Suchergebnisse

The poems in the way of sakiynama created in Uzbek classical literature in the period until Alisher Navoi (particularly, until the first half of the XV century) are distinctive by their closeness to the life, connection of the lyric hero to a certain historical period and time, their ideological-artistic perfection, principles of description and the peculiarities of expressing styles. Different social, political, cultural, spiritual, educational, aesthetic problems of the period and time in which the poet lived are described more real, truly and reliably rather than the other lyric works. The internal world of the lyric hero – the rind, his human features, his attitude towards the universe are reflected in these works by means of the images, symbols and terms such as sakiy (cupbearer), jom (wine glass), drinking glass, wine, drink, fellow, drinking house. That's these poetic symbols are of great importance in performing the thoughts in the outlook and soul of the writer, expressing them lively, graphically and impressively. And this emphasizes a bit the artistic-aesthetic impressiveness of the rind poems. In this article the above mentioned problems, especially, the problem of the period and lyric hero in the poems in the way of sakiynama are described in detail.

This paper examines five poems of political satire written during the reing of King Charles II of Spain. They were inspired by an altercation that occurred in September 1683 in Queen Marie Louise of Orleans's Chamber between two of her Ladies of Honour. The incident illustrates the struggle between two political factions at that time, one supportive of the prime minister –the VIII Duke of the other opposed to him and favoured by the Queen of Spain. After discussing the historical frame, I present a commented edition of the poems, three of which are anonymous, while the other two were written by Francisco Bances Candamo and José Pérez de Montoro. ; Este artículo examina cinco muestras poéticas de sátira política compuestas en el reinado de Carlos II. Las inspira un altercado sucedido en septiembre de 1683 en la cámara de la reina María Luisa de Orleans entre dos de sus damas de honor. El incidente es reflejo del enfrentamiento en la época entre dos facciones políticas, una arracimada en torno al primer ministro y otra opuesta a él y favorecida por la reina de España. Una vez revisado el marco histórico, se presenta una edición comentada de los cinco poemas, tres de los cuales son anónimos y los otros pertenecen a Francisco Bances Candamo y José Pérez de Montoro.