Elements of Gastronomy Tourism Affecting the Behavior of Thai Tourists Traveling in Thailand
In: International journal of academic research in business and social sciences: IJ-ARBSS, Band 10, Heft 2
ISSN: 2222-6990
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In: International journal of academic research in business and social sciences: IJ-ARBSS, Band 10, Heft 2
ISSN: 2222-6990
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In: Cornell Journal of Law and Public Policy, Forthcoming
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Penelitian ini berusaha untuk mengkaji konsep nasionalisme dalam pada puisi "Suara-suara dari Rumah Miring" karya Wiji Thukul. Sebagai pengarang dengan ideologi realisme sosialis, Wiji Thukul kerap dikaji dalam kaitannya dengan wacana kritik sosial yang acap muncul dalam puisi-puisinya. Penelitian ini mencoba untuk melihat karya Wiji Thukul dengan pendekatan postkolonial. Teori yang digunakan dalam penelitian ini adalah konsep nation dalam kerangka teori spasial politik sebagaimana dikembangkan oleh Sara Upstone. Hasil penelitian menunjukkan bahwa dalam puisi "Suara-suara dari Rumah Miring" muncul kritik terhadap konsep nasionalisme semu yang dikonstruksi oleh penguasa. Nasionalisme yang dikonstruksi tersebut bersifat cair, dibangun sesuai dengan kepentingan untuk melanggengkan rezim. Tidak heran apabila muncul pendapat bahwa nasionalisme masa kini hanyalah sebuah transformasi dari kolonialisme di era pasca-kolonial, oleh sebab mewarisi sifat-sifat bawaan kolonialisme.Kata Kunci: Nasionalisme, Postkolonialisme, Sara Upstone, Wiji Thukul, Realisme Sosialis.
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This study is aimed to uncover some Marxist issues in one famous poetry in Romantic period: Percy Bysshe Shelley's "Song to the Man of England". Shelley sees that life with hierarchy in social structure is not fair. The life of working class is so miserable. They work hard with all of their power, energy, time, and mind to serve the landlord. However, the working class never get a fair justice for their life. Some concepts of Marxism such as class struggle and alienation will be used as theoretical framework in this study. The result of the study shows that Shelley's "Song to the Men of England" represent the characteristic of romantic poem written by romantic poet which is full of the sanctity of imagination. It constructs an ideal world based on the contemplation of beauty. It tries to be the founder of civil society and the inventors of the arts of life. It tries to be a kind of prophecy which has ability to change the condition of politics, social, and spiritual life, especially the life of working class in England.Keywords: Marxism, Alienation, Percy Bysshe Shelley, Romanticism.
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ABSTRAK Distopia merupakan salah satu genre penulisan sastra yang kerap mengeksplorasi latar masa depan sebagai elemen dominan pada bangunan naratifnya. Berkebalikan dengan utopia yang membayangkan masa depan ideal, distopia menampilkan gambaran masa depan katastrofis. Distopia merupakan refleksi kritis atas situasi sosiopolitik hari ini, yang kemudian ditransformasikan menjadi narasi kekacauan mengenai masa depan. Berbeda dengan kesusastraan Barat yang merupakan akar sastra distopia, dalam konteks kesusastraan Indonesia, karya distopia cenderung jarang muncul. Tahun 2018 menjadi tahun yang penting dalam perkembangan sastra distopia Indonesia dengan dimuatnya serial fiksi yang berkecenderungan memuat corak distopia pada media daring Vice Indonesia. Salah satu cerpen yang diasumsikan kuat menarasikan sastra distopia dalam serial fiksi tersebut ialah cerpen "Kota" karya Rio Johan. Penelitian ini bertujuan untuk mengkaji bagaimana narasi masa depan ditampilkan dalam karya sastra distopia Amerika, sebagai representasi sastra Barat, dan juga sastra Indonesia. Sampel yang diambil dalam penelitian ini adalah cerpen "2 B R 0 2 B" karya Kurt Vonnegut dan cerpen "Kota" karya Rio Johan. Pemilihan sampel berupa 2 cerpen tersebut dilakukan atas pertimbangan bahwa keduanya memiliki kemiripan dalam menampilkan isu distopia, serta di sisi lain keduanya memiliki perbedaan terutama pada basis sosiologis pengarang beserta akar-akar masalah yang muncul. Dengan demikian rumusan masalah yang ditentukan dalam penelitian ini ialah terkait dengan (1) pola naratif distopia yang ditampilkan kedua cerpen, (2) persamaan dan perbedaan pola naratif, dan (3) situasi sosiologis masyarakat Amerika dan Indonesia sebagai latar naratif. Hasil penelitian menunjukkan adanya persamaan pola naratif terkait isu-isu yang diangkat, yang mengarah pada fenomena dehumanisasi. Meskipun demikian, terdapat pula perbedaan pada detail-detail isu yang diangkat, yang terkait dengan perbedaan latar sosiologis antara masyarakat Amerika dan Indonesia. Masalah-masalah yang diangkat merupakan refleksi kritis atas problem-problem sosial yang ada sesuai dengan konteks masyarakat di mana karya tersebut lahir. Kata Kunci: distopia, dehumanisasi, Kurt Vonnegut, Rio Johan, supranasionalitas. PENDAHULUAN
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In: Rutgers Law Record, Forthcoming
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In: In Beate Sjåfjell and Christopher M. Bruner (eds), Cambridge Handbook of Corporate Law, Corporate Governance and Sustainability (Cambridge University Press, 2019), Chapter 11.
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Working paper
In: India quarterly: a journal of international affairs, Band 74, Heft 2, S. 247-254
ISSN: 0975-2684
Rita Manchanda, Women and Politics of Peace: South Asian Narratives on Militarization, Power, Justice. New Delhi: SAGE Publications India Private Limited, 2017, pp. 320, ₹995. ISBN: 9789386062628.
In an increasingly inward-looking world governed by populist governments, existing theories of rights are struggling to protect and expand individual rights. This failure can be attributed both to the present conception of rights as well as the absence of a unifying theme to address the existence and conflict of rights. In the present paper I argue that this unifying theme, which is necessary for protection and expansion of individual rights, is provided by "meaning" in an existential and linguistic sense. I assert that the greatest challenge faced by individual rights is in form of a faceless populist doctrine called "public interest." As long as the issue of conflict of rights will be addressed in a numerical manner, individual rights will stand defeated. We need to come up with a new model for resolution of conflict of rights, which does not examine right holders as integers but as human beings. This paper, which is a continuation of my previous effort on the subject, elaborates upon the existential role of rights and seeks to construct an inviolable nucleus of rights by examining the essence and core meaning of rights. The paper's final contribution lies in developing a semantical framework for resolution of conflict of rights.
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In an increasingly inward-looking world governed by populist governments, existing theories of rights are struggling to protect and expand individual rights. This failure can be attributed both to the present conception of rights as well as the absence of a unifying theme to address the existence and conflict of rights. In the present paper I argue that this unifying theme, which is necessary for protection and expansion of individual rights, is provided by "meaning" in an existential and linguistic sense. I assert that the greatest challenge faced by individual rights is in form of a faceless populist doctrine called "public interest." As long as the issue of conflict of rights will be addressed in a numerical manner, individual rights will stand defeated. We need to come up with a new model for resolution of conflict of rights, which does not examine right holders as integers but as human beings. This paper, which is a continuation of my previous effort on the subject, elaborates upon the existential role of rights and seeks to construct an inviolable nucleus of rights by examining the essence and core meaning of rights. The paper's final contribution lies in developing a semantical framework for resolution of conflict of rights.
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In: International affairs, Band 94, Heft 1, S. 198-199
ISSN: 1468-2346
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Working paper
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Working paper