The article sets out a detailed case study of Mexican director Arturo Ripstein's film adaptation of Chilean writer José Donoso's 1966 short novel El lugar sin límites ('The Place without Limits', aka 'Hell Has No Limits'), which featured a significant, though uncredited, contribution from the exiled Argentine author Manuel Puig. Non-mainstream and oppositional filmmakers and critics in Latin America — for example, Grupo Cine Liberación with their late 1960s formulation of 'Second Cinema' in 'Hacia un tercer cine'/'Towards a Third Cinema' (Solanas and Getino) — have often attacked, as 'ideologically limited', ' extranjerizante' or 'Eurocentric,' and 'literary' or 'individualistic,' the kind of film auteurism in which Ripstein has engaged over four decades. Despite these and other similar attacks, it seems clear that this model of film production (along with Ripstein's 'brand' of it) has been particularly resilient in the face of the political, economic and cultural vicissitudes of the 1970s, 1980s, 1990s and 2000s in a number of countries in the continent. Few sustained studies of auteurism as an internationally successful mode of production in Latin America exist, however. In this article, then, rather than focusing solely on the similarities and differences between the homonymous film and literary texts (the p rincipal critical activity in which studies of the adaptation process engage [Grant 2002]), I propose to use the transnational story of the adaptation of El lugar sin límites — as told from the point of view of its diverse 'authors' (Donoso, Puig and Ripstein) — to explore some questions concerning collaborative authorship across film and literary culture in Latin America after the end of the period of the literary 'Boom'. I focus on the differences in the accounts that I reproduce here not in order to discover, or distil, a 'true story', but instead to show, and to work with, the diversity of authorial discourse about the adaptation of Donoso's novel. While this particular case of transnational auteurist adaptation is a compelling anecdote in its own right, my examination of it will move beyond the biographical. As my title suggests, the discussion here is underwritten throughout by an interest in Michel Foucault's concept of the 'author function.'
This study examined the effect of international capital flows on economic growth in Algeria for the period, 1990 to 2018. This study relied on four core channels of international capital flows which includes foreign direct investment (FDI), official development assistance (ODA), personal remittances (REM), and external debt stock (EXTDS) into Algeria. We found that all channels of international capital flows were not statistically significant in the short and long-run except the foreign direct investment.We result from this study that Algeria needs deep reforms in order to attract more foreign capital, especially creating an appropriate environment In order for these flows to contribute substantially to economic growth.
L'étude a examiné l'effet des entrées de capitaux internationaux sur la croissance économique de l'Algérie pour les périodes 1990 à 2018. L'étude a utilisé quatre principaux canaux d'entrées de capitaux internationaux, qui comprennent l'investissement direct étranger (IDE), l'aide publique au développement (APD), les envois de fonds personnels (REM) et le stock de dette extérieure (EXTDS) en Algérie.Nous avons constaté que tous les résultats n'étaient pas statistiquement significatifs à court et à long terme, à l'exception de l'investissement étranger direct.Nous avons appris de cette étude que l'Algérie a besoin de réformes profondes afin d'attirer plus de capitaux étrangers, en particulier en créant un environnement approprié pour que ces flux contribuent de manière substantielle à la croissance économique.
The chemistry between layered MWW zeolite and carbon black pearls (BP 2000) as an inexpensive hard template was investigated to develop a rational one-pot synthesis of MCM-22 microspheres. The characterization results showed that the insertion of BP 2000 in the gel synthesis did not substantially compromise the crystallinity and microporosity, and the microscopic analyses showed that BP 2000 played a key role in controlling the final morphology of the MCM-22 zeolite, creating beautiful dandelion-like microspherical particles. The morphology obtained is due to the tortuous shape of the hard template, the particular MWW particle crystals, the interaction with the external surface of the MWW zeolitic precursor, and the synthesis conditions. The stacking of MWW crystals with edge-to-face orientations generates meso-/macrovoids, allowing access to the interiors of the microspheres. The microspheres were homogeneous with sizes ranging from 6 to 8 μm with an increase of the external surface and a macroporous size distribution centered at 200 nm, which is two times that of the traditional MCM-22 zeolite. ; A.J.S. is grateful to the CAPES Foundation and PDSE program (process number 99999.004779/2014-02) from the Ministry of Education of Brazil. U.D. and A.C. acknowledge funding by the Spanish Government (Severo Ochoa program SEV-2012-0267 and MAT2014-52085-C2-1-P) and the Generalitat Valenciana (Prometeo). The European Union is also acknowledged by ERC-AdG-2014-671093—SynCatMatch. S.P. and K.S. acknowledge the CAPES-CAFP project number 054/14.
