levels of exposure of the different audiences. However, these audiences appear to be very diversely and selectively exposed to this offer, and very unequally interested in it, particularly in working-class areas and, more generally, among those most deprived of cultural ...
Co-direction du projet : Isabelle Charpentier ; Patrick Lehingue ; avec Eric Darras et E. PierruRapport intermédiaire ; Democratisation, the stated objective of French cultural policies since the end of the Second World War, is the recurrent subject of many passionate debates. The observation of cultural practices, which have been the subject of regular statistical measurements in France since 1973, thanks to the surveys on the cultural practices of the French under the aegis of the Department of Studies and Forecasting of the French Ministry of Culture, attests to a continuous increase in consumption of an intellectual and artistic nature. However, these figures should not mask the persistence of major social divisions and, consequently, the very relative nature of the democratisation that has taken place, in particular for the most distinctive regular cultural practices.Beyond simply relating the different cultural practices measured, their intensity and frequency, to the social properties of the practitioners, this work questions the meaning of these links, thus combining an approach in terms of the sociology of cultural consumption and socio-cultural inequalities in access to practices and products, with the concerns and hypotheses of reception studies. Indeed, in the wake of Anglo-Saxon Cultural Studies, but also of the 'intuitions' of the French sociologists Claude Grignon and Jean-Claude Passeron, the hypothesis was formulated that the relationship between the supply of cultural products (especially those with a strong cultivated symbolism) and the structuring of the tastes, expectations and practices of the public is neither uniform, nor mechanical, nor exclusive. The social effects linked to the cultural offer - in its multiple forms - are a function of the levels of exposure of the different audiences. However, these audiences appear to be very diversely and selectively exposed to this offer, and very unequally interested in it, particularly in working-class areas and, more generally, among those most ...
Co-direction du projet : Isabelle Charpentier ; Patrick Lehingue ; avec Eric Darras et E. PierruRapport intermédiaire ; Democratisation, the stated objective of French cultural policies since the end of the Second World War, is the recurrent subject of many passionate debates. The observation of cultural practices, which have been the subject of regular statistical measurements in France since 1973, thanks to the surveys on the cultural practices of the French under the aegis of the Department of Studies and Forecasting of the French Ministry of Culture, attests to a continuous increase in consumption of an intellectual and artistic nature. However, these figures should not mask the persistence of major social divisions and, consequently, the very relative nature of the democratisation that has taken place, in particular for the most distinctive regular cultural practices.Beyond simply relating the different cultural practices measured, their intensity and frequency, to the social properties of the practitioners, this work questions the meaning of these links, thus combining an approach in terms of the sociology of cultural consumption and socio-cultural inequalities in access to practices and products, with the concerns and hypotheses of reception studies. Indeed, in the wake of Anglo-Saxon Cultural Studies, but also of the 'intuitions' of the French sociologists Claude Grignon and Jean-Claude Passeron, the hypothesis was formulated that the relationship between the supply of cultural products (especially those with a strong cultivated symbolism) and the structuring of the tastes, expectations and practices of the public is neither uniform, nor mechanical, nor exclusive. The social effects linked to the cultural offer - in its multiple forms - are a function of the levels of exposure of the different audiences. However, these audiences appear to be very diversely and selectively exposed to this offer, and very unequally interested in it, particularly in working-class areas and, more generally, among those most ...
Co-direction du projet : Isabelle Charpentier ; Patrick Lehingue ; avec Eric Darras et E. Pierru ; Democratisation, the stated objective of French cultural policies since the end of the Second World War, is the recurrent subject of many passionate debates. The observation of cultural practices, which have been the subject of regular statistical measurements in France since 1973, thanks to the surveys on the cultural practices of the French under the aegis of the Department of Studies and Forecasting of the French Ministry of Culture, attests to a continuous increase in consumption of an intellectual and artistic nature. However, these figures should not mask the persistence of major social divisions and, consequently, the very relative nature of the democratisation that has taken place, in particular for the most distinctive regular cultural practices.Beyond simply relating the different cultural practices measured, their intensity and frequency, to the social properties of the practitioners, this work questions the meaning of these links, thus combining an approach in terms of the sociology of cultural consumption and socio-cultural inequalities in access to practices and products, with the concerns and hypotheses of reception studies. Indeed, in the wake of Anglo-Saxon Cultural Studies, but also of the 'intuitions' of the French sociologists Claude Grignon and Jean-Claude Passeron, the hypothesis was formulated that the relationship between the supply of cultural products (especially those with a strong cultivated symbolism) and the structuring of the tastes, expectations and practices of the public is neither uniform, nor mechanical, nor exclusive. The social effects linked to the cultural offer - in its multiple forms - are a function of the levels of exposure of the different audiences. However, these audiences appear to be very diversely and selectively exposed to this offer, and very unequally interested in it, particularly in working-class areas and, more generally, among those most deprived of cultural ...
Co-direction du projet : Isabelle Charpentier ; Patrick Lehingue ; avec Eric Darras et E. PierruRapport intermédiaire ; Democratisation, the stated objective of French cultural policies since the end of the Second World War, is the recurrent subject of many passionate debates. The observation of cultural practices, which have been the subject of regular statistical measurements in France since 1973, thanks to the surveys on the cultural practices of the French under the aegis of the Department of Studies and Forecasting of the French Ministry of Culture, attests to a continuous increase in consumption of an intellectual and artistic nature. However, these figures should not mask the persistence of major social divisions and, consequently, the very relative nature of the democratisation that has taken place, in particular for the most distinctive regular cultural practices.Beyond simply relating the different cultural practices measured, their intensity and frequency, to the social properties of the practitioners, this work questions the meaning of these links, thus combining an approach in terms of the sociology of cultural consumption and socio-cultural inequalities in access to practices and products, with the concerns and hypotheses of reception studies. Indeed, in the wake of Anglo-Saxon Cultural Studies, but also of the 'intuitions' of the French sociologists Claude Grignon and Jean-Claude Passeron, the hypothesis was formulated that the relationship between the supply of cultural products (especially those with a strong cultivated symbolism) and the structuring of the tastes, expectations and practices of the public is neither uniform, nor mechanical, nor exclusive. The social effects linked to the cultural offer - in its multiple forms - are a function of the levels of exposure of the different audiences. However, these audiences appear to be very diversely and selectively exposed to this offer, and very unequally interested in it, particularly in working-class areas and, more generally, among those most ...
Cet article revisite la question de l'effet des conversations politiques sur les choix électoraux, qui tient aujourd'hui une place importante dans les approches contextuelles du vote. Il se fonde sur une enquête par questionnaires et par entretiens approfondis menée durant les élections françaises de 2017 (la présidentielle et les législatives). L'enquête montre que l'hypothèse d'une fonction délibérative des conversations en période électorale est peu réaliste ; et ce d'autant moins que les conversations ne sont appréhendées que par leurs contenus « politiques ». Si les conversations ont des effets, ceux-ci ne peuvent se saisir qu'à l'aune des ancrages sociaux qui définissent non seulement la possibilité des conversations politiques, mais aussi le sens que les électeurs confèrent à ces dernières. L'article montre que ce qui circule dans les conversations en période préélectorale, ce sont moins des informations politiques permettant aux électeurs de se décider que des normes et des identifications partisanes et sociopolitiques qui confèrent à l'acte de vote une dimension collective déterminante.
