Suchergebnisse

Klappentext: Caste is such a historical truth which is very complex and very hard to define. It is an institution of considerable internal complexity which has been based on extreme closed criteria and rigid hierarchical social stratification. Caste has many definitions, given by historians, sociologists, anthropoligists and social scientists. Each caste groups are attached with power on which every individual exercise power. Caste is more than division, gradiations, hierarchy, it is also a caste of minds, caste hegemony and it is myopic where individuals bound to fail the caste what actually caste is. This book tries to explore the various caste stigmas in India. It covers caste phenomena at the Indian level. But the question remains: is caste so strong that it will not go from the soil of India? Or are we deliberately maintaining the caste structure? Who is responsible?

This essay reviews the following works:
Collision of Worlds: A Deep History of the Fall of Aztec Mexico and the Forging of New Spain. By David M. Carballo. Oxford: Oxford University Press, 2020. Pp. xvi + 351. $37.99 hardcover, $23.99 paperback, e-book. ISBN: 9780197661451.
Conquistadores: A New History of Spanish Discovery and Conquest. By Fernando Cervantes. New York: Viking, 2021. Pp. vxiii + 496. $35.00 hardcover, e-book. ISBN: 9781101981269.
Inca Apocalypse: The Spanish Conquest and the Transformation of the Andean World. By R. Alan Covey. Oxford: Oxford University Press, 2020. Pp. xix + 592. $34.95 hardcover. ISBN: 9780190299125.
Death in the Snow: Pedro de Alvarado and the Illusive Conquest of Peru. By George W. Lovell. Montreal: McGill-Queen's University Press, 2022. Pp. xv + 280. $39.95 hardcover. ISBN: 9780228014409.
Strike Fear in the Land: Pedro de Alvarado and the Conquest of Guatemala, 1520–1541. By W. George Lovell, Christopher H. Lutz, and Wendy Kramer. Norman: University of Oklahoma Press, 2020. Pp. xvi + 194. $32.95 hardcover, $21.95 paperback, e-book. ISBN: 9780806190044.
German Conquistadors in Venezuela: The Welsers' Colony, Racialized Capitalism, and Cultural Memory. By Giovanna Montenegro. Notre Dame, IN: University of Notre Dame Press, 2022. Pp. xvii + 372. $95.00 hardcover, $75.99 e-book. ISBN: 9780268203214.
Seven Myths of the Spanish Conquest. By Matthew Restall. Updated edition. Oxford: Oxford University Press, 2021. Pp. xix + 272. $21.99 paperback. ISBN: 9780197537299.
Conquistadors and Aztecs: A History of the Fall of Tenochtitlan. By Stefan Rinke. Oxford: Oxford University Press, 2023. Pp. ix + 328. $34.95 hardcover. ISBN: 9780197552469.

Historians are playing an important role in Macedonian society. Their understanding of history and their focus of research interest revolves around the national identity of Macedonians and differentiating them from Others. In recent decades, the political debates in the Republic of (North) Macedonia and its relations with Bulgaria and Greece have had important impact on historiographic production and the new (revisionist) interpretations of the past. History has become an essential element in contemporary politics that is key for framing the national identity of the Macedonians. In this new political context historians are even more engaged in political campaigns and debates, thus making them and their historiographical work one of the sources for symbolic division in the country.

This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers historiographic traction over other Cold War settings. Throughout the international antiapartheid struggle, South African expressive culture was channeled through local paradigms of reception in the world beyond, in taut negotiation with aesthetic, institutional, linguistic, and political considerations. Instances of cultural translation, catachresis, and slippage resulting from the deterritorialization of South African cultural formations can thus be contextualized, historicized, and turned back reflexively on other conjunctures, to defamiliarize existing scholarship. Makeba's long exile in Ahmed Sékou Touré's Guinea between 1969 and 1986 is examined in the light of these claims. Here, Makeba crosses a theater of intense ideological contestation following Touré's 1968 socialist cultural revolution, illuminating some of its constitutive features. The article concludes with a consideration of Makeba's agency as performer at the interface between militant cultural nationalism and state prohibition in revolutionary Guinea.