Suchergebnisse

Northern Haida Songs. John Enrico and Wendy Bross Stuart. Lincoln: University of Nebraska Press; Bloomington: Indiana University Press, 1996. 519 pp.

"A beautifully crafted memoir of a family coping with their mother's dementia, Song for Rosaleen is both a celebration of Rosaleen Desmond's life and an unflinching account of the practical and ethical dilemmas that faced her six children"--Back cover

It may come as a surprise that Brecht has highly developed and original ideas about how music should serve the text in his songs. Even more surprising is the willingness of those professional composers with whom he collaborated notably Kurt Weill, Paul Dessau, and Hanns Eisler, to accept Brecht as a musical mentor.

Cover title. ; Principally political songs, sung to popular tunes. ; Without music. ; Mode of access: Internet.

The Republic of Somali has recently been conducting a militant campaign for the reunification of 'the five parts of the Somali nation'—British Somaliland and Italian Somalia (already united), French Somaliland, the Ethiopian regions of the Ogaden, the Haud, and the Reserved Area, and the Northern Frontier District (N.F.D.) of Kenya. The two principal weapons in this campaign have been diplomacy and the radio. This article is concerned with one aspect of the radio war—the series or Somali songs and poems broadcast regularly between September and December 1963 from Mogadishu, and to a lesser extent from Radio Cario.

El objetivo de este escrito es realizar una reseña del libro de Guillermo Barzuna Pérez, para enfatizar en el análisis de los movimientos de la Nueva Canción o Canción Testimonial que surgieron en Latinoamérica durante la segunda mitad del siglo XX. Partiendo de la mirada del autor al considerar la Canción Testimonial como aporte para entender la historia sociopolítica del continente, se analizará, desde una perspectiva crítica, la unidad de tales movimientos replanteando el grado de aglutinamiento que permiten los acontecimientos con características particulares que resultan propios de unos casos y no se evidencian en todos. ; The object of this article is to do a review of the book by Guillermo Barzuna Pérez, emphasizing on the analysis of the movements of the new song or testimonial song that appeared in Latin America during the second half of the 20th century. Starting from the author´s point of view when he considers the testimonial song as an input to understand the social political history of the continent, the unity of those movements will be analyzed from a critical perspective rethinking the agglutination that comes from the situations with specific characteristics that are part of some of them but not all. ; Facultad de Bellas Artes

In order as sections appear in text (differ from contents as listed on p. v-x): Preface -- Sonnets -- Floridian fancies -- Canadian themes -- From across the sea -- Democratic doctrines -- Miscellaneous sonnets -- Lily and the angel -- Love songs -- The strange musician. ; Electronic reproduction. [Florida] : State University System of Florida, PALMM Project, 2003. (Florida heritage collection) Mode of access: World Wide Web. System requirements: Internet connectivity; Web browser software; Adobe Acrobat Reader to view and print PDF files. Electronically digitized by the University of Central Florida from a book held in the Main Library at the University of Central Florida, Orlando.

"The Eurovision Song Contest (ESC) is more than a musical event that ostensibly "unites European people" through music. It is a spectacle and performative event, one that allegorically represents the idea of "Europe." In "Empire of Song: Europe and Nation in the Eurovision Song Contest," contributors interpret the ESC as a musical "mediascape" and mega-event that has variously performed and performs the changing visions of the European project. Through the study of the cultural politics of the ESC, essayists discuss the ways in which music operates as a dynamic nexus for making national identities and European sensibilities, generating processes of 'assimilation' or 'integration,' and defining the celebrated notion of the 'European citizen' in a global context

Characterisation in Venda ngano song narratives affirms social identity as comprising multiple divergent social roles that are situationally enacted. Such characterisation subverts the notion of structure as the fixed, overarching principle of social organisation. Instead, structure emerges as a variable framework within which divergent views of the world are expressed in a variety of conflicting situations. Any notion of a dominance-acquiescence dichotomy that posits male and traditional political hegemony against submission by women and other subordinates is undermined by the interaction of a range of power forms, and by resistance to dominance.

The Indonesian government issues Regulation Government Number 56 of 2021 concerning Management Royalty Right Create Song and or Music as well as Regulation of the Minister of Law and Rights basic Man Number 20 of 2021 concerning Regulation Implementation Regulation Government Number 56 of 2021 concerning Management Royalty Right Create Song and or Music as regulation implementation from Law No. 28 of 2014 concerning Right Create. One points urgent from second regulation the is mandate formation and development System Information Song and or Responsible music answer on administration and management royalty right create on songs and music used by users as a system integrated information. System Information Song and or Music is one effort government for give protection law on right create songs and music owned by creator. This post will use method study qualitative with approach descriptive comparing evaluation existence System Information Song and or Relative music new in Indonesia with practice international, in Thing this is United States of America as a country with industry music largest and commercialization. right create digital song has been recognized by wide.

This item is part of the Political & Rights Issues & Social Movements (PRISM) digital collection, a collaborative initiative between Florida Atlantic University and University of Central Florida in the Publication of Archival, Library & Museum Materials (PALMM).

The Tweed Family Papers consists primarily of correspondence between Mrs. Richard Tweed and her children, relatives, and friends. Diaries, essays and poetry written by family members, newspaper clippings (photocopies), and financial and legal material are also included, as are a handful of photographs. All related primarily to the life of Mrs. Richard Tweed and her descendants. ; Mrs. Richard Tweed, upon whom the majority of the materials focus, was the sister-in-law of William Marcy ("Boss") Tweed, who controlled the Democratic political machine at New York City's Tammany Hall during the mid-19th century. He and his associates misappropriated public funds on a large scale, leading to his arrest and imprisonment in 1871. ; The Tweed Family Papers are organized by the following categories: Correspondence, Newspapers, Literary Production, Photographs, Financial Material, Printed Material, Scrapbook Material, Legal Material, and Artifacts. ; Tweed Family Papers, 1836-1932 and undated, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas ; Box 1, File 14