Suchergebnisse

The late nineteenth and early twentieth centuries witnessed the construction and naturalization of many unitary ethnolinguistic categories that would serve diverse ends within the Russian and Soviet states. This article combines disciplinary perspectives from linguistic anthropology and history to excavate the local history of one such category–the Buriat language. We trace the category's origin in the grammars, translations, and correspondence of its first Russian proponents, Russian Orthodox missionary linguists working in the area around Lake Baikal, and its subsequent uptake by Buriat nationalists and Soviet linguists. We show that the missionaries and their religious motivations played a significant role in the construction of ethnolinguistic categories and that these ethnolinguistic categories were not, as is often thought, predominantly imposed by the center onto distant peripheries. Attending to Orthodox missionaries' linguistic work in the Baikal region reveals the more complex local workings of colonial power.

The Soviet 1920s and '30s saw heated debate around the issue of laughter, with writers and political actors alike asking, should the Soviet person laugh at all, and if so, how? This article considers the birth of Soviet laughter as reflected in Il'ia Il'f and Evgenii Petrov's popular satirical novels,The Twelve Chairs(1928) andThe Golden Calf(1931). I argue that Il'f and Petrov's relatively consistent critical unassailability throughout the Soviet period rests on two techniques. First, they acknowledge trauma without dwelling on it—it is always already in the past, with dramatic focus placed instead on the socialist future. Second, they encourage collective, outward-oriented laughter, stimulating Soviet citizens to unite themselves against the possible enemies of socialism. Thus, despite its inclusion of some subversive elements (like the ideologically volatile trickster Ostap Bender), Il'f and Petrov's satire was at the vanguard of what became official literary ideology.