It is a pleasure to be asked to speak on Brian Easton's new economic history of New Zealand. I have long admired the breadth and depth of the work Brian has done on New Zealand's economic history and, as always with his work, the joy of reading the analysis was greatly enhanced by the book's readability.
Foreword: A special issue of "Sociologija. Mintis ir veiksmas" contains a number of original papers presented at the conference "The Developments of Identity: History and Present" (a section of the international conference "Transformations in the Eastern and Central Europe"), organized by the Department of History of Klaipėda University and the Department of Sociology of Vilnius University in Klaipėda (2001-05-26).
"The Great Depression was a time of incomparable financial desperation in America. Thugs with submachine guns and square-jawed G-men have long dominated the vernacular images of fear, lawlessness, and corruption set against the decimating poverty of that decade. But little known-until now-are the many serial dramas that played out in homes and hideouts, courtrooms and cold cases across the country. In a time of panic, legal lethargy, corruption, and incompetence, there was one sure-fire means to make money, one that was seized upon by both criminals and resourceful civilians. Best of all, one likely to go unpunished: kidnapping. Gritty, visceral, and thoughtfully reported, The Kidnap Years chronicles a forgotten time in America's history when the economic hardships of the Great Depression and the low legal risk of kidnapping led to a sweep of abductions that afflicted all corners of the country"--
AbstractAs evidence mounts of persistent disparities in academic outcomes by English learner ("EL") classification status, it is critical that we better understand how to create more equitable classroom learning environments. The present study investigates the role of classroom peer academic collaboration networks within linguistically diverse, "English‐medium" middle school classrooms. Across 29 classrooms, 491 early adolescents (including 158 EL students) identified whom they "usually work with" in class; from these data, we operationalized two characteristics of each classroom's peer network: social network equality (the extent to which academic collaboration ties were equally distributed) and linguistic integration (the extent to which cross‐group ties between ELs and non‐ELs were as common as same‐group ties). In multilevel models, we tested across‐year mean and fall‐to‐spring change in each of these network characteristics as predictors of relative across‐year growth in EL students' assessed oral language proficiency, and in all students' academic outcomes, including teacher‐rated class participation and content understanding, and standardized test scores in the content area of the observed class. We additionally tested whether EL status moderated associations between classroom network characteristics and academic outcomes. Findings suggest benefits of positive across‐year change in social network equality and linguistic integration for all students' academic development in class. In addition, classroom network characteristics may help to reduce disparities: mean social network equality was more positively associated with relative growth in content understanding and standardized test scores for ELs than for non‐ELs, and change in linguistic integration positively predicted oral language development among EL students.
Paul Gootenberg is SUNY Distinguished Professor of History and Sociology at Stony Brook University (New York) and Chair of History. He is a global commodity and drug historian trained as a Latin Americanist at the University of Chicago and Oxford. His works include Andean Cocaine: The Making of a Global Drug (UNC Press, 2008), Cocaine: Global Histories (Routledge, 1999) and with Liliana M. Dávalos, The Origins of Cocaine: Peasant Colonization and Failed Development in the Amazon Andes (Routledge, 2018). From 2011-14 he chaired the Drugs, Security and Democracy fellowship (DSD) of the Soros Open Society Foundation and Social Science Research Council. Gootenberg is General Editor of the forthcoming Oxford Handbook of Drug History and President-elect 2021of the Alcohol and Drugs History Society (ADHS). He regularly teaches courses at Stony Brook about the history of commodities and drugs. What follows is an edited transcript of an interview he had with Elisabet Rasch one of the editors of the Teaching Commodity Frontiers section, in February 2021.
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In her book Forgotten Warriors: The Long History of Women in Combat, Sarah Percy offers an expansive and insightful exploration of both the historical record as well as how—and why—it may have been erased.
"This volume chronicles the history of the line and its absorption into J.P. Morgan's International Mercantile Marine Company. Descriptions of life on board vessels, individual histories of every vessel, and biographies of key figures associated with the company make this the most complete account of this important but overlooked player in the history of American trade"--Provided by publisher
In: Brandon , P , 't Hart , M & Torres-Sánchez , R 2018 , ' Introduction: Maximising revenues, minimising political costs : Challenges in the history of public finance of the early modern period ' , Financial History Review , vol. 25 , no. 1 , pp. 1-18 . https://doi.org/10.1017/S096856501800001X
Taxation is accepted as a fact of modern life, despite recurring political conflict over the nature and direction of fiscal policies. Most financiers regard obligations issued by the state as a safe investment option. Neither taxation nor state obligations were taken for granted during much of the history of public finance, however, at least not before the early 1800s. The 'tax state' developed in fits and starts, driven by the exigencies of warfare, which provided the main rationale for raising state income. Although wartime fiscal innovations eventually facilitated the rise of an efficient military state, the options available for implementing such improvements and preferences for specific fiscal or financial instruments varied greatly across early modern states. Focusing on the 'long' eighteenth century, this introduction presents a framework for assessing these differences and introduces the other articles in this special issue.
This thesis examines American films which were made in response to US military involvement in the Middle East, since the beginning of the 2000s. It will seek to prove that these films are different than those made in the United States in response to previous conflicts. The historical study of American war cinema shows that it has undergone a process of evolution - from a cinema which views American wars as those of necessity, to a cinema which views American wars as wars of choice. Lately, it has gone even further than that – birthing films which present American wars as events caused by the American society, in order to fulfill the needs of the people who head it - fighting-addicted American men. This process can be said to have expanded the subjects dealt with by the American war cinema.Thus, the cinema about the Iraq War is much more poignant than representations of past wars, in its messages about the connection between American society and its militarism. It manages to surpass all previous war cinema, which in itself had been the most critical towards American army and society. ; Cette thèse s'intéresse aux films américains réalisés en réponse à l'implication de l'armée nationale au Moyen-Orient depuis le début des années 2000. Elle cherchera à prouver que ces films sont intrinsèquement différents de ceux réalisés aux États-Unis en réponse à des conflits antérieurs.L'étude historique du cinéma de guerre américain montre qu'il a traversé un processus qui l'a conduit à partir d'un cinéma qui considère les guerres américaines comme des guerres obligatoires vers un cinéma qui considère les guerres américaines comme des guerres de choix, provoquées par une addiction : l'addiction de la société américaine et surtout des hommes américains au combat. Contrairement aux films sur la guerre du Vietnam, les nouveaux films ne pointent pas un doigt accusateur vers un élément particulier, tel qu'un mandat spécifique d'un certain président, mais vers toute la structure de la société américaine et surtout vers sa tête, le ...