Seamus Heaney's Poetic Redress for Post-Conflict Societies
In: Peace review: peace, security & global change, Band 20, Heft 1, S. 49-57
ISSN: 1469-9982
An exploration of Nobel Laureate poet Seamus Heaney's emphasis on poetry as a mediator in societies engaged seeking transitional justice focuses on, The Cure at Troy (1990), his adaptation of Sophocles' 5th century play Philoctetes set in Northern Ireland. The poem, which promises "hope & history rhyming," was widely circulated after the terrorist attacks of 11 September 2001 & gained social prominence during the 1990s peace process in Northern Ireland. The storyline of the Greek play is related to provide the context for The Cure at Troy which is often read as an allegory for the suffering surrounding the Northern Ireland "troubles." Attention is given to the poem's movement from historical suffering to miracles, cures, & "healing wells." The imagined possibility of hope in the presence of historical outrages "touches a deep chord in a contemporary audience sated on perpetual news of the catastrophes of history." Heaney's call to believe in miracles & cures is said to offer a "conception of history balanced by justice.". J. Lindroth