Suchergebnisse

ABSTRACTAn applicable health system must be integrated with existing health facilities in the community, such as health facilities at hospitals. One of the efforts made by the hospital is hospital health promotion aimed to enable patients and their families to prevent health problems, improve health more independently, and be active in the healing process, of course while being supported by policy regulations. This study aimed to describe the implementation of hospital health promotion as a health political product that certainly affects the degree of public health. This study was a literature review. Data were collected by library research. Based on the results, making a political decision (especially in the health sector) would affect the health of the community, in addition to politics being influenced by the state of public health. The role of hospitals as health promoters could be realized through hospital health promotion with a new preventive paradigm. Moreover, health promotion could also help improve fair and equal health services while still prioritizing quality and promoting preventive and promotive efforts. More numbers of health personnel both in the curative and preventive treatment should be considered for health policymaking to improve health services, especially in hospital settings. Keywords: health promotion in hospital, health politics

Shortlyafter the turn of the century a Social Democratic newspaper characterized middle-class liberals as forming at best the "tail" (Schwanz) of Social Democracy, at worst the "tail of the Prussian Conservatives." If the remark reflects the contempt which Marxists as well as radical rightists have manifested toward the middle parties, it also suggests the precariousness, the uncertain orientation of the middle posture. Flanked on one side by the still politically dominant landed aristocracy and the influential industrial magnates, on the other side by an inexorably growing industrial working class was a variety of social and occupational groupings weakly unified by a claim to some degree of status and a consciousness of beingbürgerlich. In the imperial period the meaning ofbürgerlichwas shifting from "nonaristocratic" to "nonlaborer" without having attained the intermediate connotation of "civic." Thebürgerlichsocial and occupational groupings found their political representation primarily in the liberal and Catholic parties, secondarily in allegedly nonpolitical institutions and an array of regional, peasant, and anti-Semitic parties, increasingly in economic pressure groups.

These 13 essays consolidate and critique Rancière's work on literature, from his archival investigations of the literary efforts of 19th-century workers to his engagements with specific novelists and poets, and from his concept of 'literarity' to his central positioning of the novel in his account of the three 'regimes' of literary practice

Literature is defined as an art that develops in human society throughout the ages quite independently of sociol, whereas sociol is a sci whose purpose is to discover objective laws of soc life in all its manifestations, including creative art. The main diff between literature & the other arts is that the subject of literature is syncretic. It is held that literature lends itself more than any other art to sociol'al study. The sociol'at must try to solve the general problems concerning the nature of literature as an art & its place in the historical development of society. Literature is related to the general laws of art, & the ideological essence of art is discussed. Literature is a special form of intellectual creation which uses a special form of imagination. This imagination creates images that transform human life in a specific & expressive manner, both in the relations of its objective soc being & in the subjective world of its soc consciousness. Ideology as expressed in literature does not simply represent people's intellectual convictions or their ideas about life-it also embraces the feelings & aspirations engendered by those convictions & ideas. It is found not only in the form of theories, but is primarily a direct, emotional & total awareness of the diff manifestations of soc life. All creative artists strive to express their emotional interpretation of life in graphic & expressive images in their works because it is their ideological interpretation of life, imbued with emotion & pathos. Consequently the soc substructure of an artistic creation can explain the peculiarities of the content & form of certain works & the history of the development of all types of art throughout the world. E. Weiman.

Analyses and contextualises the concepts that underpin Ranci÷re's thought on literature, scrutinising his interpretations of particular works. This collection of 13 original essays engages with Ranci÷re's accounts of literature from across his work, putting his conceptual apparatus to work in acts of literary criticism. From his archival investigations of the literary efforts of 19th-century workers to his engagements with specific novelists and poets, and from his concept of 'literarity' to his central positioning of the novel in his account of the three 'regimes' of literary practice, this collection unearths, consolidates, evaluates and critiques Ranci÷re's work on and with literature

Culture is one of the crucial factors behind the formation and articulation of identities. Overcoming the stereotype of 'base-superstructure' binary the neo-Marxists rightly pointed out the role of culture both as a reflection of the economic base as well as the potential arena of reproducing the ruling economic base through a daily basis meticulous mechanism known as hegemony. In order to challenge the ruling hegemony a counter cultural process is required, which encompasses all the dissenting and marginal voices prevailing in the society. This paper is going to deal with such a counter cultural attempt, which is commonly known as the progressive cultural movement to challenge the ruling hegemony in the context of Bengali literature and culture. The progressive cultural movement in Bengal started as a world-wide response to the war-ridden international political order at that time, when the fascist aggression was in its peak and the scope of democracy was threatened globally. The leading intellectuals like Henry Barbusse and Romain Rolland in Europe started to organize all the intellectuals under a broader democratic and progressive organizational umbrella against destruction of war. Thus, the League against War and Fascism was established and most notably Rabindranath Tagore became its President. Inspired from this ideological aura some of the Indian intellectuals in Britain founded an organization named All India Progressive Writers Association (AIPWA), which gradually expanded its root all over India including Bengal. In Bengal, where the cultural politics was already established in the wake of Swadeshi movement, the new ideological-cultural programme was well accepted among its intelligentsia. In this we context we have to keep in mind the role of the Communist Party in mobilizing the intellectuals, bringing them under a broader ideological platform, both in India as well as in other countries. The movement was committed towards the motto of bringing back people into the literature and culture. The voice of ...

This book brings together traditional political texts with works of literature, film, and theater to demonstrate the need to go beyond traditional political analysis. It explores how the development of a moral imagination can help to counter the limits of politics.

by Alfred Thomas ; Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- 95.7503