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"Serial No. 113-184." ; Shipping list no.: 2015-0041-P. ; Mode of access: Internet.

Shipping list no.: 2015-0036-P. ; Includes bibliographical references. ; Mode of access: Internet.

71, [1] p. ; By Clement Walker. ; Includes answers of Eusebius Andrews to the High Court of Justice, 1650 (H4r-I4r). ; Copy filmed has print show-through. ; Reproduction of the original in the Harvard University Library.

"Serial number 113-48." ; Shipping list number: 2014-0205-P. ; Includes bibliographical references. ; Mode of access: Internet.

Shipping list no.: 2015-0050-P. ; Includes bibliographical references. ; Mode of access: Internet.

Reprint of the ed., issued in series: American explorers. ; Mode of access: Internet. ; 2

'"Rien n'est si dangereux qu'un indiscret ami ."--La Fontaine.' ; Electronic reproduction. ; Mode of access: Internet. ; 44

Verbs are almost indispensable elements of texts. In the long seventeenth century, a period in which the standards of language were still in flux, they appeared in wide variety, resulting in a type of language variation that has rarely been addressed before: intra-author variation. This dissertation is a collection of four papers that deal with several forms of intra-author variation in verbs from a literary-linguistic perspective. The study argues intra-author variation to be a phenomenon that falls to a large extent in the interface between (socio)linguistics and literary studies. Through the works of four historical individuals, the book opens a window onto the complex political, religious, and cultural context in which authors participated, highlighting the use of verbs as a device to take part in the dynamic society of the long seventeenth century. The study includes the language of authors of a high literary polish and those who had barely any training but for whom texts were an essential means in striving for religious, political and professional impact. An important result is that despite differences in writing skills, education, social position, and professional occupation, all four individuals played the verb. Verbs provided a strategy to facilitate the interpretation of their texts, both in the content and the structure of these texts: the authors used verbs as a demarcating tool, making a text unit stand out and imbue it with meaning in a certain way.

La duración de las guerras civiles ha sido un área de estudio elusiva, particularmente debido a la difícil tarea de dilucidar la interacción entre el agenciamiento de los actores, las estructuras de incentivos y las restricciones a las que se enfrentan dichos actores. Este artículo aborda la guerra civil de Siria, la cual ha completado su quinto año con pocas esperanzas de una pronta finalización. Se examinó aquí una posible causa de su prolongación, a saber, la formación de un sistema de guerra que hizo que los costos de la guerra fueran menores comparados con los riesgos que se esperaban de un acuerdo de paz, dados los costos asumidos por los actores locales, regionales e internacionales. El acercamiento a estos asuntos a través del concepto de sistema de guerra combina un análisis de clase con un análisis de sistema estructural, capturando así los matices y las dinámicas del conflicto. Este artículo se basa, en fuentes primarias recolectadas por el autor durante los veranos de 2014 y 2015 en Líbano. ; Duration of civil wars has been an elusive area of study particularly because of the tedious task of disentangling the interplay of actors' agencies, incentives' structures and constraints. This article tackles Syria's civil war that has completed its fifth year with little hope for an end any time soon. I examine a plausible cause leading to its protraction. Namely the formation of a war system, which made the costs of war less than the expected risks of peace giving the local, regional and international actors that are shouldering the costs. The war system approach combines class analysis with system-structural analysis capturing nuances and dynamics of conflict. This article is based in part based on primary sources collected by author in the Summers of 2014 and 2015 in Lebanon.

The article is devoted to the topical problem of determining the range of intellectual property subjects. The analysis of norms of the current Ukrainian legislation in the field of intellectual property is carried out. It is proposed to supplement the articles of the Civil Code of Ukraine on the definition of intellectual property by such categories as animal and "electronic person". ; Стаття присвячена актуальній проблемі визначення кола суб'єктів інтелектуальної власності. Проведено аналіз норм чинного українського законодавства в сфері інтелектуальної власності. Запропоновано доповнення статей Цивільного кодексу України щодо визначення суб'єктів інтелектуальної власності такими категоріями, як тварина та «електронна особа».

The history's narrative has been deeply shaked during the first half of the nineteenth century. The historical narrative have to meet new challenges and make a new historiography to institute a modern and a scientific discipline : history. Therefore writers of this period form an historical narrative which includes new democratic procedures for the management of politics : historian have not only to talk about history, but have also to get the voices of history heard, past's voices as well as contemporary's. History becomes a communication. In other words, voices don't only have to get heard : they have to interact each others through time. Like a parliament, times communicate each others and lead the narrative to make a polyphonic history, in which the narrative and auctorial instance – which, in the past, led the rhythm and the coherence of the narrative – stretch themselves. Therefore history weaks itself to become more listenable. The history's narrative of the first half of the nineteenth century becomes thus a wide laboratory for historians to experiment new narrative devices of a democratic history. ; Les modes de composition et de narration de l'histoire ont été profondément bouleversés dans la première moitié du XIXe siècle français. Le récit historique doit alors répondre à de nouveaux enjeux et façonner une historiographie nouvelle qui devra conduire à l'établissement d'une discipline scientifique moderne : l'histoire. Les écrivains de cette période conçoivent par conséquent un récit historique dans lequel sont inscrites les nouvelles modalités démocratiques du rapport à la cité politique : il ne s'agit plus seulement pour l'historien d'entretenir de l'histoire, mais de faire entendre les voix de l'histoire, celles des contemporains tout autant que celles du passé, en les inscrivant dans un régime communicationnel. Autrement dit, il ne s'agit pas seulement de les faire entendre, mais aussi de procéder à un vaste système d'interactions des différentes temporalités : à l'image d'un vaste parlement, les ...

The history's narrative has been deeply shaked during the first half of the nineteenth century. The historical narrative have to meet new challenges and make a new historiography to institute a modern and a scientific discipline : history. Therefore writers of this period form an historical narrative which includes new democratic procedures for the management of politics : historian have not only to talk about history, but have also to get the voices of history heard, past's voices as well as contemporary's. History becomes a communication. In other words, voices don't only have to get heard : they have to interact each others through time. Like a parliament, times communicate each others and lead the narrative to make a polyphonic history, in which the narrative and auctorial instance – which, in the past, led the rhythm and the coherence of the narrative – stretch themselves. Therefore history weaks itself to become more listenable. The history's narrative of the first half of the nineteenth century becomes thus a wide laboratory for historians to experiment new narrative devices of a democratic history. ; Les modes de composition et de narration de l'histoire ont été profondément bouleversés dans la première moitié du XIXe siècle français. Le récit historique doit alors répondre à de nouveaux enjeux et façonner une historiographie nouvelle qui devra conduire à l'établissement d'une discipline scientifique moderne : l'histoire. Les écrivains de cette période conçoivent par conséquent un récit historique dans lequel sont inscrites les nouvelles modalités démocratiques du rapport à la cité politique : il ne s'agit plus seulement pour l'historien d'entretenir de l'histoire, mais de faire entendre les voix de l'histoire, celles des contemporains tout autant que celles du passé, en les inscrivant dans un régime communicationnel. Autrement dit, il ne s'agit pas seulement de les faire entendre, mais aussi de procéder à un vaste système d'interactions des différentes temporalités : à l'image d'un vaste parlement, les ...