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We will be judged in our own time and in the future by measuring the aid that we, inhabitants of a free and fortunate country, gave to our brethren in this time of greatest disaster." This declaration, made shortly after the Pogroms of November 1938 by the representatives of the Jewish communities in Sweden, was truer than anyone could have anticipated at the time. It is this sensitive and much debated issue - Jewish responses to the persecutions and mass murders of Jews during the Nazi era - with which this book deals. What actions did Swedish Jews take to aid the Jews in Europe during the years 1933-45 and what determined and constrained their policies and actions? This book focuses especially on the aid efforts of the Jewish Community of Stockholm, showing the range of activities in which the Community engaged, and the challenges and opportunities presented by official refugee policy in Sweden and by international organizations for refugee aid and foreign relief to Jews. Wheareas previous research has tended to see the Swedish Jewish response to Nazi terror as passive and overly cautious, this book modifies this picture. It concludes that in fact Swedish Jews acted incessantly and on many fronts to aid their brethren, and they did so throughout the entire period 1933 to 1945. Moreover, the form and limited scope of that aid are ultimately attributable more to rigid governmental refugee policies, inadequate financial resources, and international pressures than to a lack of effort or will on the part of Swedish Jews. --

Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.