Innerparteiliche Machtgruppen in der LDP: allgemeine Trends und aktuelle Entwicklungen
In: Japan aktuell: journal of current Japanese affairs, Band 13, Heft 6, S. 11-16
ISSN: 1436-3518
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In: Japan aktuell: journal of current Japanese affairs, Band 13, Heft 6, S. 11-16
ISSN: 1436-3518
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In: Blätter für deutsche und internationale Politik: Monatszeitschrift, Band 46, Heft 7, S. 857-862
ISSN: 0006-4416
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In: Gewerkschaftliche Monatshefte, Band 50, Heft 7/8, S. 418-422
ISSN: 0016-9447
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In: African affairs: the journal of the Royal African Society, Band 97, Heft 387, S. 189-208
ISSN: 0001-9909
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In: Blätter für deutsche und internationale Politik: Monatszeitschrift, Band 42, Heft 7, S. 787-790
ISSN: 0006-4416
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In: Blätter für deutsche und internationale Politik: Monatszeitschrift, Band 40, Heft 9, S. 1049-1059
ISSN: 0006-4416
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In: Africa Spectrum, Band 30, Heft 1, S. 63-76
ISSN: 0002-0397
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Gerhard Doliesen ; Inhaltsverzeichnis ; Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- Diss. 96.1415
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In: KAS-Auslandsinformationen, Band 10, Heft 3, S. 25-41
ISSN: 0177-7521
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In: Asian survey: a bimonthly review of contemporary Asian affairs, Band 34, Heft 2, S. 200-208
ISSN: 0004-4687
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In: China aktuell: journal of current Chinese affairs, Band 23, Heft 8, S. 852-854
ISSN: 0341-6631
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In: The journal of modern African studies: a quarterly survey of politics, economics & related topics in contemporary Africa, Band 31, Heft 2, S. 309-337
ISSN: 0022-278X
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In: Asian survey: a bimonthly review of contemporary Asian affairs, Band 30, Heft 10, S. 943-958
ISSN: 0004-4687
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In: Contemporary political theory: CPT, Band 11, Heft 2, S. 130-152
ISSN: 1476-9336
"Left melodrama" is a form of contemporary political critique that combines thematic elements and narrative structures of the melodramatic genre with a political perspective grounded in a left theoretical tradition, fusing them to dramatically interrogate oppressive social structures and unequal relations of power. It is also a new form of what Walter Benjamin called "left melancholy", a critique that deadens what it examines by employing outdated and insufficient analyses to current exploitations. Left melodrama is melancholic insofar as its use of older leftist critical methods disavows its attachments to the failed promises of left political-theoretical critique: that it could provide direct means to freedom and moral Tightness. Left melodrama is melodramatic insofar as it incorporates the specific melodramatic narrative, style and promise of the text that stands in for its disavowed attachments: the Manifesto of the Communist Party. Whereas the Manifesto's critical power promised radical political transformation, left melodrama incorporates the Manifesto's melodramatic style in an effort to revivify that promise. It thus inhibits the creation of new critical methods appropriate to our current historical moment and occludes Marx and Engels' warning that the possibility of radical transformation is diminished when the past furnishes the vision for the future. Left melodrama can be found in the texts of Giorgio Agamben, Michael Hardt and Antonio Negri; their reincorporation of the Manifesto's melodrama both contributes to their widespread success and undercuts their critical capacities to examine and challenge the inequalities, injustices and unfreedom that shape the present moment. Adapted from the source document.
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