THE JEW IN RECENT FRANCO-JEWISH NOVELS
In: Commentary, Volume 22, Issue 5, p. 442-446
ISSN: 0010-2601
Memories of the Dreyfus Affair, the German occupation & emigration to Israel of the most consciously Jewish elements have resulted in French Judaism's becoming even more of a private matter than that of England or America. Those few French novelists of recent yrs who have concerned themselves with the character & the problems of French Jewry have, therefore, been, on the whole, chroniclers of family life stressing the disintegration of Jewish family traditions in an age of assimilation. The Jew is represented in most French fiction as a foreigner, an immigrant who must learn French ways & traditions & thus become indistinguishable from other Frenchmen. If the fictional French Jew is a native of France his peculiarities are attributed, in most cases, to the foreign origin of his immigrant forebears. These views are illustrated by references to Roger ikor's Les Eaux Melees, Albert Memmi's Agar, &, for purposes of contrast, Pierre Fabert's Le Dieu de Golere. The first 2 authors are considered typical of the assimilated French Jewish liberal who refuses to admit the pragmatic reality of being a Jew because such a socio-psychol'al fact conflicts with the ideology of the Declaration of the Rights of Man & with the French Republic's lofty but impossible policy of assimilating everything alien, both at home & in its overseas colonies. A Jew is assimilated only if & when he has ceased to be at all distinguishable, in the eyes of an antiSemite, as a Jew. However, in the eyes of Ikor, Memmi & all French liberals an anti-Semite is a monster of illogical thinking whose notions & emotions never deserve serious consideration. J A. Fishman.