Suchergebnisse

Abstract
In 2010 I filmed descendants of formerly enslaved populations in Kayes narrating the history of their ancestors and the realities of internal slavery in West Africa. The result was a 23-minute documentary film entitled "The Diambourou: Slavery and Emancipation in Kayes—Mali," which was released in 2014. The film was as much responding to specific historiographical questions in the field as a tool of research action to raise awareness among younger generations and to fight legacies of social discrimination today. With the exactions perpetuated against descendants of formerly enslaved populations in the Kayes region since 2018, the film, via its access-free online version, has experienced a second life as an anti-slavery activist medium, helping to bridge the gap between endogenous historical fighting against slavery and contemporary anti-slavery activism in the Soninke diaspora.

The novel Matilde (2016) by Carola Martínez Arroyo and the story "El ahorcado" (2016) by Mariana Enríquez recapture Sarah Kay drawings to portray childhoods affected by the Chilean and Argentine dictatorships. Our goal is to study the way in which these drawings are appropriated and given new meaning in children's stories in order to communicate political violence. Based on studies in the field of memory, and with contributions from Paula Caldo (2015) on print culture and the education of female children, this article analyzes how Martínez Arroyo and Enríquez's texts organize their narratives to challenge the joyful world proposed by a market intended for children and everyday life in the context of dictatorial processes. ; A novela Matilde (2016) de Carola Martínez Arroyo e a história "El ahorcado" (2016) de Mariana Enríquez recuperam as imagens da empresa Sarah Kay para retratar as infâncias atravessadas pelos efeitos das ditaduras chilena e argentina. Nosso objetivo é estudar a maneira como essas obras são reapropriadas e ressignificar um objeto de consumo infantil para aludir à violência política do contexto. Com base nos estudos do campo das memórias e nas contribuições de Paula Caldo (2015) sobre a cultura impressa e a formação de meninas, este artigo analisa como os textos de Martínez Arroyo e Enríquez organizam suas narrativas em torno do enfrentamento do Mundo feliz proposto pelo mercado voltado para as crianças e a vida cotidiana no marco dos processos ditatoriais. ; La novela Matilde (2016) de Carola Martínez Arroyo y el cuento "El ahorcado" (2016) de Mariana Enríquez recuperan las imágenes de la firma Sarah Kay para retratar infancias atravesadas por los efectos de las dictaduras chilena y argentina. Nuestro objetivo es estudiar el modo en que estas obras se reapropian y resignifican un objeto de consumo infantil para aludir a la violencia política del contexto. A partir de los estudios del campo de las memorias y de los aportes de Paula Caldo (2015) sobre la cultura impresa y la formación de las niñas, este artículo analiza cómo los textos de Martínez Arroyo y Enríquez organizan sus narrativas en torno a la confrontación del mundo feliz propuesto por el mercado destinado al público infantil y la vida cotidiana en el marco de procesos dictatoriales.