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Introduction In this communication we intend to make a reflection about the way nurses should operationalize the human rights promotion in the research in their everyday lives face to the adjacent conditioning factors. It initiates by an approach of scientific knowledge, passing by the relevance of the discourse visibility through the dissemination of research results, with repercussions in the credibility and safety of the clinical practices. Development The research as one of the pillars for the developing and sustaining of discipline and the nursing profession, imposes compliance with ethical principles, where the primacy is the safeguarding of human rights of the person and / or vulnerable groups. Evidence is also the principles of good clinical practice applicable to research on human beings and the basic requirements for the ethical evaluation of any clinical research. It reinforces the need for each and every investigator have as imperative the fulfillment of standards of good practice and specific legislation and transversal to different types of research studies concerning human subjects. The nurse as a health professional is responsible for safeguarding the human rights of participants in clinical studies from design and conducting until its publication, thereby ensuring human dignity as a constitutional principle. Conclusions At last, make explicit to some international and national standards and procedural and ethical requirements to be observed in achievement / participation in a clinical research study with human beings with view of obtaining new knowledge, scientifically valid and generalizable. ; Introdução Nesta comunicação pretende-se fazer uma reflexão sobre a forma como os enfermeiros devem operacionalizar a promoção dos direitos humanos na investigação no seu quotidiano face aos fatores condicionantes adjacentes. Enceta-se por uma abordagem do conhecimento científico, passando pela relevância da visibilidade do discurso através da divulgação de resultados de investigação, com repercussões na ...

This article explores the contemporary legitimation of institutional racism resulting from the prevailing depoliticized framework of integration, which became prominent in the 1960s and is now hegemonic in political and academic debate in Europe. Integration has helped shift the focus to the supposed cultural inadequacies of ethnically marked populations, who ought to show a willingness to pursue the modern dream; simultaneously, it has invisibilized institutional racism and made an anti-racist repertoire unavailable. This argument is illustrated through a case of white flight and school segregation in a rural area in Portugal, revealing both the enduring racism against the Roma/Gypsies – suppressed and repressed throughout the last five centuries in Europe – and its depoliticization within the normal working of institutions. It draws on qualitative research with representatives from public bodies and mediating agents (e.g. teachers and social workers), as well as on analysis of the official reports by the Portuguese state and European institutions.

AbstractIn the context of reflections on modernity, an increasingly widespread belief seems to be emerging: the subject at which it is necessary to direct our attention, to which to throw a lifeline as it were, is the concrete and real human being, alone and at the same time besieged by increasingly tight and numerous systemic schemes. Are the "human subject" and his social context only undergoing a deep transformation, or are they actually in danger? This "new" knowledge involves all the humanistic and social sciences, such as philosophy, anthropology, psychology, economics, political science, and theology, in a sort of fusion and pact for mankind.Great spiritualities include life experiences and ideas that reverberate on everyday life, lifestyles, and culture. From the very beginning, Chiara Lubich's spirituality, is based on two fundamental concepts: unity and forsaken Jesus, has been perceived as a new way to know God, but also as an idea that is able to renew human life, as well as to penetrate social and cultural realities.

Este artigo tem como propósito dialogar com o leitor/espectador, no âmbito da escrita, sobre as imagens que compuseram a exposição Fotografía en los Andes. A citada exposição foi realizada na Fundação Cultural de Foz do Iguaçu, com propósito de provocar uma discussão sobre os Andes na região da tríplice fronteira. Por meio de uma reflexão sistemática, procurarei articular a papel da fotografia na construção da narrativa etnográfica, entreameada, por momentos da pesquisa e das imagens que fizeram parte da exposição. Palavras chave: Fotografia. Etnografia. Exposição. The exposure in letters moments and reflections Fotografía en los Andes Abstract This article aims to engage with the reader / viewer, in writing, about the images that comprised the exhibition Fotografía en los Andes. The exhibit was held at the Cultural Foundation of Foz do Iguaçu, with purpose to provoke a discussion on the Andes in the triple border region. Through a systematic analysis, I will articulate the role of photography in the construction of narrative ethnography, entreameada, search for moments and images that were part of the exhibition. Keywords: Photography. Ethnography. Exhibition.

Dois conceitos de inspiração marxiana, derivados do trabalho de investigação do autor sobre diferentes campos da música no Brasil e sua relação com noções de tempo, trabalho e política, impulsionam uma reflexão sobre a articulação entre os planos macro e micropolíticos em sua experiência de cerca de dez anos no terreno da investigação-ação participativa da práxis sonoro-musical. Palavras-chave: trabalho acústico, práxis sonora, etnomusicologia, sociedade pós-industrial Entre muros, rejas y blindados; trabajo acústico y praxis sonora en la sociedad post-industrial Dos conceptos de inspiración marxiana, derivados del trabajo de investigación del autor sobre diferentes campos de la música en Brasil y su relación con las nociones de tiempo, trabajo y política, impulsan una reflexión sobre la articulación entre los planos macro y micropolíticos y la experiencia de diez años de investigación del autor en el campo de la investigación-acción participativa sobre la praxis sonoro-musical. Palabras clave: trabajo acústico, praxis sonora, etnomusicología, sociedad post-industrial Amongst Walls, Fences and Armored Cars; Acoustic Labor and Sound Praxis in Post-industrial Society Abstract Two concepts of Marxian inspiration, derived from the author's research on different music domains in Brazil and their relationships with notions of time, labor and politics, deploy a reflexive thinking over the articulation between macro and micropolitical levels in his nearly ten-year experience in the field of participatory action-research on sonic-musical praxis. Keywords: Acoustic labor, sound praxis, ethnomusicology, post-industrial society ; Dois conceitos de inspiração marxiana, derivados do trabalho de investigação do autor sobre diferentes campos da música no Brasil e sua relação com noções de tempo, trabalho e política, impulsionam uma reflexão sobre a articulação entre os planos macro e micropolíticos em sua experiência de cerca de dez anos no terreno da investigação-ação participativa da práxis sonoro-musical. Palavras-chave: trabalho acústico, práxis sonora, etnomusicologia, sociedade pós-industrial Entre muros, rejas y blindados; trabajo acústico y praxis sonora en la sociedad post-industrial Dos conceptos de inspiración marxiana, derivados del trabajo de investigación del autor sobre diferentes campos de la música en Brasil y su relación con las nociones de tiempo, trabajo y política, impulsan una reflexión sobre la articulación entre los planos macro y micropolíticos y la experiencia de diez años de investigación del autor en el campo de la investigación-acción participativa sobre la praxis sonoro-musical. Palabras clave: trabajo acústico, praxis sonora, etnomusicología, sociedad post-industrial Amongst Walls, Fences and Armored Cars; Acoustic Labor and Sound Praxis in Post-industrial Society Two concepts of Marxian inspiration, derived from the author's research on different music domains in Brazil and their relationships with notions of time, labor and politics, deploy a reflexive thinking over the articulation between macro and micropolitical levels in his nearly ten-year experience in the field of participatory action-research on sonic-musical praxis. Keywords: Acoustic labor, sound praxis, ethnomusicology, post-industrial society ; Dois conceitos de inspiração marxiana, derivados do trabalho de investigação do autor sobre diferentes campos da música no Brasil e sua relação com noções de tempo, trabalho e política, impulsionam uma reflexão sobre a articulação entre os planos macro e micropolíticos em sua experiência de cerca de dez anos no terreno da investigação-ação participativa da práxis sonoro-musical. Palavras-chave: trabalho acústico, práxis sonora, etnomusicologia, sociedade pós-industrial Entre muros, rejas y blindados; trabajo acústico y praxis sonora en la sociedad post-industrial Dos conceptos de inspiración marxiana, derivados del trabajo de investigación del autor sobre diferentes campos de la música en Brasil y su relación con las nociones de tiempo, trabajo y política, impulsan una reflexión sobre la articulación entre los planos macro y micropolíticos y la experiencia de diez años de investigación del autor en el campo de la investigación-acción participativa sobre la praxis sonoro-musical. Palabras clave: trabajo acústico, praxis sonora, etnomusicología, sociedad post-industrial Amongst Walls, Fences and Armored Cars; Acoustic Labor and Sound Praxis in Post-industrial Society Two concepts of Marxian inspiration, derived from the author's research on different music domains in Brazil and their relationships with notions of time, labor and politics, deploy a reflexive thinking over the articulation between macro and micropolitical levels in his nearly ten-year experience in the field of participatory action-research on sonic-musical praxis. Keywords: Acoustic labor, sound praxis, ethnomusicology, post-industrial society