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In this ethnography of Full Contact, a San Francisco Bay Area boxing gym, I use Bourdieu's theory of practice to illustrate how 'rules of the game' shape people's perceptions, interactions and positions ( capital). First, I show how the unwritten, unspoken rules of boxing as a field (its doxa) impact readings of bodies and bodily capital, readings that then have an impact on micro-level interactions and hierarchies at Full Contact. Second, I show the micro-level consequences of hysteresis – delays in the realignment of habitus and field that result from change at the field level – on social interactions and hierarchies. Gender is at the core of my analysis, for it is both a fundamental part of my and others' habitus, and a symbolic trait of significance in the hypermasculine doxa of boxing as a field.

This article uses a combination of Bourdieu's concept of habitus theory and an interactionist perspective to examine women's participation in the traditionally `man's world' of boxing. The two major aims of the study were to identify how women entered and stayed involved in boxing and the types of identities that they forged in the process. The data were collected via participant-observation and in-depth interviews with a sample of women boxers and their coaches. It was found that the women's entry into and continued involvement in boxing depends on both disposition and situation. It was also concluded that women boxers occupied an ambivalent position: on the one hand, by definition, they challenged the existing gender order; on the other hand, they also reinforced the status quo by displaying traditional modes of femininity. This tension was related to the modalities of boxers' practice (`hard' or `soft') and their social histories. In short, the process of identity-formation among women boxers was inseparably social and sexual.

Acknowledgments -- Prologue -- Introduction -- KO gym, gender and masculinity -- Constructing an authentic boxing experience -- The symbolic value of suffering -- Real, but not too real : a hierarchy of reality -- Middle-class jobs and a working-class sport -- The women of KO gym -- The gendered world of KO gym -- Emotions and emotional control in sparring -- Middle-class masculinity at KO gym : a compensatory gender project -- Appendix A -- Appendix B -- References -- Index

This eloquent, streetwise book is a paean to America's Rust Belt and a compelling exploration of four milieus caught up in a great transformation of city life. With loving attention to detail and a fine sense of historical context, Carlo Rotella explores women's boxing in Erie, Pennsylvania; Buddy Guy and the blues scene in Chicago; police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection; and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism.A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the city's soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be "good with their hands" to one that depends on the intellectual and social skills fostered by formal education and service work.Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotella's journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls "truth and beauty in the Rust Belt."

This article looks at how the (mostly) white, middle-class recreational boxers at KO Gym constructed an authentic boxing experience from which they could derive identity rewards from accomplishing a type of masculinity without stigma or injury. Gender, as we will see, was a central part of the story. Furthermore, social class complicated matters considerably, creating dilemmas for the white, middle-class male recreational boxers who sought risk—albeit a "pseudo-risk"—but were concerned about signifying hypermasculinity. It was thus vital for them to manage their conduct to express a certain situated kind of masculinity. In essence, class means there is a different style of self-presentation when men and women attempt to do gender.