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In: http://hdl.handle.net/2027/ucm.532425829x
Mode of access: Internet. ; Portada con viñeta xilográfica. ; Sign.: []1, A-P12, Q13.
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In: Central and Eastern European migration review: CEEMR
ISSN: 2300-1682
In: Genocide studies and prevention: an international journal ; official journal of the International Association of Genocide Scholars, IAGS, Band 9, Heft 1, S. 96-113
ISSN: 1911-9933
In: American Indian Culture and Research Journal, Band 37, Heft 2, S. 53-72
This paper explores how hip-hop artists mobilize sound and style to manage loss, build new futures, and create resilient communities. Embracing an "untraditional" medium, young people contest settler violence and hegemonies of shame by expressing unique, politicized possibilities of being Indigenous, or what I am calling (ab)originality: a style of being first, fresh, and foremost. Heritage is an act of reverent rebellion: an individual honors continuity, but defies the trappings of tradition, which shackle Indigeneity to the geography and the customs of the past. Through love and creativity, artists claim visibility, voice, and everywhere.
In: Cato policy report: publ. bimonthly by the Cato Institute, Band 29, Heft 1, S. 17-19
ISSN: 0743-605X