Raregrooves and Raregroovers: A Matter of Taste, Difference and Identity
Examines the raregroove music & dance scene of the 1980s to ascertain how black women in the UK make choices with regard to music in an effort to articulate the plurality of their identities. Raregroove music is described as an eclectic mix of black musical genres that arose in London, England, at warehouse parties & on pirate radio stations. Drawing on the work of Pierre Bourdieu (1977), it is suggested that the participation of black women in the raregroove music scene was s subversive response to a totalizing definition of female black identity. The multicultural character of this music scene was particularly attractive to black women intent on transgressing homogeneous ideas of black & female activities & roles. However, their struggles & choices cannot be compared to those of black women in other subcultures, as each group was responding to specific socioeconomic & cultural circumstances. It is concluded that this more complex theorizing of black & female identity more correctly located them in the contradictory locations that define their experience. 33 References. D. Ryfe