When George Yancy penned a New York Times article entitled "Dear White America," he knew he was courting controversy. Here, Yancy chronicles the ensuing blowback as he seeks to understand what it was that created so much rage among so many white readers. He challenges white Americans to develop a new empathy for the African American experience.
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"I Hear My People Singing shines a light on a small but historic black neighborhood at the heart of one of the most elite and world-renowned Ivy-League towns--Princeton, New Jersey. The vivid first-person accounts of more than fifty black residents detail aspects of their lives throughout the twentieth century. Their stories show that the roots of Princeton's African American community are as deeply intertwined with the town and university as they are with the history of the United States, the legacies of slavery, and the nation's current conversations on race. Drawn from an oral history collaboration with residents of the Witherspoon-Jackson neighborhood, Princeton undergraduates, and their professor, Kathryn Watterson, neighbors speak candidly about Jim Crow segregation, the consequences of school integration, World Wars I and II, and the struggles for equal opportunities and civil rights. Despite three centuries of legal and economic obstacles, African American residents have created a flourishing, ethical, and humane neighborhood in which to raise their children, care for the sick and elderly, worship, stand their ground, and celebrate life. Abundantly filled with photographs, I Hear My People Singing personalizes the injustices faced by generations of black Princetonians--including the famed Paul Robeson--and highlights the community's remarkable achievements. The introductions to each chapter provide historical context, as does the book's foreword by noted scholar, theologian, and activist Cornel West. An intimate testament of the black community's resilience and ingenuity, I Hear My People Singing adds a never-before-compiled account of poignant black experience to an American narrative that needs to be heard now more than ever."--
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"In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life where people come together to give themselves, to nurture life, to renew their spirits, sustain their hopes, and to make a lived politics of revolutionary struggle an ongoing practice. This 25th anniversary edition continues the dialogue with 'In Solidarity,' their 2016 conversation at the bell hooks Institute on racism, politics, popular culture, and the contemporary Black experience"--Provided by publisher
A vivid history of life in Princeton, New Jersey, told through the voices of its African American residentsI Hear My People Singing shines a light on a small but historic black neighborhood at the heart of one of the most elite and world-renowned Ivy-League towns—Princeton, New Jersey. The vivid first-person accounts of more than fifty black residents detail aspects of their lives throughout the twentieth century. Their stories show that the roots of Princeton's African American community are as deeply intertwined with the town and university as they are with the history of the United States, the legacies of slavery, and the nation's current conversations on race.Drawn from an oral history collaboration with residents of the Witherspoon-Jackson neighborhood, Princeton undergraduates, and their professor, Kathryn Watterson, neighbors speak candidly about Jim Crow segregation, the consequences of school integration, World Wars I and II, and the struggles for equal opportunities and civil rights. Despite three centuries of legal and economic obstacles, African American residents have created a flourishing, ethical, and humane neighborhood in which to raise their children, care for the sick and elderly, worship, stand their ground, and celebrate life. Abundantly filled with photographs, I Hear My People Singing personalizes the injustices faced by generations of black Princetonians—including the famed Paul Robeson—and highlights the community's remarkable achievements. The introductions to each chapter provide historical context, as does the book's foreword by noted scholar, theologian, and activist Cornel West.An intimate testament of the black community's resilience and ingenuity, I Hear My People Singing adds a never-before-compiled account of poignant black experience to an American narrative that needs to be heard now more than ever
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This interview is part of a larger project on the Black prophetic tradition and its impact on today's ongoing struggle for justice and equality. We are concerned with the special challenges facing Black public intellectuals and activists, particularly with the impediments deriving from their position as outsiders in society; we consider the philosophical and political voices that helped form their own thinking as well as the social conditions that shaped them; and we reflect on the role of religion in their lives and its specific function in the Black community.2
A revolution of ideas -- Meena Krishnamurthy on political distrust -- Denise James on political illusions -- Lori Gruen on prisons -- Jose Mendoza on immigration -- Wendy Salkin on informal political representation -- Rachel Ann McKinney on police and language -- Cassie Herbert on risky speech -- Luvell Anderson on slurs and racial humor -- Jason Stanley on speech, satire, and public philosophy -- Winston Thompson on educational justice -- Serene Khader on cross-border feminist solidarity -- Joel Michael Reynolds on disability -- Elizabeth Barnes on the minority body -- Douglas Ficek on Frantz Fanon and black lives matter -- Rachel V. McKinnon on allies and active bystanders -- Kyle Whyte on indigenous resilience & environmental change -- Andrea Pitts on feminist indigenous resistance to neoliberalism -- David Livingstone Smith on dehumanization -- Linda Alcoff on the future of whiteness -- Chike Jeffers on black political thought -- Lawrence Blum on teaching race -- Tommie Shelby on dark ghettos -- David McClean on money and materialism -- Vanessa Wills on Marxism and today -- Nancy Bauer on pornography -- John Corvino on homosexuality -- Tom Digby on the problem of masculinity -- Justin Clardy on love and relationships -- Paul C. Taylor on black aesthetics -- Amir Jaima on the power of literature -- Adrienne Martin on hope.