Suchergebnisse

Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- List of figures -- List of tables -- Acknowledgements -- Introduction -- 1 Intervention in participatory worlds -- 2 The 'sandpit model': roleplay and intervention in Lord of the Craft -- 3 The 'spin-off model': participation and world-sharing through Grantville Gazette -- 4 Conclusions -- Index.

"For 35 years, the New Orleans-based Black feminist collective Women With A Vision (WWAV) has fought for the liberation of their communities through reproductive justice, harm reduction, abolition feminism, racial justice, and sex workers rights. In 2012, shortly after one of their biggest organizing victories, arsonists firebombed and destroyed their headquarters. Fire Dreams is an innovative collaboration between WWAV and Laura McTighe, who work in community to build a social movement ethnography of the organization's post-arson rebirth. Rooting WWAV in the geography of the South and the living history of generations of Black feminist thinkers, McTighe and WWAV weave together stories from their founders' pioneering work during the Black HIV/AIDS crisis in the 1980s and their groundbreaking organizing to end criminalization in the aftermath of Hurricane Katrina with other movements for liberation around the globe. Together, they refuse the logics of racial capitalism and share WWAV's own world-building knowledges as well as their methods for living these Black feminist futures now. Fire Dreams is a vital toolkit for grassroots organizers, activist-scholars, and all those who dream to make the world otherwise"--

What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity s anxiety-inducing realities? Studies on the 19th to mid-20th century s transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, this book heeds the call for translocal/transnational cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did

The Gift explores how objects of prestige contributed to cross-cultural exchanges between Africans and Europeans during the Atlantic slave trade. An eighteenth-century silver ceremonial sword, commissioned in the port of La Rochelle by French traders, was offered as a gift to an African commercial agent in the port of Cabinda (Kingdom of Ngoyo), in twenty-first century Angola. Slave traders carried this object from Cabinda to Abomey, the capital of the Kingdom of Dahomey in twenty-first century's Republic of Benin, from where French officers looted the item in the late nineteenth century. Drawing on a rich set of sources in French, English, and Portuguese, as well as artifacts housed in museums across Europe and the Americas, Ana Lucia Araujo illuminates how luxury objects impacted European-African relations, and how these economic, cultural, and social interactions paved the way for the European conquest and colonization of West Africa and West Central Africa.

"Many scholars have critiqued the neocolonial assumptions embedded in global development agendas. These often focus on the bodies and lives of poor, racialized adolescent girls in the global south as ideal sites for intervention based on these girls' potential to multiply investment, interrupt intergenerational poverty, and predict economic growth. Girls in Global Development presents case studies from established and emerging scholars to collectively theorize and examine the concept of "Girls in Development" (GID), a distinctive way of approaching notions of girls and girlhoods in locations around the globe, at various points in history, through a critical feminist lens"--

"Using truly interdisciplinary social science, this book demonstrates the many ways in which social and cultural forces affect individuals in their relationships on a regular basis. It is the first of its kind to highlight the diverse contexts in which romantic relationships operate"--

This book explores the transnational practices of migrant groups in global London, illustrating the complex relations between migrants and the city in the context of globalisation. The chapters offer a starting point to examine migrants and the city from a comparative perspective by bringing together case studies of diverse migrant communities.

"Two billion people around the world use Instagram. On Display examines how a platform that is unfailingly polished and ruthlessly judgmental shapes us and our environments. Instagram has a reputation for shallowness, but the ongoing self-presentation it demands confronts users with profound dilemmas as it compels them to do serious soul-searching. What do we want to show of ourselves? Who are we? What do we want to be? On Display is a book about how people remake their worlds through social media. It examines how personalities, relations, social movements, urban subcultures, and city streets change as they are represented on Instagram. Through computational analysis, the authors reveal how Instagram is implicated in social inequalities, while interviews and ethnographic vignettes provide an intimate account of the desires and anxieties that animate the platform. Whereas many have argued that social media promote polarization, On Display shows that this is not so for Instagram: its users are embedded in large and diverse networks, compelling them to take many, often contradictory expectations into account. Existing theories about social media are often a poor fit for Instagram. The authors propose a new perspective: social media are stages for status displays rather than public spheres for the exchange of arguments"--

"Selling French Sex challenges contemporary understandings of trafficking by exploring the discourses and experiences surrounding the migration of French women for work in the early-twentieth-century sex industry. It will interest students and scholars of French, immigration, women's and gender, and world history"--