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Frontmatter -- Foreword -- Table of Contents -- Introduction: Jean-Paul Sartre's Réflexions sur la question juive -- Inauthenticity and Violence: A Critique of Sartre's Portrait of the Anti-Semite -- Antisemitism as Existential Crime -- The Occulted Paragraph: Menahem Brinker's Translation and Reading of Sartre's Réflexions sur la Question Juive -- From Recognition to Acknowledgment: Placing the Sartre's Jewish Question into Question -- Sartre's Algerian Jewish Question -- The Jewish Question Versus the "Jewish Problem:" Sartre Amid a Strange Silence -- Being and Jewishness: Levinas Reader of Sartre -- Sartre's Multidirectional Anti-Racism -- Minor-to-Minor Intersections: Jewish and Aboriginal Australians Between Antisemitism and Racism -- The Antisemite, the Democrat, and the Jew: Sartre and the Rest -- Sartre's Reflections on the Jewish Question: Avatars of its reception in Argentina and Brazil -- Jean-Paul Sartre, Frantz Fanon, and Carla Lonzi: A Bizarre Genealogy -- Deathmurder: From the Language of Humanity to the Question of Who Can Be Murdered -- Orpheus, pied-noir: Sartre, Sénac, and the Poetics of Algerian Becoming -- "Le juif, c'est moi": Sartre, Blanchot, Badiou -- "Women, Blacks, Jews": Overcoming Otherness -- Indeterminate Jews -- List of Contributors -- Index

Sartre, in the work Notebooks for an Ethics (1947-1948), presents notes on the dimension of history that begins to develop initially within his moral reflection. Sartre, however, does not have a finalized version of his theory of history, linking his reflection to a comparison and critique of Hegel's philosophy of history and Marxian historical materialism. The aim of this article is to analyze Sartre's critique of Hegel in the Notebooks for an Ethics about history, showing an outline of Sartre's initial views on history. Sartre makes extensive use of a critique of the possibility of Hegelian dialectics, questioning the dimension of this movement of the real as true. It analyzes the idealization of this movement in the dialectic of the master and the slave in works such as Phenomenology of the Spirit (1807) and discusses the notion of the totality of history. Sartre suggests, based on this critique, his own notion of history linked to a de-totalized totality and a historical becoming centered on freedom.

Genre and Gender -- Situating Theory -- Doing Lunch -- 'A Thin Film of Nothingness' -- Bound to be Free -- A Void -- On Lacking Reason for Desire -- Absent and Intimate Others -- In Parks and Corridors -- Coping with Others -- Intimate Bodily Consciousness -- Finding Ourselves in Technology -- Lost in La Motte-Picquet-Grenelle -- Divining Others -- 'The Great Echo ... in the Collective Consciousness'.