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This original study, published initially in 1959, introduces students of philosophy and of theology to a treatment of religion based upon the methods of modern philosophy - particularly logical empiricism and existentialism.Above and beyond the importance of its point of view, this book is distinguished by its clarity and by its objective and understanding presentation of diverse points of view

"Hobbes's Philosophy of Religion presents a new scholarly interpretation of Hobbes's treatment of religious speech and practice. It argues that the key to Hobbes's treatment of religion is his theory of religious language. According to Hobbes, the proper function of religious language is not to describe, state facts, or affirm truths. Instead, such talk ought only to express attitudes of honour, reverence, and humility before the incomprehensible great cause of nature. His theory valorises the traditional discourses of theism, natural religion, and revealed religion, but only as an expression of reverence without descriptive import. Hobbes is sincerely pious, rejecting atheism and irreligion. But he also rejects literal-minded theism, and any realist conception of the divine attributes. The book provides a comprehensive study of Hobbes's highly original treatment of religion. It also offers an integrated account of Hobbes's philosophical thought around religious topics. The account brings out the connections between Hobbes's theoretical philosophy - including his philosophy of mind, language, and human nature - and his practical religious politics, including his views on religious toleration, ecclesiology, and the religious function of the civil state--

A classic in the area, originally published in 1901, this book is a survey of the past work in the field of philosophy of religion, a conspectus of literature and comparison of methods and theologies from the Reformation to the start of the twentieth century.The Introduction part of the volume offers a classification system to explain the order of the detailed section of the book. Lesser-known theologians are covered as well as great thinkers, a deliberate choice on the part of the author. Within each chapter, types of theism are then broken down into sections on individual thinkers

This book offers a philosophical analysis of what it is to be a human being in all her aspects. It analyses what is meant by the self and the I and how this feeling of a self or an I is connected to the brain. It studies specific cases of brain disorders, based on the idea that in order to understand the common, one has to study the specific. The book shows how the self is thought of as a three-fold emergent self, comprising a relationship between an objective neural segment, a subjective neural segment and a subjective transcendent segment. It explains that the self in the world tackles philosophical problems such as the problem of free will, the problem of evil, the problem of human uniqueness and empathy. It demonstrates how the problem of time also has its place here. For many people, the world includes ultimate reality; hence the book provides an analysis and evaluation of different relationships between human beings and Ultimate Reality (God). The book presents an answer to the philosophical problem of how one could understand divine action in the world.

At a time when religion and science are thought to be at loggerheads, art is widely hailed as religion's natural spiritual ally. Philosophy, Art, and Religion investigates the extent to which this is true. It charts the way in which modern conceptions of 'Art' often marginalize the sacred arts, construing choral and instrumental music, painting and iconography, poetry, drama, and architecture as 'applied' arts that necessarily fall short of the ideal of 'art for art's sake'. Drawing on both history of art and philosophical aesthetics, Graham sets out the historical context in which the arts came to free themselves from religious patronage, in order to conceptualize the cultural context in which religious art currently finds itself. The book then relocates religious art within the aesthetics of everyday life. Subsequent chapters systematically explore each of the sacred arts, using a wide range of illustrative examples to uncover the ways in which artworks can illuminate religious faith, and religious content can lend artworks a deeper dimension.

Norman Wirzba, Bruce Ellis Benson, and an international group of philosophers and theologians describe how various expressions of philosophy are transformed by the discipline of love. What is at stake is how philosophy colors and shapes the way we receive and engage each other, our world, and God. Focusing primarily on the Continental tradition of philosophy of religion, the work presented in this volume engages thinkers such as St. Paul, Meister Eckhart, Kierkegaard, Husserl, Heidegger, Ricoeur, Derrida

Friedrich Jacobi held a position of unparalleled importance in the golden age of late eighteenth and early nineteenth century intellectual history. Nonetheless, the range and style of his thought and its expression has always posed interpretative challenges that continue to hinder his reception. This volume introduces and evaluates Jacobi's pivotal place in the history of ideas. It explores his role in catalyzing the close of the Enlightenment through his critique of reason, how he shaped the reception of Kant's critical philosophy and the subsequent development of German idealism, his effect on the development of Romanticism and religion through his emphasis on feeling, and his influence in shaping the emergence of existentialism. This volume serves as an authoritative resource for one of the most important yet underappreciated figures in modern European intellectual history. It also recasts our understanding of Fichte, Hegel, Kierkegaard, and others in light of his influence and impact.