Suchergebnisse

Ngoora: a Camping Place. Produced by the University of Adelaide, South Australia, for the Australian Institute of Aboriginal Studies, with the cooperation of the Commonwealth Department of Welfare. Photography and song recording by M. J. Barrett: editing, direction, and script by T. D. CampbellDances at Aurukun, Cape York. Made by the Commonwealth Film Unit

Book reviewed in this article:Songs from Papua New Guinea. 1983. A film by Robert Charlton.Songs of a Distant Jungle. 1984. A film by Robert Charlton.

This work reassesses Antonio Gramsci's politics in the light of contemporary Marxist critiques of mass culture. Unlike other studies of Gramsci that focus on either his political or cultural writings, it examines the relationship between politics, culture and history in his work.

Book reviewed in this article:Haudenosaunee: Way of the Longhouse. 1982. A film by Robert Stiles and John Akin.Akwesasne: Another Point of View. 1981. A film by Robert Stiles and John Akin.

This paper presents a theoretical explanation for Sweden's intervention and behavior in the Thirty Years' War. It echoes the contributions of scholars like Barkin (2003) by applying both realism and constructivism to achieve a more accurate depiction of empirical reality. Given Sweden's disadvantageous strategic position, its decision to intervene in this conflict is an important subject for empirical and theoretical investigation. Realism provides an accurate explanation of Sweden's national interests and its decision to intervene to reinstate the status quo. Constructivism also contributes to a more nuanced understanding of this conflict, since Sweden clearly recognized the existence of a broader normative structure and articulated its policy to appear acceptable within this social framework. This combination of realism and constructivism further explains Sweden's early success at forging a consolidated nation-state prior to its contemporaries, facilitating its projection of power in the anarchic international system of the Thirty Years' War.

Book reviewed in this article:The Tree of Iron. 1988. A film by Peter O'Neill, Frank Muhly, Jr., and Peter SchmidtThe Blooms of Banjeli: Technology and Gender in African Ironmaking. 1986. A film by Carlyn Saltman, Candice Goucher, and Eugenia Herbert

Avi Nesher, director, Image of Victory (Bleiberg Entertainment and United King Films, 2021), 128 minutes.

Book reviewed in this article:Todos Santos: The Survivors. 1989. A film by Olivia Carrescia.Oigame! Oigame! 1991. A video by Tanya L. Coen, John Payne, and Michael L. Higgins.

Film reviewed:Peter Cohen, Homo Sapiens 1900

The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics-Hollywood and the presidency-and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood i.

Book reviewed in this article:We Dig Coal: A Portrait of Three Women. 1983. Produced by Thomas C. Goodwin, Dorothy McGhee, and Gerardine Wurzburg.Coalmining Women. 1983. A film by Elizabeth Barret.