RALPH LEE WOODWARD, JR: William Walker and the History of Nicaragua in the Nineteenth Century (Book Review)
In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 15, Heft 1
ISSN: 0023-8791
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In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 15, Heft 1
ISSN: 0023-8791
Front cover -- Half title page -- Full title page -- Contents -- Foreword -- Preface -- Oka Peace Camp- September 9, 1990 -- Dedication -- Prologue -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Epilogue 1990 -- Back cover.
In: Ecotoxicology and environmental safety: EES ; official journal of the International Society of Ecotoxicology and Environmental safety, Band 68, Heft 3, S. 397-404
ISSN: 1090-2414
In: American anthropologist: AA, Band 84, Heft 4, S. 992-994
ISSN: 1548-1433
It was the 1950s, a tumultuous time for post-war Singapore. Disgruntled with the British ruling power, anti-colonial forces were calling for independence. The main contenders were the People's Action Party (PAP) led by nationalist Lee Kuan Yew and the Communist Party of Malaya (CPM) headed by Chin Peng. Displaying their political acumen, Lee and his team overcame all adversities to win the people's mandate. Lee, who became Singapore's first Prime Minister, orchestrated the movement to build a prosperous and peaceful Singapore. When he stepped down in 1990, he left behind an efficient governmen
In: Cahiers québécois de démographie, Band 19, Heft 1, S. 140
ISSN: 1705-1495
In: Feminist Media Histories, Band 1, Heft 2, S. 125-134
ISSN: 2373-7492
This short essay provides an overview of the career of Lee Dick, a female nonfiction film director and producer in the late 1930s and '40s. With a body of work that traverses documentary, industrial, and amateur production, Dick challenges perceived divisions between often overlapping spheres of nonfiction filmmaking and invokes tensions between personal and institutional authorship within a sponsored, and deeply collaborative, media context. Her largely unexamined career is a window into gendered labor and mid-twentieth-century media production.
The legacy of John Fitzgerald Kennedy -- Timeline June 9, 1963 to Dallas -- Timeline November 23, 1964 through the Johnson years -- Oswald's early years -- Oswald's Marine Years -- Oswald's Russian Experience -- Oswald's return to the USA -- The summer of '63: Oswald's return to Dallas -- Three weeks in September 1963 -- Mexico: late September 1963 to Early October 1963 -- October 1963 -- Assassination attempts prior to Dallas -- Early November through November 21, 1963 -- November 14, 1963 -- Dallas November 23-25 -- Developments with the autopsy -- The Zapruder film, and other films and pictures -- Washington, November 23, 1963 to January 23, 1964 -- Advocacy research: revisiting The Warren Comission -- It was the best of times; it was the beginning of the worst of times -- Johnson' full term 1965-1969 -- Why Is Oswald still considered the assassin? -- Who is responsible for the assassination of John F. Kennedy? -- The continuing coverup
Abstract Montana's Lee Metcalf was an extraordinary Montana leader with an unbelievable record of accomplishment fighting for the little people against the forces of economic and political power. The public memory is so short that this film will serve to help reacquaint Lee & Donna Metcalf to most of those who were around during their time. But it will also provide an opportunity for new generations to receive a perspective of an important leader from an important time. (Language from YouTube version of the film, written and provided by Executive Producer Evan Barrett) Lee Warren Metcalf (January 28, 1911 – January 12, 1978) was an American lawyer, judge, and politician. A member of the Democratic Party, he served as a U.S. Representative (1953–1961) and a U.S. Senator (1961–1978) from Montana. He was permanent acting President pro tempore of the Senate, the only person to hold that position, from 1963 until his death in 1978. U.S. House of Representatives During his tenure in the House, Metcalf served on the Education and Labor Committee (1953–1959), Interior and Insular Affairs Committee (1955–1959), Select Astronautics and Space Exploration Committee (1958), and Ways and Means Committee (1959–1960). He became known as one of Congress's "Young Turks" who promoted liberal domestic social legislation and reform of congressional procedures. He introduced legislation to provide health care to the elderly ten years before the creation of Medicare. He earned the nickname "Mr. Education" after sponsoring a comprehensive bill providing for federal aid to education. He also voted against legislation that would have raised grazing permits on federal lands, and led the opposition to a bill that would have swapped forested public lands for cutover private lands. He was elected chairman of the Democratic Study Group in 1959. U. S. Senate Regarded as "a pioneer of the conservation movement", Metcalf worked to protect the natural environment and regulate utilities. He helped pass the Wilderness Act of 1964, and supported ...
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"Stagger" Lee Shelton (1865-1912) was an African-American carriage driver and sometime-pimp from Missouri. He became immortalized in song as a folklore antihero after murdering a drinking partner following a political argument gone bad in a St Louis saloon on Christmas day, 1895. Sentenced to 25 years in prison, Shelton died in Missouri State Penitentiary after violating his parole with a subsequent conviction for assault and robbery. The song, Stack-a-Lee was first documented in 1897, becoming well known in African American communities along the lower Mississippi River over the following decade as Stagolee, Stagger Lee, Stack OLee and other variants. Two versions were published in the Journal of American Folklore in 1911, with notable recordings entering the charts in the 1920s and beyond. Stagger Lee embodies the archetype of a violent and dangerous antihero as his story is retold, and reimagined or referenced in film, becoming a potent symbol of racial conflict in the United States.In both music and cinematic reincarnations, Stagger Lee seems to have an enduring popularity, partly due to the changing nature of his story, which ensures his tale remains up-to-date (it was most recently adapted to a musical in 2015). This article considers how and why this paean to violence, with its fetishistic vision of extreme masculinity, has become something of a standard in the American folk canon.
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In: The American journal of sociology, Band 67, Heft 6, S. 718-719
ISSN: 1537-5390
Bildband, der Lee Millers zwischen März und Mai 1945 in Deutschland entstandene Fotografien enthält und das Alltagsleben der Deutschen in ihren verwüsteten Städten, sowie die Befreiung der Konzentrationslager Buchenwald und Dachau dokumentiert. Rezension: Lee Miller, eine der grossen Fotografinnen des 20. Jahrhunderts, wurde durch ihre Fotoreportagen, in denen sie ab 1944 an der Seite der US-Streitkräfte das europäische Kriegsgeschehen dokumentierte, weltberühmt. In den Bänden "Der Krieg ist aus" (1995), "Lee Miller" (2015) und "Krieg" (2014) wurden ihre Kriegsfotos und Reportagen bereits mehrfach publiziert. Der vorliegende, vom renommierten US-Historiker R. Bessel eingeführte Bildband enthält 150, teilweise unveröffentlichte Aufnahmen, die in den letzten Kriegstagen von März bis Mai 1945 in Deutschland entstanden sind. Millers Fotografien der zerstörten deutschen Städte von Aachen bis Torgau, des Alltagslebens der Deutschen kurz vor und nach Kriegsende, sowie der Konzentrationslager Buchenwald und Dachau unmittelbar nach ihrer Befreiung gelten als wichtige Zeugnisse der Zeitgeschichte. - Für ausgebaute Geschichtsbestände und ergänzend zu den oben genannten Titeln. (3)
In: Naval War College review, Band 62, Heft 1, S. 157-157
ISSN: 0028-1484