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In: Zukunft: die Diskussionszeitschrift für Politik, Gesellschaft und Kultur, Heft 7-8, S. 44-45
ISSN: 0044-5452
In: Zukunft: die Diskussionszeitschrift für Politik, Gesellschaft und Kultur, Heft 4, S. 56-57
ISSN: 0044-5452
In: Zukunft: die Diskussionszeitschrift für Politik, Gesellschaft und Kultur, Heft 9, S. 58-59
ISSN: 0044-5452
In: Bulletin of the atomic scientists, Band 37, Heft 3, S. 48-49
ISSN: 1938-3282
In: Bulletin of the atomic scientists, Band 36, Heft 10, S. 52-53
ISSN: 1938-3282
In: Bulletin of the atomic scientists, Band 36, Heft 9, S. 48-48
ISSN: 1938-3282
In: Bulletin of the atomic scientists, Band 36, Heft 7, S. 48-48
ISSN: 1938-3282
In: Bulletin of the atomic scientists, Band 36, Heft 3, S. 55-55
ISSN: 1938-3282
In: American anthropologist: AA, Band 79, Heft 2, S. 513-514
ISSN: 1548-1433
In: Ageing international, Band 3, Heft 1, S. 27-28
ISSN: 1936-606X
In: Current anthropology, Band 5, Heft 4, S. 345-345
ISSN: 1537-5382
The Handbook of Anti-Semitism compiles the present state of knowledge on the phenomenon of Judaeophobia without limits of time or space. The seventh volume includes nearly 700 entries that survey cultural anti-Semitism in film, theater, literature, and the visual arts. It examines the trope of the "Eternal Jew" as well as "Jud Süß;" it shows how novels, films and artwork were used as vehicles for anti-Semitism
From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production.
Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh
In: Economy and History, Band 7, Heft 1, S. 74-89
In: The journal of military history, Band 65, Heft 4, S. 1138-1139
ISSN: 0899-3718